Edited by Rachelle Dickenson, Greg A. Hill, and Christine Lalonde, with contributions by Birgit Hopfener, Heather Igloliorte, Biung Ismahasan, Jason Edward Lewis, Nomusa Makhubu, Joar Nango, Ruth Phillips, Carmen Robertson, Ariel Smith, Megan Tamati-Quennell, Carla Taunton and Ming Tiampo

Produced in conjunction with the National Gallery of Canada exhibition Àbadakone | Continuous Fire | Feu continuel, this multifaceted publication features work by more than 70 contemporary Indigenous artists identifying with almost 40 Indigenous nations, ethnicities and tribal affiliations from 16 countries, including Canada. Tapping into the global pulse of Indigenous artistic production, Àbadakone builds upon themes of continuity, activation, and relatedness, exploring the creativity, concerns and vitality of Indigenous art from virtually every continent.

FEATURED ARTISTS: Barry Ace, Brian Adams, Leonce Raphael, Agbodjélou, Joi T. Arcand, Shuvinai Ashoona, Pierre Aupilardjuk, Pierre Aupilardjuk and Shary Boyle, Rebecca Belmore, Jordan Bennett, Catherine Blackburn, Inger Blix Kvammen, Dempsey Bob, Edgar Calel, Manuel Chavajay, Hannah Claus, Dana Claxton, Melissa Cody, Ruth Cuthand, Thirza Cuthand, Mique'l Dangeli and Nick Dangeli, Dayna Danger, Jeneen Frei Njootli, Maureen Gruben, Helen Haig-Brown and Gwaai Edenshaw, Marja Helander, Sky Hopinka, Maria Hupfield, Taiye Idahor, Ursula Johnson, Eleng Luluan, Balu Jivya Mashe, Mata Aho Collective, Siwa Mgoboza, Dylan Miner, Tracey Moffatt, Caroline Monnet, Peter Morin, Zanele Muholi, Joar Nango, Marianne Nicolson, Eko Nugroho, Sayo Ogasawara, Qudus Onikeku, Inga-Wiktoria Påve and Anders Sunna, Fernando Poyón, Fredrik Prost, Skeena Reece, Peter Robinson, Evgeniy Salinder, Sarah Sense, Skawennati, Ningiukulu Teevee, Joseph Tisiga, Tribal Women Artists Cooperative, Lucy Tulugarjuk, Rajesh Chaitya Vangad and Gauri Gill, Laakkuluk Williamson Bathory, Jamie Griffiths, Cris Derksen, and Christine Tootoo, Will Wilson, Lisa Hageman Yahgujanaas

Softcover | 272 pages
21 x 24.5 cm (8.2 x 9.6 in.)
Publication Date: 2020

Edited by Rachelle Dickenson, Greg A. Hill, and Christine Lalonde with contributions by Birgit Hopfener, Heather Igloliorte, Biung Ismahasan, Jason Edward Lewis, Nomusa Makhubu, Joar Nango, Ruth Phillips, Carmen Robertson, Ariel Smith, Megan Tamati-Quennell, Carla Taunton and Ming Tiampo

Produced in conjunction with the National Gallery of Canada exhibition Àbadakone | Continuous Fire | Feu continuel, this multifaceted publication features work by more than 70 contemporary Indigenous artists identifying with almost 40 Indigenous nations, ethnicities and tribal affiliations from 16 countries, including Canada. Tapping into the global pulse of Indigenous artistic production, Àbadakone builds upon themes of continuity, activation, and relatedness, exploring the creativity, concerns and vitality of Indigenous art from virtually every continent.

FEATURED ARTISTS: Barry Ace, Brian Adams, Leonce Raphael, Agbodjélou, Joi T. Arcand, Shuvinai Ashoona, Pierre Aupilardjuk, Pierre Aupilardjuk and Shary Boyle, Rebecca Belmore, Jordan Bennett, Catherine Blackburn, Inger Blix Kvammen, Dempsey Bob, Edgar Calel, Manuel Chavajay, Hannah Claus, Dana Claxton, Melissa Cody, Ruth Cuthand, Thirza Cuthand, Mique'l Dangeli and Nick Dangeli, Dayna Danger, Jeneen Frei Njootli, Maureen Gruben, Helen Haig-Brown and Gwaai Edenshaw, Marja Helander, Sky Hopinka, Maria Hupfield, Taiye Idahor, Ursula Johnson, Eleng Luluan, Balu Jivya Mashe, Mata Aho Collective, Siwa Mgoboza, Dylan Miner, Tracey Moffatt, Caroline Monnet, Peter Morin, Zanele Muholi, Joar Nango, Marianne Nicolson, Eko Nugroho, Sayo Ogasawara, Qudus Onikeku, Inga-Wiktoria Påve and Anders Sunna, Fernando Poyón, Fredrik Prost, Skeena Reece, Peter Robinson, Evgeniy Salinder, Sarah Sense, Skawennati, Ningiukulu Teevee, Joseph Tisiga, Tribal Women Artists Cooperative, Lucy Tulugarjuk, Rajesh Chaitya Vangad and Gauri Gill, Laakkuluk Williamson Bathory, Jamie Griffiths, Cris Derksen, and Christine Tootoo, Will Wilson, Lisa Hageman Yahgujanaas

