Monique Brunet-Weinmann 

Great unpublished interviews, personal memories, biographical recollections, and analysis of Riopelle's work: Monique Brunet-Weinmann leads us to understand the intellectual and emotional links that unite the work to the being. It reveals an honest portrait of Riopelle, told through the mythical figures of his work. 

Paperback | 344 pages 
15 x 23 cm (5.9 x 9 in.) 
Only available in French

Edited by Sylvie Lacerte with contributions by Gilles Daigneault, Vera Frenkel, Manuel Mathieu, Caroline Monnet, Marc-Antoine K. Phaneuf and Marc Séguin

Marking the centenary of his birth, the exhibition Riopelle, à la croisée des temps introduces Jean Paul Riopelle as a tireless experimenter and innovator, anchored in the contemporary realm. Drawing on the artist’s work across various mediums and materials, guest curator Sylvie Lacerte paints a portrait of Riopelle as a visionary trailblazer. Offering a unique take on this famed Canadian artist, this retrospective presents his acclaimed works alongside creations rarely or never before shown in public.

This richly illustrated catalogue features essays by art specialists and artists who reflect on Riopelle’s legacy as they look at his work. Discover the full force of his legendary influence on both his contemporaries and artists working today, all of whom represent a broad range of cultural and aesthetic perspectives.

Hardcover | 208 pages
Publication Date: 2023

Edited by Sylvie Lacerte with contributions by Gilles Daigneault, Vera Frenkel, Manuel Mathieu, Caroline Monnet, Marc-Antoine K. Phaneuf and Marc Séguin

Marking the centenary of his birth, the exhibition Riopelle: Crossroads in Time introduces Jean Paul Riopelle as a tireless experimenter and innovator, anchored in the contemporary realm. Drawing on the artist’s work across various mediums and materials, guest curator Sylvie Lacerte paints a portrait of Riopelle as a visionary trailblazer. Offering a unique take on this famed Canadian artist, this retrospective presents his acclaimed works alongside creations rarely or never before shown in public.

This richly illustrated catalogue features essays by art specialists and artists who reflect on Riopelle’s legacy as they look at his work. Discover the full force of his legendary influence on both his contemporaries and artists working today, all of whom represent a broad range of cultural and aesthetic perspectives.

Hardcover | 208 pages
Publication Date: 2023

Karen Duffek 

This catalogue features thirty paintings and sculptures by Robert Davidson, a leading contemporary Haida artist who works to expand and transform his understanding of Haida art and cultural practice through engagement with abstraction, reclaiming cultural knowledge, and developing a personal iconography in his art. 

Paper | 64 pages 
20.5 x 25.5 cm (8 x 11 in.) 
Publication Date: 2004
Available in French only

Denise Leclerc, Marion Barclay 

This exhibition catalogue seeks to explore the North American career of one of this century's outstanding sculptors in the technique of welded metal who has been working in the industry since the end of the 1950s.

Paper | 196 pages 
20.5 x 29 cm (8 x 11.4 in.) 
Publication Date: 1999

Denise Leclerc, Marion Barclay 

This exhibition catalogue seeks to explore the North American career of one of this century's outstanding sculptors in the technique of welded metal who has been working in the industry since the end of the 1950s.

Paper | 196 pages 
20.5 x 29 cm (8 x 11.4 in.) 
Publication Date: 1999

Joan Borsa 

Ruth Cuthand was born in Prince Albert, Saskatchewan, and is of Plains Cree and Scottish ancestry. For nearly 30 years her works “talk back” to mainstream media and colonial society, addressing the frictions between cultures, the failures of representation, and the political uses of anger in Canada. Her subjects include “white liberal” attitudes towards Aboriginal women, the Canadian response to the 1990 Oka crisis, Mormon-Native relations in Cardston, Alberta (the artist's childhood home), and more. This comprehensive overview features a selection of artworks produced between 1983 and 2009, including the complete suite of twelve award-winning beadworks, the Trading series, which depict the diseases that ravished First Nations upon European contact. As an artist, teacher, and cultural activist, Cuthand has been extremely influential on contemporary Aboriginal artists across Canada.

Paperback | 144 pages
21.6 x 27.9 cm (8.5 x 10.9 in.)
Publication Date: 2012 
English and Cree

Greg A. Hill, Candice Hopkins, Christine Lalonde 

The catalogue Sakahàn—meaning “to light [a fire]” in the language of the Algonquin peoples—focuses on the 2013 exhibition which brought together more than 150 works of recent Indigenous art by over 80 artists from 16 countries, including impressive installations created specifically for the project. Poetic, unexpected and challenging, the artworks document and interrogate distinct cultural and social issues. 

