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By Mistral
Lather up and moisturize with this luxurious, triple-milled French soap handcrafted in Provence and infused with a blend of milk, almond, coconut, white flowers, warm woods and musk.
200 g (7 oz.)
Contains: pure organic shea butter
All vegetable French soap
Mistral products are not tested on animals
This warm and soft reversible blanket features a design by Anishinaabe artist Trisha Pitura.
ABOUT THE DESIGN: First Nations people have teachings and practices that symbolize the Northern Lights and can vary from Nation. One teaching being that the Northern Lights are spirits of the ancestors celebrating life, reminding us that we are all part of creation. Their dancing forms a pathway for the souls as they travel to the next world.
152.4 x 203.2 cm (60 x 80 in.)
20% recycled wool, 30% acrylic, 50% recycled polyester
Wash on cold, hang to dry
Designed, cut & sewn in Canada
Blend #2, with Cloudberry (Arpiqutik)
Subtle and reminiscent of maple, with cloudberry leaves and roasted dandelion root. This amber coloured herbal tea welcomes the wanderer home with hand-picked cloudberry leaves, sarsaparilla root, fenugreek seeds and roasted maté leaves.
Format: 20 sachets
Ingredients: Sarsaparilla root, fenugreek seeds, carob, cloudberry leaves, roasted chicory root, cinnamon bark, maté roasted leaf.
This warm and soft reversible blanket features a design by Anishinaabe artist Emily Kewageshig.
ABOUT THE DESIGN: The hummingbird is a small but powerful life force. It symbolizes healing and the connection that we have to the beyond.
152.4 x 203.2 cm (60 x 80 in.)
20% recycled wool, 30% acrylic, 50% recycled polyester
Wash on cold, hang to dry
Designed, cut & sewn in Canada
This warm and soft reversible blanket features a design by Anishinaabe artist Trisha Pitura.
ABOUT THE DESIGN: The Anishinaabe people believe the thunderbird to be one of the highest spiritual beings. It protects us from the serpents that live deep within the ground and ensures life for all living things.
152.4 x 203.2 cm (60 x 80 in.)
20% recycled wool, 30% acrylic, 50% recycled polyester
Wash on cold, hang to dry
Designed, cut & sewn in Canada
Sarah Anne Johnson (b. 1976)
Explosions, 2011
Johnson’s work explores ideas of utopia and contemporary communities outside the mainstream that gather for idealistic reasons. Her feelings and memories of experiences with these groups is expressed by augmenting the photograph. She recreates scenes as dioramas or enhances images with paint, glitter, ink, and Photoshop manipulations.
9 x 6.5 cm (3.5 x 2.5 in.)
In the collection of the National Gallery of Canada.
Karoo Ashevak (1940-1974)
Figure, 1974
Ashevak’s exaggeration of features and imaginative use of whale bone helped define the expressive style of the Kitikmeot region of Nunavut. The dissimilar eyes, which signify exceptional sight, and the mittened hand, a symbol of spiritual ability, together suggest that this figured is a powerful otherworldly being.
6.5 x 9 cm (2.5 x 3.5 in.)
In the collection of the National Gallery of Canada.
This warm and soft reversible blanket features a design by Coast Salish artist Aleen Sparrow.
ABOUT THE DESIGN: In the intricate threads of Generations lies a profound narrative of cultural resilience and the timeless wisdom passed down through the ages.
152.4 x 203.2 cm (60 x 80 in.)
20% recycled wool, 30% acrylic, 50% recycled polyester
Wash on cold, hang to dry
Designed, cut & sewn in Canada
Prudence Heward (1896-1947)
Girl on a Hill, 1928
Heward was one of a group of women artists who were active in Montreal between the First and Second World Wars. She was primarily known for her figure painting and was associated with the artists who formed the Beaver Hall Group.
6.5 x 9 cm (2.5 x 3.5 in.)
In the collection of the National Gallery of Canada.