Paperback | 272 pages
21 x 24.5 cm (8.2 x 9.6 in.)
Publication Date: 2020

Greg A. Hill, Candice Hopkins, Christine Lalonde 

The catalogue Sakahàn—meaning “to light [a fire]” in the language of the Algonquin peoples—focuses on the 2013 exhibition which brought together more than 150 works of recent Indigenous art by over 80 artists from 16 countries, including impressive installations created specifically for the project. Poetic, unexpected and challenging, the artworks document and interrogate distinct cultural and social issues. 

FEATURED ARTISTS: Vernon Ah Kee, Maria Thereza Alves, Pia Arke, Arnait Video Productions, Arnaqurq Ashevak, Shuvinai and John Noesthedan Ashoona, Sonny Assu, Mary Anne Barkhouse, Nanobah Becker, Christi Belcourt, Richard Bell, Rebecca Belmore, Corey and Larissa Healey Bulpitt, Andrea Carlson, Abraham & Jimena Mendoza Cruzvillegas, Cup'luaq (Jack Dalton), Beau Dick, Jimmie Durham, Suresh Kumar Dhurve, Nicholas Galanin, Billy Gauthier, Regina-José Galindo, Jeffrey Gibson, Daniel Guzman, Julie Edel Hardenberg, Marja Helander, Inuk Silis Høegh, Geir Tore Holm, Terrance Houle, Bayrol Jimenez, Jonathan Jones, Brian Jungen, Toru Kaizawa, Sonya Kelliher-Combs, Shigeyuki Kihara, Walis Labai, EN Lei, Omero Leyva, César López, Erica Lord, Jimmy Manning, Teresa Margolles, Da-Ka-Xeen Mehner, Danie Mellor, Alan Michelson, Kent Monkman, Wangechi Mutu, Nadia Myre, Shelley Niro, William Noah, Fiona Pardington, Michael Parekowhai, Viggo Pederson, Outi Pieski, Jamasee Padluq Pitseolak, Tim Pitseolak, Edward Poitras, Annie Pootoogook, Itee Pootoogook, Rachel and Brett Graham Rakena, Abel Rodriguez, Gjert Rognli, Jangarh Singh Shyam, Mayank Shyam, Venkat Raman Singh Shyam, Greg Staats, Yama Taru, Jeff Thomas, Warwick Thornton, Jutai Toonoo, Maka'i Tubbs, Ingunn Utsij, Taika Waititi, Marie Watt, Steven Yazzie and Lawrence Paul Yuxweluptun.

Softcover | 288 pages
24.5 x 21 x 2 cm (9.6 x 8.3 x 0.8 in.)
Publication Date: 2013

Available in French only

This notecard features the artwork Picking Flowers (c. 1912) by Helen Galloway McNicoll (1879–1915). 

Card dimensions: 14.2 x 18.5 cm (5.6 x 7.3 in.)
Blank inside. Envelope included.

This notecard features the painting In the Shadow of the Tree (c. 1914) by Helen Galloway McNicoll (1879–1915).

Made in Canada 
Card dimensions: 14.2 x 18.5 cm (5.6 x 7.3 in.)
Blank inside. Envelope included.

This poster features the painting Picking Flowers (c. 1912) by Helen Galloway McNicoll (1879–1915). 

Image size: 61 x 76.2 cm (24 x 30 in.) 
Poster size: 63.5 x 78.7 cm (25 x 31 in.) 

This poster features the painting In the Shadow of the Tree (c. 1914) by Helen Galloway McNicoll (1879–1915). 

Image size: 61 x 76.2 cm (24 x 30 in.) 
Poster size: 63.5 x 78.7 cm (25 x 31 in.) 

Complete with a large-scale reproduction of Helen McNicoll's (1879–1915) pastoral painting, Sunny September, 1913, this poster makes for a timeless souvenir of the National Gallery of Canada's travelling exhibition, Canada and Impressionism: New Horizons.