FEATURED ARTISTS: Vernon Ah Kee, Maria Thereza Alves, Pia Arke, Arnait Video Productions, Arnaqurq Ashevak, Shuvinai and John Noesthedan Ashoona, Sonny Assu, Mary Anne Barkhouse, Nanobah Becker, Christi Belcourt, Richard Bell, Rebecca Belmore, Corey and Larissa Healey Bulpitt, Andrea Carlson, Abraham & Jimena Mendoza Cruzvillegas, Cup'luaq (Jack Dalton), Beau Dick, Jimmie Durham, Suresh Kumar Dhurve, Nicholas Galanin, Billy Gauthier, Regina-José Galindo, Jeffrey Gibson, Daniel Guzman, Julie Edel Hardenberg, Marja Helander, Inuk Silis Høegh, Geir Tore Holm, Terrance Houle, Bayrol Jimenez, Jonathan Jones, Brian Jungen, Toru Kaizawa, Sonya Kelliher-Combs, Shigeyuki Kihara, Walis Labai, EN Lei, Omero Leyva, César López, Erica Lord, Jimmy Manning, Teresa Margolles, Da-Ka-Xeen Mehner, Danie Mellor, Alan Michelson, Kent Monkman, Wangechi Mutu, Nadia Myre, Shelley Niro, William Noah, Fiona Pardington, Michael Parekowhai, Viggo Pederson, Outi Pieski, Jamasee Padluq Pitseolak, Tim Pitseolak, Edward Poitras, Annie Pootoogook, Itee Pootoogook, Rachel and Brett Graham Rakena, Abel Rodriguez, Gjert Rognli, Jangarh Singh Shyam, Mayank Shyam, Venkat Raman Singh Shyam, Greg Staats, Yama Taru, Jeff Thomas, Warwick Thornton, Jutai Toonoo, Maka'i Tubbs, Ingunn Utsij, Taika Waititi, Marie Watt, Steven Yazzie and Lawrence Paul Yuxweluptun.

Softcover | 288 pages
24.5 x 21 x 2 cm (9.6 x 8.3 x 0.8 in.)
Publication Date: 2013

Available in French only

Sarah Milroy

Sans invitation : Les artistes canadiennes de la modernité offers commentary on a generation of extraordinary women painters, photographers, sculptors, architects and filmmakers from a century ago — pioneers who opened new frontiers for women artists in Canada — as well as works made by their Indigenous female contemporaries working in traditional media, for a cross-country snapshot of female creativity in this dynamic modern moment.

Hardcover | 320 pages
Publication Date: 2021

Harry Malcolmson

The 1960s transformed art in Canada. The Scene traces the remarkable reshaping of the Canadian art landscape during that era. Written by renowned art critic Harry Malcolmson, the book offers a captivating insider’s perspective on how a surge of artists, galleries, collectors, and critics propelled Canadian art into the global spotlight.

Malcolmson identifies the catalysts that ignited this artistic renaissance, including an outpouring of pride in the country linked to Canada's Centennial, Expos ’67, and the Toronto City Hall. With rich anecdotes and insights, the book paints a comprehensive portrait of the era, while showcasing over twenty portraits of influential Canadian artists. Richly illustrated, the book illuminates the totality of the Scene’s evolution and delves into the impact of Canadian nationalism and economic prosperity on the Scene. It examines the rise of contemporary institutions, such as the Art Gallery of Ontario and the National Gallery of Canada, capturing the emergence of a modern Canadian identity. Ultimately, The Scene stands as a unique testament to a pivotal moment in cultural history, capturing the essence of the most impactful decade in the history of art in Canada.

Hardcover | 288 pages
20.3 x 25.4 cm (8 x 10 in.) 
Publication Date: 2025

Kent Monkman, Richard William Hill, Lucy R. Lippard, John Ralston Saul & Barbara K. Fischer 

Through the eyes of his alter ego Miss Chief Eagle Testickle, Cree artist Kent Monkman takes us back to 150 years of Canada's existence in nine thematic chapters, marked by the implementation of devastating genocidal policies. Monkman uses the expressive power of historical painting to make us aware of the tragedies experienced in the past by Indigenous peoples. 

Hardcover | 271 pages 
29 x 23 cm (11 x 9 in.) 
Publication date: 2020

Josée Drouin-Brisebois

As the commissioning institution for the 55th International Art Exhibition, the National Gallery of Canada presents the work of Shary Boyle, a consummate object maker who uses imaginary narratives to explore human psychological and emotional states. The catalogue highlights the artist’s practice, which spans a diversity of media, including fine craft, drawing, sculpture, experimental performance and immersive installations.

Paper | 192 pages
Publication Date: 2013

English, French and Italian

Melissa Bennett, Greg Hill, and David W. Penney

Shelley Niro is widely known for her ability to explore Traditional Stories, transgress boundaries, and embody the ethos of her matriarchal culture. A member of the Six Nations Reserve, Turtle Clan, Bay of Quinte Mohawk, she uses a wide variety of media, including photography, installation, film, and painting to bring greater visibility to Indigenous women and girls.

Pushing the limits of photography, Niro incorporates imagery from Traditional Stories to focus on contemporary subjects with wit, irony, and parody. Throughout her work — in her portraiture, sculptures, landscape paintings, photography, and film and video work — Niro challenges common preconceptions about gender, culture, and Indigenous Peoples.

Hardcover | 304 pages
21.5 x 25 cm (8.1 x 9.8 in.)
Publication Date: 2023

Published by the Art Gallery of Hamilton and the Smithsonian National Museum of the American Indian and distributed by Goose Lane Editions.

Shelley Niro: 500 Year Itch accompanies an international touring exhibition organized by the Art Gallery of Hamilton and the Smithsonian National Museum of the American Indian with the collaboration of the National Gallery of Canada.

Melissa Bennett, Greg Hill, and David W. Penney

Shelley Niro is widely known for her ability to explore Traditional Stories, transgress boundaries, and embody the ethos of her matriarchal culture. A member of the Six Nations Reserve, Turtle Clan, Bay of Quinte Mohawk, she uses a wide variety of media, including photography, installation, film, and painting to bring greater visibility to Indigenous women and girls.

Pushing the limits of photography, Niro incorporates imagery from Traditional Stories to focus on contemporary subjects with wit, irony, and parody. Throughout her work — in her portraiture, sculptures, landscape paintings, photography, and film and video work — Niro challenges common preconceptions about gender, culture, and Indigenous Peoples.

Hardcover | 304 pages
21.5 x 25 cm (8.1 x 9.8 in.)
Publication Date: 2023

Published by the Art Gallery of Hamilton and the Smithsonian National Museum of the American Indian and distributed by Goose Lane Editions.

Shelley Niro: 500 Year Itch accompanies an international touring exhibition organized by the Art Gallery of Hamilton and the Smithsonian National Museum of the American Indian with the collaboration of the National Gallery of Canada.

Shine a Light Surgir de l'ombre: Canadian Biennial 2014 (Bilingual)

Josée Drouin-Brisebois, Greg Hill, Andrea Kunard, Jonathan Shaughnessy and Rhiannon Vogl

Shine a Light Surgir de l’ombre highlights an exemplar selection of recent acquisitions to the National Gallery of Canada’s Canadian Contemporary, Indigenous and Photographs holdings. This biennial showcases the production of twenty-six artists from different generations and backgrounds, and features over eighty works ranging from film and video installations to sculptures, paintings, drawings and photographs. Often looking to past events, literature, films, places, cultural movements and traditions, the artists in the exhibition are very much ingrained in issues of the present day. Their works encourage us to reconsider time and the writing of history, our relationship to the natural world, the powerful role of images in how information is communicated, and how we perceive and interpret accepted facts.

Featured artists: David Armstrong Six, Shuvinai Ashoona, Nicolas Baier, Shary Boyle, Edward Burtynsky, Tammi Campbell, Mario Doucette, Geoffrey Farmer, David Hartt, Isabelle Hayeur, Phillippa Jones, Stéphane La Rue, Rita Letendre, An Te Liu, David McMillan, Damian Moppett, Luke Parnell, Vanessa Paschakarnis, Ed Pien, Tim Pitsiulak, Kelly Richardson, Jeremy Shaw, Althea Thauberger, Jutai Toonoo, Howie Tsui, Lawrence Paul Yuxweluptun

