Phyllis Webstad and Orange Shirt Society

A special abridged version of the award-winning book Orange Shirt Day: September 30th. Orange Shirt Day, observed annually on September 30th, is also known as the National Day for Truth and Reconciliation. It is an official day to honour Residential School Survivors and their families, and to remember the children who did not come home. What was initially envisioned as a way to keep the conversations going about all aspects of Residential Schools in Williams Lake and the Cariboo Region of British Columbia, Canada, has now expanded into a movement across Turtle Island and beyond. Orange Shirt Day: Every Child Matters aims to create champions who will walk a path of reconciliation and promote the message that 'Every Child Matters'.

Softcover | 108 pages
21 x 27.3 cm (8.2 x 9.3 in.) 
Publication Date: 2023

René Villeneuve 

The National Gallery's collection of Quebec silver — the largest and most complete in the world — took its impetus from the donation of the Henry Birks Collection of Canadian Silver in 1979. It has since been strongly enriched. Curator René Villeneuve opens this volume by exploring the formation of the Birks collection in light of the history of silver in Canada and the collector's goals and achievements. He then undertakes the first major stylistic analysis of Quebec silver, going far beyond the compilation of new data to approach the subject from a fresh and intriguing perspective. 

Virginia B. Alexandor, a niece of Henry G. Birks, introduces this study with a charming memoir. The book includes fifty-one black-and-white reproductions, many never before seen. 

Softcover | 124 pages 
18.6 x 28 cm (7.3 x 11 in.) 
Publication Date: 1998

Lori Pauli with Jordan Bear, Karen Hellman and Phillip Prodger

Often referred to as the “Father of Art Photography,” Oscar G. Rejlander (1813–1875) has been praised for his early experiments with combination printing, for his collaboration with Charles Darwin, and for his influence on the work of Julia Margaret Cameron and Lewis Carroll.

Containing more than 200 impressive colour and black and white images, this ground-breaking catalogue accompanies the first major retrospective on a vital yet understudied figure, and considers the whole range of his activities, including his work as a painter and printmaker.

Hardcover | 336 pages
25.5 x 31 cm (10 x 12.2 in.)

Lori Pauli with Jordan Bear, Karen Hellman and Phillip Prodger

Often referred to as the “Father of Art Photography,” Oscar G. Rejlander (1813–1875) has been praised for his early experiments with combination printing, for his collaboration with Charles Darwin, and for his influence on the work of Julia Margaret Cameron and Lewis Carroll.

Containing more than 200 impressive colour and black and white images, this ground-breaking catalogue accompanies the first major retrospective on a vital yet understudied figure, and considers the whole range of his activities, including his work as a painter and printmaker.

Hardcover | 336 pages
25.5 x 31 cm (10 x 12.2 in.)

Edited by Deanna Bowen

With nearly 500 pages of essays and artist folios, Other Places investigates the historical and contemporary contributions that First Peoples, racialized, and LGBTQ artists and administrators have made to the media in arts in Canada. 

Paperback | 486 pages
19 x 24 cm (7.5 x 9.5 in.) 
Publication Date: 2019

Xavier Salomon, Jennifer Fletcher, Stephen Gritt 

The Petrobelli Altarpiece was painted by Paolo Veronese around 1563 for the Petrobelli family burial chapel near Venice; in 1788, the large painting was ruthlessly cut down and sold in pieces. Paolo Véronèse. Le Retable Petrobelli reunites the four parts of Veronese's glorious altarpiece, which have not been seen together since the painting's brutal division. The reunion and reconstruction of the altarpiece is a unique occasion to re-evaluate this Venetian Renaissance masterpiece. 

Paper | 160 pages 
17 x 24 cm (6.7 x 9.45 in.) 
Publication date: 2009

Xavier Salomon, Jennifer Fletcher, Stephen Gritt 

The Petrobelli Altarpiece was painted by Paolo Veronese around 1563 for the Petrobelli family burial chapel near Venice; in 1788, the large painting was ruthlessly cut down and sold in pieces. Paolo Veronese: The Petrobelli Altarpiece reunites the four parts of Veronese's glorious altarpiece, which have not been seen together since the painting's brutal division. The reunion and reconstruction of the altarpiece is a unique occasion to re-evaluate this Venetian Renaissance masterpiece. 

Paper | 160 pages 
17 x 24 cm (6.7 x 9.45 in.) 
Publication date: 2009

Curated by Sherry Farrell Racette, Michelle LaVallee and Cathy Mattes

Indigenous artists have long used beadwork to tell stories, honour loved ones and celebrate beauty. Using techniques and knowledge passed from previous generations, today’s Indigenous artists are using beading to address concerns related to history, decolonization and resistance. Radical Stitch – the largest contemporary beadwork exhibition to date – presents a wealth of works ranging from wearable art and portraiture to installation and video that connect past and present as they imagine new worlds.

The accompanying catalogue celebrates the innovative art of 56 artists from across Turtle Island who have exhibited at most or all of the venues for this touring exhibition. In full, vivid colour, this publication presents 30 figures and 82 plates of their selected artworks, which reflect a range of humour, poignant testimony, and political and social commentary.