Image Size: 63.5 x 61 cm (25 x 24 in.) 
Poster Size: 91.4 x 61 cm (36 x 24 in.) 

In the collection of the Musée national des beaux-arts du Québec (Collection Pierre Lassonde)

This 200 piece puzzle is adapted from the painting In the Shadow of the Tree (1915) by Helen Galloway McNicoll (1879–1915). 

Finished puzzle size: 23 x 31 cm (9 x 12 in.) 
Packaged in a 12.7 cm (5 in.) tube 
Includes a cloth bag to store the puzzle pieces.

These socks reproduce a detail from the painting The Apple Gatherer (c. 1911) by Helen Galloway McNicoll (1879–1915). 

Composition: 80% cotton, 18% polyamide, 2% elastane
Country of origin: Italy

These socks reproduce a detail from the painting In the Shadow of the Tree (c. 1914) by Helen Galloway McNicoll (1879–1915). 

Composition: 80% cotton, 18% polyamide, 2% elastane
Country of origin: Italy

These socks reproduce a detail from the painting Picking Flowers (c. 1912) by Helen Galloway McNicoll (1879–1915).

Composition: 80% cotton, 18% polyamide, 2% elastane
Country of origin: Italy

By Katerina Atanassova, with contributions by Krista Broeckx, Tobi Bruce, Adam Gopnik, Anna Hudson, Laurier Lacroix, Loren Lerner, Tracey Lock, Gerta Moray, Julie Nash, and Sandra Paikowsky.

Canada and Impressionism: New Horizons casts off the enduring notions associated with French Impressionism by shedding light on the contributions of Canadian artists to this widespread movement. The first of its kind, this publication adds a new chapter to the history of World Impressionism as it positions the work of the Canadian Impressionists within the cosmopolitan milieus of the late nineteenth and early twentieth centuries. Progressing from Impressionistic renderings of contemporary life to interpretations of reality through the lenses of Fauvism, Post-Impressionism, and subsequent modes of expression, Impressionism in Canada evolved into a form of modernity tailored to the spirit of a young nation.

Hardcover | 296 pages (290 illustrations)
23 x 28 cm (9 x 11 in.) 
Publication Date: 2019

Katerina Atanassova, Wahsontiio Cross, Anabelle Kienle Ponka, Jocelyn Piirainen

Winter Count: Embracing the Cold draws inspiration from the Plains First Nations’ practices of recording significant events each winter, a visual reminder that helps structure histories and traditions passed down to future generations. This handsome volume explores how winter has long shaped Indigenous, Canadian settler and northern European art, uniting different cultural perspectives through diverse themes of storytelling, effects of light, physical adaptation and community and isolation.

Presenting a selection of works dating from the early 19th century to the present day, including those of artists such as Kenojuak Ashevak, J.E.H. MacDonald, Claude Monet, Kent Monkman, Meagan Musseau and Jin-me Yoon, Winter Count features approximately 165 plates, along with illustrated essays by curators from the National Gallery of Canada. The result is a book that invites readers to see winter anew – not as a season to be endured, but as a source of invention, connection and mutual respect across time and place. 

Bilingual
Softcover | 304 pages 
Publication Date: 2025

This small poster features the artwork Snow II (1915) by Lawren S. Harris (1885–1970). 

Dimensions:
Image size: 24.5 x 23.2 cm (9.65 x 9.15 in.)
Paper size: 27.9 x 35.6 cm (11 x 14 in.)

In the collection of the National Gallery of Canada

Related Exhibition: Winter Count: Embracing the Cold

This small poster features the artwork Winter Brook (after 1908) by Gustaf Edolf Fjæstad (1868–1948). 

Dimensions:
Image size: 29.2 x 22.6 cm (11.5 x 8.9 in.)
Paper size: 35.6 x 27.9 cm (14 x 11 in.)

In the collection of the National Gallery of Canada

Related Exhibition: Winter Count: Embracing the Cold

This mug features the artwork Snow II (1915) by Lawren S. Harris (1885–1970). 

Holds 315 ml (11 fl. oz)
Microwave and dishwasher safe 

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

This notecard features a detail of the artwork Snow II (1915) by Lawren S. Harris (1885–1970). 

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

This notecard features a detail of the artwork Winter Brook (1908) by Gustaf Edolf Fjæstad (1868–1948). 

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.) 
Blank inside. Envelope included. 

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

This notecard features a detail of the artwork The Ukrainian Pioneer, No. 5 (1971–1976) by William Kurelek (1927–1977). 

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold