This poster features the painting In the Shadow of the Tree (c. 1914) by Helen Galloway McNicoll (1879–1915). 

Image size: 61 x 76.2 cm (24 x 30 in.) 
Poster size: 63.5 x 78.7 cm (25 x 31 in.) 

Complete with a large-scale reproduction of Helen McNicoll's (1879–1915) pastoral painting, Sunny September, 1913, this poster makes for a timeless souvenir of the National Gallery of Canada's travelling exhibition, Canada and Impressionism: New Horizons.

Image Size: 63.5 x 61 cm (25 x 24 in.) 
Poster Size: 91.4 x 61 cm (36 x 24 in.) 

In the collection of the Musée national des beaux-arts du Québec (Collection Pierre Lassonde)

This 200 piece puzzle is adapted from the painting In the Shadow of the Tree (1915) by Helen Galloway McNicoll (1879–1915). 

Finished puzzle size: 23 x 31 cm (9 x 12 in.) 
Packaged in a 12.7 cm (5 in.) tube 
Includes a cloth bag to store the puzzle pieces.

These socks reproduce a detail from the painting The Apple Gatherer (c. 1911) by Helen Galloway McNicoll (1879–1915). 

Composition: 80% cotton, 18% polyamide, 2% elastane
Country of origin: Italy

These socks reproduce a detail from the painting In the Shadow of the Tree (c. 1914) by Helen Galloway McNicoll (1879–1915). 

Composition: 80% cotton, 18% polyamide, 2% elastane
Country of origin: Italy

These socks reproduce a detail from the painting Picking Flowers (c. 1912) by Helen Galloway McNicoll (1879–1915).

Composition: 80% cotton, 18% polyamide, 2% elastane
Country of origin: Italy

By Katerina Atanassova, with contributions by Krista Broeckx, Tobi Bruce, Adam Gopnik, Anna Hudson, Laurier Lacroix, Loren Lerner, Tracey Lock, Gerta Moray, Julie Nash, and Sandra Paikowsky.

Canada and Impressionism: New Horizons casts off the enduring notions associated with French Impressionism by shedding light on the contributions of Canadian artists to this widespread movement. The first of its kind, this publication adds a new chapter to the history of World Impressionism as it positions the work of the Canadian Impressionists within the cosmopolitan milieus of the late nineteenth and early twentieth centuries. Progressing from Impressionistic renderings of contemporary life to interpretations of reality through the lenses of Fauvism, Post-Impressionism, and subsequent modes of expression, Impressionism in Canada evolved into a form of modernity tailored to the spirit of a young nation.

Hardcover | 296 pages (290 illustrations)
23 x 28 cm (9 x 11 in.) 
Publication Date: 2019

Katerina Atanassova, Wahsontiio Cross, Anabelle Kienle Ponka, Jocelyn Piirainen

Winter Count: Embracing the Cold draws inspiration from the Plains First Nations’ practices of recording significant events each winter, a visual reminder that helps structure histories and traditions passed down to future generations. This handsome volume explores how winter has long shaped Indigenous, Canadian settler and northern European art, uniting different cultural perspectives through diverse themes of storytelling, effects of light, physical adaptation and community and isolation.

Presenting a selection of works dating from the early 19th century to the present day, including those of artists such as Kenojuak Ashevak, J.E.H. MacDonald, Claude Monet, Kent Monkman, Meagan Musseau and Jin-me Yoon, Winter Count features approximately 165 plates, along with illustrated essays by curators from the National Gallery of Canada. The result is a book that invites readers to see winter anew – not as a season to be endured, but as a source of invention, connection and mutual respect across time and place. 

Bilingual
Softcover | 304 pages 
Publication Date: 2025

This small poster features the artwork Snow II (1915) by Lawren S. Harris (1885–1970). 

Dimensions:
Image size: 24.5 x 23.2 cm (9.65 x 9.15 in.)
Paper size: 27.9 x 35.6 cm (11 x 14 in.)

In the collection of the National Gallery of Canada

Related Exhibition: Winter Count: Embracing the Cold

This small poster features the artwork Winter Brook (after 1908) by Gustaf Edolf Fjæstad (1868–1948). 

Dimensions:
Image size: 29.2 x 22.6 cm (11.5 x 8.9 in.)
Paper size: 35.6 x 27.9 cm (14 x 11 in.)

In the collection of the National Gallery of Canada

Related Exhibition: Winter Count: Embracing the Cold

This mug features the artwork Snow II (1915) by Lawren S. Harris (1885–1970). 

Holds 315 ml (11 fl. oz)
Microwave and dishwasher safe 

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

This notecard features a detail of the artwork Snow II (1915) by Lawren S. Harris (1885–1970). 

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

This notecard features a detail of the artwork Winter Brook (1908) by Gustaf Edolf Fjæstad (1868–1948). 

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.) 
Blank inside. Envelope included. 

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

This notecard features a detail of the artwork The Ukrainian Pioneer, No. 5 (1971–1976) by William Kurelek (1927–1977). 

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

This notecard features a detail of the artwork Snowbound (1915) by J.E.H MacDonald (1873–1932). 

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.) 
Blank inside. Envelope included. 

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

This notecard features a detail of the artwork The Return of the Sun (1961) by Kenojuak Ashevak (1927–2013). 

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

This notecard features a detail of the artwork Winter Bird (1984) by Pudlo Pudlat (1916–1992). 

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.) 
Blank inside. Envelope included. 

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

This notecard features a detail of the artwork April in the Laurentians (1922–1924) by Anne Savage (1896–1971). 

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.) 
Blank inside. Envelope included. 

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

This notecard features a detail of the artwork Doc Snyder's House (1931) by L.L. Fitzgerald (1890–1956). 

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

This notecard features a detail of the artwork A Northern Night (1917) by Franz Johnston (1888–1949). 

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold