This notecard features Louise Bourgeois’ sculpture Maman (1999, cast 2003). Presiding over the plaza of the National Gallery of Canada, Maman was inspired by the artist’s own mother, and stands as a nurturing and protective symbol of fertility, shelter and the home.

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.

© The Easton Foundation / VAGA at ARS, NY / CARCC Ottawa 2025

This notebook features Louise Bourgeois’ sculpture Maman (1999, cast 2003). Presiding over the plaza of the National Gallery of Canada, Maman was inspired by the artist’s own mother, and stands as a nurturing and protective symbol of fertility, shelter and the home.

48 blank pages
10.5 x 16.5 x 0.5 cm (4 x 6.5 x 0.2 in.)

© The Easton Foundation / VAGA at ARS, NY / CARCC Ottawa 2024

Jin-me Yoon (b. 1960)
Souvenirs of the Self (Lake Louise), 1991

Yoon emigrated from South Korea to Vancouver in 1968. While studying contemporary art, she was exposed to artists and theorists engaged with questions of sexual and cultural difference. Her work is recognized for contributing to the ongoing discussions concerning identity and place.

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

Jin-me Yoon (b. 1960)
Souvenirs of the Self (Lake Louise), 1991

Yoon emigrated from South Korea to Vancouver in 1968. While studying contemporary art, she was exposed to artists and theorists engaged with questions of sexual and cultural difference. Her work is recognized for contributing to the ongoing discussions concerning identity and place.

9 x 6.5 cm (3.5 x 2.5 in.)

In the collection of the National Gallery of Canada.

This tote bag features Louise Bourgeois’ sculpture Maman (1999, cast 2003). Presiding over the plaza of the National Gallery of Canada, Maman was inspired by the artist’s own mother and stands as a nurturing and protective symbol of fertility, shelter and the home. 

Made in Canada
33 x 38 x 7.6 cm (13 x 15 x 3 in.)
65% polyester | 35% cotton 

© The Easton Foundation / VAGA at ARS, NY / CARCC Ottawa 2024

This mousepad features Louise Bourgeois’ sculpture Maman (1999, cast 2003). Presiding over the plaza of the National Gallery of Canada, Maman was inspired by the artist’s own mother, and stands as a nurturing and protective symbol of fertility, shelter and the home.

23.4 x 19.5 cm (9 ¼ x 7 ¾ in.)

© The Easton Foundation / VAGA at ARS, NY / CARCC Ottawa 2024

This bookmark features Louise Bourgeois’ sculptureMaman (1999, cast 2003). Presiding over the plaza of the National Gallery of Canada,Maman was inspired by the artist’s own mother, and stands as a nurturing and protective symbol of fertility, shelter and the home.

Paper
7 x 21 cm (2.75 x 8.25 in.)

© The Easton Foundation / VAGA at ARS, NY / CARCC Ottawa 2024

This poster features Louise Bourgeois’ sculpture Maman (1999, cast 2003). Presiding over the plaza of the National Gallery of Canada, Maman was inspired by the artist’s own mother, and stands as a nurturing and protective symbol of fertility, shelter and the home.

Dimensions:
Image size: 30 x 23.5 cm (11.8 x 9.25 in.)
Paper size: 35.6 x 27.9 cm (14 x 11 in.)

© The Easton Foundation / VAGA at ARS, NY / CARCC Ottawa 2024

This stainless steel travel mug features Louise Bourgeois’ sculpture Maman (1999, cast 2003). Presiding over the plaza of the National Gallery of Canada, Maman was inspired by the artist’s own mother, and stands as a nurturing and protective symbol of fertility, shelter and the home. The neoprene cover is waterproof, stain proof, and eliminates condensation.

8 cm (3 ¼ in.) in diameter
Holds 473 ml (16 fl. oz.)
Hand wash

© The Easton Foundation / VAGA at ARS, NY / CARCC Ottawa 2024

This tea towel features Louise Bourgeois’ sculpture Maman (1999, cast 2003). Presiding over the plaza of the National Gallery of Canada, Maman was inspired by the artist’s own mother, and stands as a nurturing and protective symbol of fertility, shelter and the home. 

100% Cotton 
70 x 50 cm (27.5 x 19.5 in.) 

© The Easton Foundation / VAGA at ARS, NY / CARCC Ottawa 2024

This coaster features Louise Bourgeois’ sculpture Maman (1999, cast 2003). Presiding over the plaza of the National Gallery of Canada, Maman was inspired by the artist’s own mother, and stands as a nurturing and protective symbol of fertility, shelter and the home. 

Diameter: 9 cm (3.5 in.) 
Wood

© The Easton Foundation / VAGA at ARS, NY / CARCC Ottawa 2024

This pin features Louise Bourgeois’ sculpture Maman (1999, cast 2003). Presiding over the plaza of the National Gallery of Canada, Maman was inspired by the artist’s own mother, and stands as a nurturing and protective symbol of fertility, shelter and the home. 

Approx. 2 cm (0.79 in.) 

© The Easton Foundation / VAGA at ARS, NY / CARCC Ottawa 2024

This magnet features a reproduction of Louise Bourgeois' sculpture Maman (1999, cast 2003). The original work of art is made of bronze, stainless steel and marble, and is in the collection of the National Gallery of Canada. 

Diameter: 7.6 cm (3 in.) 

© The Easton Foundation / VAGA at ARS, NY / CARCC Ottawa 2025

The artists, the places, the vocabulary... of this pictorial movement.

Paperback | 120 pages
22 x 12.3 cm (8.6 x 4.8 in.)
Publication Date: 1999

Only available in French.

Sylvie Girard-Lagorce

Thanks to this exhibition dedicated to the masters of 19th- and 20th-century Scandinavian painting, discover nearly 65 works by Nolde, Hammershøi, Larsson, Strindberg, Zorn, and others. Captivating landscapes with unique lighting, skies and clouds marked by the seasons, traditions and folklore of rural life, and the joys of everyday life are all found in these paintings, where silence and introspection prevail.

Paperback | 112 pages
23.3 x 30 cm (11.8 x 9.2 in.) 
Publication Date: 2021

Only available in French.

Dianne White and Ramona Kaulitzki

The cold wind begins to blow in the grey sky: it's time for Little Bear to go to bed. But how can he fall asleep when his forest friends, the mouse, the skunk, and the badger, are wandering nearby? Mama Bear explains to Little Bear that they too will soon retreat into the hollow of a log, a nest, or a burrow to escape the cold of winter. But Little Bear still doesn't want to go back to his den. Will Mama Bear manage to convince him?

This rhyming picture book, with its lyrical prose and tender illustrations, is perfect for story time with little ones.

Hardcover | 32 pages
26.1 x 21.6 cm (10.3 x 8.5 in.)
Publication Date: 2021

Only available in French.

Sheila Watt-Cloutier

There is another way to advocate for the protection of our planet: demanding that the international community recognize environmental well-being as a fundamental human right. Without a stable and secure climate, people cannot exercise their economic, social, and cultural rights. For the Inuit, as for all of us, this is what I call “the right to cold.”

This unique phrase, “the right to cold,” sums up the spirit of the struggle that Sheila Watt-Cloutier has waged for more than 20 years on the international stage to make climate change a human rights issue. It was under her presidency of the Inuit Circumpolar Council that a petition to this effect was filed in 2005 with the Inter-American Commission on Human Rights, the first international legal action of its kind. Since the culture and economic autonomy of the Inuit depend on cold weather and ice, anthropogenic global warming constitutes a denial of their social, cultural, and health rights. “The impact of climate change on the Arctic is a precursor to what awaits the rest of the world,” she says.

From her childhood in Kuujjuaq, in northern Quebec—at a time when the traditional Inuit culture of dog sledding and ice hunting was still dominant—to her commitment to the environment in international forums, Le droit au froid is the story of an inspiring woman who has become a model of leadership for the 21st century.

Paperback | 360 pages
21.6 x 13.3 cm (8.5 x 5.2 in.) 
Publication Date: 2019 

Only available in French.

This soft and absorbent microfibre towel features a detail from the painting Red House in Winter (1925) by Lawren S. Harris (1885–1970).

70 x 50 cm (27.5 x 19.7 in.)
100% Microfibre

Get your creativity flowing with this compact journal featuring a detail from the painting Red House in Winter (1925) by Lawren Harris (1885–1970). 

Hardcover | 120 lined pages 
12 x 17 x 1.3 cm (4.7 x 6.7 x 0.5 in.) 
Elastic band closure and ribbon bookmark 

Make an artistic impression with this set of 4 coasters featuring a detail from the painting Red House in Winter (1925) by Lawren S. Harris (1885–1970).

9.5 x 9.5 cm (3.7 x 3.7 in.)
Cork