Softcover | 264 pages
20.5 x 27.3 cm (8 x 10.75 in.)
Publication Date: 2014

Edited by Wahsontiio Cross
With contributions by Mojeanne Sarah Behzadi, Richard William Hill and Cheryl Sim 

Skawennati’s practice explores Indigenous futures through the lens of a Kanien'kehá:ka (Mohawk) woman and cyberpunk avatar, blending Hotinonshón:ni storytelling with digital media to create powerful, visionary narratives. Using machinimas and machinimagraphs (movies and still images made in virtual environments), sculpture, textiles and performance, she reimagines a world where Indigenous Peoples thrive. Her work transforms personal and communal hopes into new realities – spaces that empower, reclaim ways of being and challenge historical narratives.

The most comprehensive book on her career to date, Skawennati. Bienvenue dans la maison des rêves features vibrant reproductions of key works alongside critical essays examining her impact. The title references notions of home, a child’s dollhouse, and the longhouse – central to Hotinonshón:ni culture. The publication invites readers to explore a future where Indigenous Peoples lead and shape our collective worldview.

Softcover | 136 pages
22.9 × 27.9 cm (9 × 11 in.)
Publication Date: 2025

Edited by Wahsontiio Cross
With contributions by Mojeanne Sarah Behzadi, Richard William Hill and Cheryl Sim 

Skawennati’s practice explores Indigenous futures through the lens of a Kanien'kehá:ka (Mohawk) woman and cyberpunk avatar, blending Hotinonshón:ni storytelling with digital media to create powerful, visionary narratives. Using machinimas and machinimagraphs (movies and still images made in virtual environments), sculpture, textiles and performance, she reimagines a world where Indigenous Peoples thrive. Her work transforms personal and communal hopes into new realities – spaces that empower, reclaim ways of being and challenge historical narratives.

The most comprehensive book on her career to date, Skawennati: Welcome to the Dreamhouse features vibrant reproductions of key works alongside critical essays examining her impact. The title references notions of home, a child’s dollhouse, and the longhouse – central to Hotinonshón:ni culture. The publication invites readers to explore a future where Indigenous Peoples lead and shape our collective worldview.

Softcover | 136 pages
22.9 × 27.9 cm (9 × 11 in.)
Publication Date: 2025

Edited by Reid Shier with contributions by Ma’an Abu Taleb, Erika Balsom, Samir Gandesha, and George E. Lewis.

Stan Douglas, one of the most compelling voices in Canadian contemporary art, has long explored critical sociocultural and political change. His exhibition for the 59th Biennale di Venezia, 2011 ≠ 1848, reflects upon the language of protest, revolution and the uprisings witnessed across the globe in 2011. Douglas’ four large-scale hybrid documentary photographs re-stage protests in Tunis, London, New York and Vancouver, and his two-channel HD video, ISDN, presents Grime and Mahraganat rappers exchanging subversive lyrics between studios in London and Cairo.

This stunning 288-page illustrated catalogue, published in English, French and Arabic, features some 100 full-colour detailed images that meticulously capture behind-the-scenes views of Douglas’ elaborate productions. Essays by leading international cultural thinkers examine the artist’s work in relation to music, political economy, contemporary media theory and the rise of Grime and Mahraganat.

Hardcover | 288 pages (100 illustrations)
24.8 x 27.5 cm (9.8 x 10.8 in.)
English, French and Arabic
Publication Date: 2022

Josée Drouin-Brisebois

The National Gallery of Canada is the commissioning institution for the 54th International Art Exhibition at the Venice Biennale featuring the work of acclaimed artist Steven Shearer. Under its pop-cultural surface, Shearer’s work is surprisingly complex and insightful. By showing us aspects of popular culture from many different points of view, he exposes the false hierarchy of high and low art and prompts us to consider the more interesting differences between the cultural industries and the art world. The generously-illustrated catalogue published to accompany the Venice exhibition highlights Shearer’s paintings, text-based works, sculptures and photographic compilations.

Paper | 257 pages
Publication Date: 2011

English, French and Italian

Robin Laurence, Mary Reid & Josée Drouin-Brisebois

For over three decades, Wanda Koop has created an overwhelming body of work. Published in conjunction with the exhibition Wanda Koop, sur le fil de l'expérience, organized by the Winnipeg Art Gallery and the National Gallery of Canada, this beautifully illustrated catalogue presents a selection of paintings, as well as a number of video works. 

Paper | 164 pages
Publication Date: 2011