Edited by Stephanie S. Dickey and Jochen Sander with contributions by Jonathan Bikker, Jan Blanc, Sonia Del Re, Stephanie S. Dickey, Rudi Ekkart and Claire van den Donk, Robert Fucci, Jasper Hillegers, Maarten Prak, Jochen Sander, Friederike Schütt, Martin Sonnabend.

Around the age of 25, Rembrandt van Rijn (1606–1669) moved from his hometown of Leiden to Amsterdam, which was the commercial capital of northern Europe at that time. Considered a bold step for a fledgling artist, this change demonstrates that Rembrandt wanted to benefit financially from Amsterdam's robust art market. He soon married the cousin of a successful art dealer, and came into frequent contact with wealthy and sophisticated patrons who eagerly commissioned him to paint their portraits. The artist's style quickly evolved from the small, meticulous panels of his Leiden period to the broadly brushed, dramatically lit and realistically rendered canvases for which he is renowned.

Rembrandt in Amsterdam explores this pivotal transition in the artist’s career and reveals how the stimulating and affluent environment of Amsterdam inspired him to reach his full potential. Lavishly illustrated, this volume offers a fascinating look into Amsterdam’s unparalleled creative community and its role in Rembrandt’s development of a wide-ranging brand that comprised landscapes, genre scenes, history paintings, portraits and printmaking.

Hardcover | 384 pages
25 x 31 cm (9.8 x 12.2 in.)
Publication Date: 2021

Edited by Stephanie S. Dickey and Jochen Sander with contributions by Jonathan Bikker, Jan Blanc, Sonia Del Re, Stephanie S. Dickey, Rudi Ekkart and Claire van den Donk, Robert Fucci, Jasper Hillegers, Maarten Prak, Jochen Sander, Friederike Schütt, Martin Sonnabend.

Around the age of 25, Rembrandt van Rijn (1606–1669) moved from his hometown of Leiden to Amsterdam, which was the commercial capital of northern Europe at that time. Considered a bold step for a fledgling artist, this change demonstrates that Rembrandt wanted to benefit financially from Amsterdam's robust art market. He soon married the cousin of a successful art dealer, and came into frequent contact with wealthy and sophisticated patrons who eagerly commissioned him to paint their portraits. The artist's style quickly evolved from the small, meticulous panels of his Leiden period to the broadly brushed, dramatically lit and realistically rendered canvases for which he is renowned.

Rembrandt in Amsterdam explores this pivotal transition in the artist’s career and reveals how the stimulating and affluent environment of Amsterdam inspired him to reach his full potential. Lavishly illustrated, this volume offers a fascinating look into Amsterdam’s unparalleled creative community and its role in Rembrandt’s development of a wide-ranging brand that comprised landscapes, genre scenes, history paintings, portraits and printmaking.

Hardcover | 384 pages
25 x 31 cm (9.8 x 12.2 in.)
Publication date: 2021

Edited by Cornelia Homburg and Christopher Riopelle with contributions by Elizabeth C. Childs, Dario Gamboni, Linda Goddard, Claire Guitton, Jean-David Jumeau-Lafond, and Alastair Wright

Accompanying the ground-breaking exhibition Gauguin: Portraits, this publication marks the first in-depth investigation of Gauguin’s portraits, revealing how the artist expanded the possibilities of the genre in new and exciting ways.

Paul Gauguin (1848–1903) broke with accepted conventions and challenged audiences to expand their understanding of visual expression. Nowhere is this phenomenon more evident than in his portraits, a genre he remained engaged with throughout all phases of his career.

A welcome addition to the scholarship on one of the 19th century’s most innovative and controversial artists, this richly illustrated volume contains more than 160 illustrations, presenting fascinating insights into the crucial role that portraiture played in Gauguin’s overall artistic practice.

Hardcover | 272 pages
24.5 x 31 cm (9.6 x 12.2 in.)
Publication Date: 2019

Edited by Cornelia Homburg and Christopher Riopelle with contributions by Elizabeth C. Childs, Dario Gamboni, Linda Goddard, Claire Guitton, Jean-David Jumeau-Lafond, and Alastair Wright

Accompanying the ground-breaking exhibition Gauguin: Portraits, this publication marks the first in-depth investigation of Gauguin’s portraits, revealing how the artist expanded the possibilities of the genre in new and exciting ways.

Paul Gauguin (1848–1903) broke with accepted conventions and challenged audiences to expand their understanding of visual expression. Nowhere is this phenomenon more evident than in his portraits, a genre he remained engaged with throughout all phases of his career.

A welcome addition to the scholarship on one of the 19th century’s most innovative and controversial artists, this richly illustrated volume contains more than 160 illustrations, presenting fascinating insights into the crucial role that portraiture played in Gauguin’s overall artistic practice.

Hardcover | 272 pages
24.5 x 31 cm (9.6 x 12.2 in.)
Publication Date: 2019

Sebastian Schütze Jennifer Ratner-Rosenhagen 

Around 1900, a small group of influential patrons, critics, writers, and artists turned Weimar; the capital of the small Duchy of Sachsen-Weimar-Eisenach in present-day Germany, into a utopian centre of modern art and thought. Artists like Max Klinger, Edvard Munch, and Ludwig von Hofmann, and writers like André Gide, Hugo von Hofmannsthal, and Rainer Maria Rilke sought to create a “New Weimar” and position Friedrich Nietzsche (1844–1900) at its head as the radical prophet of modernity.

In 1902, two years after Nietzsche's death, Max Klinger was commissioned to carve his portrait. Only three monumental bronze versions were cast, one of which is now in the collection of the National Gallery of Canada. With this sculpture in focus, Friedrich Nietzsche and the Artists of the New Weimar shows how Klinger and his patrons invented the “official” Nietzsche, transforming a highly expressionist portrait into an idealized classical cult image.

Softcover | 120 pages
20.5 x 24 cm (8 x 9.4 in.)
Publication Date: 2019

Lori Pauli with Jordan Bear, Karen Hellman and Phillip Prodger

Often referred to as the “Father of Art Photography,” Oscar G. Rejlander (1813–1875) has been praised for his early experiments with combination printing, for his collaboration with Charles Darwin, and for his influence on the work of Julia Margaret Cameron and Lewis Carroll.

Containing more than 200 impressive colour and black and white images, this ground-breaking catalogue accompanies the first major retrospective on a vital yet understudied figure, and considers the whole range of his activities, including his work as a painter and printmaker.

Hardcover | 336 pages
25.5 x 31 cm (10 x 12.2 in.)

Lori Pauli with Jordan Bear, Karen Hellman and Phillip Prodger

Often referred to as the “Father of Art Photography,” Oscar G. Rejlander (1813–1875) has been praised for his early experiments with combination printing, for his collaboration with Charles Darwin, and for his influence on the work of Julia Margaret Cameron and Lewis Carroll.

Containing more than 200 impressive colour and black and white images, this ground-breaking catalogue accompanies the first major retrospective on a vital yet understudied figure, and considers the whole range of his activities, including his work as a painter and printmaker.

Hardcover | 336 pages
25.5 x 31 cm (10 x 12.2 in.)

Anabelle Kienle Poňka, Lily Foster and Sarah Fillmore

A year after the city was devastated by the Halifax Explosion, Harold Gilman (British, 1876–1919) and Arthur Lismer (Canadian, 1885–1969) were working in Halifax as war artists. Both commissioned by the Canadian War Memorials Fund to record the war activity on the home front, the two men struck up a friendship and worked side-by-side on occasion.

With the effects of the explosion still clearly visible, Gilman and Lismer turned their attention to the bustling harbour. Produced in conjunction with the Halifax Harbour 1918 exhibition, this compelling book traces the artists' meticulous approach to their mission, the challenges of working during the aftermath of the tragedy and their role during a critical moment in the history of Canadian landscape painting.

