This notecard features a detail of the artwork Distorted Tree (1912) by David B. Milne (1882–1953). 

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

This notecard features a detail of the artwork Supernatural Kolus (2014) by Beau Dick (1955–2017). 

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

This notecard features a detail of the artwork The Visit (1967) by Jean Paul Lemieux (1904–1990). 

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

This magnet features the artwork Snow II (1915) by Lawren S. Harris (1885–1970). 

6.5 x 9 cm (2.5 x 3.5 in.) 

In the collection of the National Gallery of Canada.

Related Exhibition: Winter Count: Embracing the Cold

This magnet features the artwork Winter Brook (1908) by Gustaf Edolf Fjæstad (1868–1948). 

9 x 6.5 cm (3.5 x 2.5 in.) 

In the collection of the National Gallery of Canada.

Related Exhibition: Winter Count: Embracing the Cold

This magnet features the artwork The Ukrainian Pioneer, No. 5 (1971–1976) by William Kurelek (1927–1977). 

6.5 x 9 cm (2.5 x 3.5 in.) 

In the collection of the National Gallery of Canada.

Related Exhibition: Winter Count: Embracing the Cold

This magnet features the artwork Snowbound (1915) by J.E.H MacDonald (1873–1932). 

9 x 6.5 cm (3.5 x 2.5 in.) 

In the collection of the National Gallery of Canada.

Related Exhibition: Winter Count: Embracing the Cold

This magnet features the artwork The Return of the Sun (1961) by Kenojuak Ashevak (1927–2013). 

9 x 6.5 cm (3.5 x 2.5 in.) 

In the collection of the National Gallery of Canada.

Related Exhibition: Winter Count: Embracing the Cold

This magnet features the artwork Winter Bird (1984) by Pudlo Pudlat (1916–1992). 

9 x 6.5 cm (3.5 x 2.5 in.) 

In the collection of the National Gallery of Canada.

Related Exhibition: Winter Count: Embracing the Cold

This magnet features the artwork April in the Laurentians (1922–1924) by Anne Savage (1896–1971). 

9 x 6.5 cm (3.5 x 2.5 in.) 

In the collection of the National Gallery of Canada.

Related Exhibition: Winter Count: Embracing the Cold

This magnet features the artwork Doc Snyder's House (1931) by L.L. Fitzgerald (1890–1956). 

6.5 x 9 cm (2.5 x 3.5 in.) 

In the collection of the National Gallery of Canada.

Related Exhibition: Winter Count: Embracing the Cold

This magnet features the artwork A Northern Night (1917) by Franz Johnston (1888–1949). 

6.5 x 9 cm (2.5 x 3.5 in.) 

In the collection of the National Gallery of Canada.

Related Exhibition: Winter Count: Embracing the Cold

This metallic magnet features a detail from the painting Red House in Winter (1925) by Lawren S. Harris (1885–1970). 

9 x 7.8 cm (3.5 x 3 in.)

This soft and absorbent microfibre towel features a detail from the painting Red House in Winter (1925) by Lawren S. Harris (1885–1970).

70 x 50 cm (27.5 x 19.7 in.)
100% Microfibre

Get your creativity flowing with this compact journal featuring a detail from the painting Red House in Winter (1925) by Lawren Harris (1885–1970). 

Hardcover | 120 lined pages 
12 x 17 x 1.3 cm (4.7 x 6.7 x 0.5 in.) 
Elastic band closure and ribbon bookmark 

Make an artistic impression with this set of 4 coasters featuring a detail from the painting Red House in Winter (1925) by Lawren S. Harris (1885–1970).

9.5 x 9.5 cm (3.7 x 3.7 in.)
Cork

Anka Muhlstein

Camille Pissarro (1830-1903) occupied a central place in the art world of his time: a founding member of the new French school of painting, Impressionism, he attracted Monet, Renoir, Sisley, Degas, Berthe Morisot, and later Cézanne and Gauguin. Supported throughout his career, despite the hostility of the public, by the great Parisian art dealer Paul Durand-Ruel, he had a persistent feeling of being apart, different, and difficult to classify. Settling in France at the age of twenty-five but born in the Danish West Indies, he was not French and, moreover, he was Jewish. He never hid this fact and knew that it was not insignificant in French society, which was shaken at the end of the 19th century by the defeat of 1870, workers' struggles, and the Dreyfus affair. His two passions were painting and the artistic education of his children. Thanks to his astonishing energy and availability, he never sacrificed one for the other, and his five sons became painters themselves. Drawing on Pissarro's considerable body of work and a vast collection of letters that reveal his warm nature and great freedom of thought, Anka Muhlstein paints a nuanced and intimate portrait of an artist with an independent and singular spirit.

Paperback | 272 pages
22.7 x 14.3 cm (8.9 x 5.6 in.) 
Publication Date: 2024

Only available in French.

Ian M. Thom

Remarkable paintings grace the pages of Maria Chapdelaine, a novel written by a Frenchman yet embraced by generations of Canadian readers. Renowned Canadian artist Clarence Gagnon used a meticulous process to create 54 small paintings for Louis Hémon’s early 20th-century story set in the Quebec countryside. Gagnon’s vivid illustrations depict the strength of body and soul necessary to survive such a harsh environment. All of the Gagnon Maria Chapdelaine illustrations are reproduced in this book, with excerpts from the novel. The complete set of paintings resides in the McMichael Canadian Art Collection, where it is considered a rare treasure. Art historian and curator Ian M. Thom in his essay provides insight into Gagnon’s life and an appreciation of his art.

Hardcover | 120 pages
22.5 x 20.3 cm (9 x 8 in.) 
Publication Date: 2020

David P. Silcox 

David Milne (1882–1953) experienced life as an artist in turn-of-the-century New York, as a soldier in World War I, and as a contemporary of the Group of Seven in Canada. This book traces the gifted painter's development over the course of tumultuous personal and historical events.  

Paperback | 64 pages 
22.8 x 22.8 cm (9 x 9 in.) 
Publication Date: 2005

Pan Wendt 

“The struggle to realize and to express my nature is my life’s meaning.” — Erica Rutherford 

Erica Rutherford: Her Lives and Works accompanies a career-spanning retrospective exhibition of this multidisciplinary Canadian artist and transgender pioneer. 

An artist, actor, filmmaker, farmer, teacher, and writer, Erica Rutherford’s remarkably multifaceted career took her across several countries and continents before settling on Prince Edward Island in the 1970s. There she established herself as a painter and printmaker, using art to engage in a reflection on gender construction and agency. 

This remarkable retrospective includes reproductions of more than 65 paintings, prints, and drawings, as well as personal photographs. An interview with Rutherford’s widow, artist Gail Rutherford, accompanies critical essays by scholars and curators examining Rutherford’s stylistic evolution from dark semi-abstract collages to hard-edged Pop Art. Says editor and curator Pan Wendt, “In retrospect, Rutherford’s work represents a courageous and often solitary mission of working through questions that are only now part of the mainstream public discourse.” 

Hardcover | 176 pages
22.2 x 28.6 cm (8.7 x 11.3 in.) 
Publication Date: 2025