Paperback | 124 Pages
25.5 x 23 x 1 cm (10 x 9 x 0.4 in.) 
Publication Date: 2018
Bilingual

René Villeneuve

During the late 18th and early 19th centuries, Laurent Amiot redefined religious, domestic and commemorative silversmithing, turning it into an art form. Produced in conjunction with the first retrospective devoted to one of Canada’s finest silversmiths, this stunning, richly-illustrated catalogue explores the quality and importance of Amiot’s oeuvre while providing a fresh perspective on the history of the society he helped shape and define.

Hardcover | 256 pages
26 x 31 cm (10.2 x 12.2 in.) 
Publication Date: 2018

René Villeneuve

During the late 18th and early 19th centuries, Laurent Amiot redefined religious, domestic and commemorative silversmithing, turning it into an art form. Produced in conjunction with the first retrospective devoted to one of Canada’s finest silversmiths, this stunning, richly-illustrated catalogue explores the quality and importance of Amiot’s oeuvre while providing a fresh perspective on the history of the society he helped shape and define.

Hardcover | 256 pages
26 x 31 cm (10.2 x 12.2 in.) 
Publication Date: 2018

Andréi Nakov

Beginning in 1914 in Russia, a group of artists primed for experimentation introduced an entirely new direction for the visual arts, articulating the language of abstraction with Suprematism and Constructivism. This catalogue centers on the emergence of the Russian avant-garde movement in Moscow until the mid-1920s. Works by El Lissitzky, Vladimir Tatlin, Kazimir Malevich, Ilya Chashnik, Liubov Popova, Olga Rozanova and Ivan Kliun are featured. Also included is a rich selection of books, manuscripts, drawings and prints, reminding us that, for many Russians in the early twentieth century, art was a part of everyday life.

Paperback | 168 pages
Publication Date: 2016

Andréi Nakov

Beginning in 1914 in Russia, a group of artists primed for experimentation introduced an entirely new direction for the visual arts, articulating the language of abstraction with Suprematism and Constructivism. This catalogue centers on the emergence of the Russian avant-garde movement in Moscow until the mid-1920s. Works by El Lissitzky, Vladimir Tatlin, Kazimir Malevich, Ilya Chashnik, Liubov Popova, Olga Rozanova and Ivan Kliun are featured. Also included is a rich selection of books, manuscripts, drawings and prints, reminding us that, for many Russians in the early twentieth century, art was a part of everyday life.

Paperback | 164 pages
Publication date: 2016

Cornelia Homburg, Anabelle Kienle
Joseph J. Rishel, Jennifer A. Thompson

Vincent van Gogh’s profound love of nature has often been taken for granted but has rarely been studied in detail. While he has long been admired for his dazzling use of intense colour and expressive brushwork, it is his innovative representation of nature that makes him a truly modern artist and is the focus of Van Gogh: Up Close. This exhibition, which has been organized by the National Gallery of Canada and the Philadelphia Museum of Art, concentrates on Van Gogh’s French period, from 1886 to 1890, and highlights how he conveyed his intense response to the natural world – whether this was a landscape, a still life, or the rendering of a single blade of grass – through a number of different, and often radical compositional strategies.

Softcover | 290 pages
Publication Date: 2012

Cornelia Homburg, Anabelle Kienle
Joseph J. Rishel, Jennifer A. Thompson

Vincent van Gogh’s profound love of nature has often been taken for granted but has rarely been studied in detail. While he has long been admired for his dazzling use of intense colour and expressive brushwork, it is his innovative representation of nature that makes him a truly modern artist and is the focus of Van Gogh: Up Close. This exhibition, which has been organized by the National Gallery of Canada and the Philadelphia Museum of Art, concentrates on Van Gogh’s French period, from 1886 to 1890, and highlights how he conveyed his intense response to the natural world – whether this was a landscape, a still life, or the rendering of a single blade of grass – through a number of different, and often radical compositional strategies.

Softcover | 290 pages
Publication Date: 2012

Sonia Couturier, Pierre Rosenberg

Eighteenth-century Rome was a cosmopolitan centre that became a mecca for artists, collectors, and enlightened art lovers. It was also the primary destination for artists from France wanting to perfect their craft. This work highlights the artistic effervescence of the Eternal City, where French artists were able to study ancient monuments and masterpieces of sculpture and painting, benefitting from the protection of influential patrons with a passion for the arts. Featuring more than one hundred works, this volume offers an exceptional selection of drawings and prints together with a large number of paintings. It presents works by artists regarded as among the most significant of their day, in particular Hubert Robert, Jean-Honoré Fragonard, and Jacques-Louis David.

Softcover | 256 pages 
23 x 28 cm (9 x 11 in.) 
Publication Date: 2011

Nicolas Baier, Bernard Lamarche, David Liss

This exhibition of recent photographic work by the Montreal artist Nicolas Baier is constructed around the ideas of the pareidolia, a psychological phenomenon that involves the appearance of familiar forms from vague visual or auditory sensations. The exhibition, along with the accompanying publication, was produced through the joint efforts of the artist and the Musée régional de Rimouski.

Hardcover | 108 pages
24 x 27.5 cm (9.5 x 10.8 in.) 
Publication Date: 2010

Jack Bankowsky, Alison M. Gingeras & Catherine Wood

Pop Life: Art in a Material World explores the complex relationship between contemporary art, marketing and the mass media. Beginning with the late work of American Pop artist Andy Warhol, the catalogue explores how some of today's high-profile media-savvy artists (Jeff Koons, Damien Hirst, Keith Haring, and Takashi Murakami, for example) have followed his lead, embracing celebrity and commerce as the foundation of their work. 

Softcover | 207 pages 
22 x 27.5 cm (8.7 x 10.8 in.) 
Publication Date: 2009

Explicit content

Xavier Salomon, Jennifer Fletcher, Stephen Gritt 

The Petrobelli Altarpiece was painted by Paolo Veronese around 1563 for the Petrobelli family burial chapel near Venice; in 1788, the large painting was ruthlessly cut down and sold in pieces. Paolo Veronese: The Petrobelli Altarpiece reunites the four parts of Veronese's glorious altarpiece, which have not been seen together since the painting's brutal division. The reunion and reconstruction of the altarpiece is a unique occasion to re-evaluate this Venetian Renaissance masterpiece. 

Paper | 160 pages 
17 x 24 cm (6.7 x 9.45 in.) 
Publication date: 2009

Xavier Salomon, Jennifer Fletcher, Stephen Gritt 

The Petrobelli Altarpiece was painted by Paolo Veronese around 1563 for the Petrobelli family burial chapel near Venice; in 1788, the large painting was ruthlessly cut down and sold in pieces. Paolo Véronèse. Le Retable Petrobelli reunites the four parts of Veronese's glorious altarpiece, which have not been seen together since the painting's brutal division. The reunion and reconstruction of the altarpiece is a unique occasion to re-evaluate this Venetian Renaissance masterpiece. 

Paper | 160 pages 
17 x 24 cm (6.7 x 9.45 in.) 
Publication date: 2009

Lori Pauli

Recognized as one of Canada's most eloquent interpreters of landscape, Geoffrey James has been making photographs since the early 1970s. His first photographs, images of gardens, express classical notions of beauty as they reveal the geometry and underlying structures of the formal garden. These small panoramic photographs evoke a quiet passion for the great landscape schemes and natural sanctuaries of the past. In his most recent work, James pays particular attention to the way in which nature and culture intersect. While not concerned with "Romantic" notions of "the ruin," his photographs do suggest a fall from grace.

Hardcover | 176 pages
Publication Date: 2008