Radical Stitch Itinerary:

MacKenzie Art Gallery, Regina: 30 April – 25 September 2022
Art Gallery of Hamilton: 11 February – 27 August 2023
Thunder Bay Art Gallery: 13 October 2023 – 3 March 2024
National Gallery of Canada: 17 May – 30 September 2024
Beaverbrook Art Gallery, Fredericton: 30 November 2024 – 2 March 2025
Eiteljorg Museum of American Indians and Western Art, Indianapolis: 12 April – 3 August 2025

Featured in the catalogue: Barry Ace, Eva Talooki Aliktiluk, Carrie Allison, Marcus Amerman, Judy Anderson, Kristen Auger, Kaylyn Baker, Christi Belcourt, Michael Belmore, Catherine Blackburn, Katherine Boyer, Jackie Larson Bread, Marcia Chickeness, Hannah Claus, Dana Claxton, Jon Michael Robert Corbett, Ruth Cuthand, Vanessa Dion Fletcher, Marcy Friesen, Teri Greeves, Joyce Growing Thunder, Justine Gustafson, Donald & Carla Hemlock, Maria Hupfield, Lizzie Ittinuar, Bev Koski, Casey Koyczan, Jennine Krauchi, Martha Kyak, Mindy Lauren Magyar, Amy Malbeuf, Jean Marshall, Audie Murray, Nadia Myre, Margaret Nazon, Candace Neumann, Niap, Shelley Niro, Elias Not Afraid, Jamie Okuma, Sandra Okuma, Taqralik Partridge, Jobena Petonoquot, Memory Rose Poni-Cappo, Alesia Poncho & Farlan Quetawki, Skawennati, Samuel Thomas, Marie Watt, Olivia Whetung, Dyani White Hawk, Kenneth Williams Jr., Nico Williams, Will Wilson, Summer Yahbay

Printed in Canada
Softcover
20.32 x 26.67 cm (8 x 10.5 in.)
Publication date: 2024

Ann Thomas

Photographies américaines 1900-1950 is the fourth in a series of publications focusing on selected masterpieces from the Photographs collection of the National Gallery of Canada. The first half of the 20th century marks a lively era in American art history when photography was first celebrated as an art form. The catalogue highlights masterpieces from such photographers as Lisette Model, Alfred Stieglitz, Edward Steichen, Walker Evans, and Edward Weston.

Paper | 196 pages
20.5 x 26.5 cm (8 x 10½ in.) 
Publication Date: 2011

Lori Pauli, John McElhone 

Photographies britanniques du XIXe siècle is the third installment in a series of catalogues that showcase the depth and variety of photographs from the National Gallery of Canada's permanent collection. This catalogue documents the developments in photographic technologies in 19th century Britain; from historically important paper negatives to platinum prints, works by Julia Margaret Cameron, William Henry Fox Talbot, Frederick Evans, Roger Fenton, and Henry Peach Robinson, among others, are beautifully illustrated and examined. 

Paper | 180 pages 
20.5 x 26.5 cm (8 x 10½ in.) 
Publication Date: 2011

James Borcoman 

Photographies françaises du XIXe siècle is the second in a series of exhibitions highlighting the strengths of the National Gallery of Canada's permanent collection of photographs. The intention of the exhibition is also to provide an introduction to the history of the medium's early years; the beautifully illustrated catalogue highlights works by such photographers as Charles Marville, Gustave Le Gray, Eugène Atget, Édouard Baldus, Étienne Carjat, Henri Le Secq, and Nadar. 

Paper | 168 pages 
20.5 x 26.5 cm (8 x 10½ in.) 
Publication Date: 2010

Ann Thomas

This original publication, which focuses on the early decades of the 20th century, is the first in a new series devoted to the study of photographic masterpieces from the National Gallery of Canada's international collection. Examining the expansive, innovative and often contradictory modernist ethos that shaped the creation and use of photographic art from 1900 to 1940, this generously illustrated publication highlights dozens of works from Germany, England, Czech Republic, United States, France, Russia, Hungary, Japan and Canada. An introductory essay describes the development of photography artistically, technically and socially. Following the essay, 79 individual works are presented within the context of their times. Each is illustrated with a full-page duo tone plate. Among the artists are some of the world's greatest photographic innovators, notably Eugène Atget, Margaret Bourke-White, Brassaï, Walker Evans, Dorothea Lange, Lisette Model, Alexander Rodchenko and Edward Weston.

Paper | 200 pages
20.5 x 26.5 cm (8 x 10.5 in.) 
Publication Date: 2007

Andrea Kunard

The variety, width and breadth of photographic culture in Canada is extraordinary, and Canadian photographers are among the most prominent and influential in the world today. From classic street photography, documentary images and landscape imagery, to experimental abstractions and conceptual work, photography is an area of particularly rich exploration in our country. Photography in Canada 1960–2000 is the fifth in a series that presents the Gallery's Photographs Collection, and this catalogue is the first to be published by the newly established Canadian Photography Institute (CPI).

Featured artists: Raymonde April, Roy Arden, Barbara Astman, Claire Beaugrand-Champagne, Pierre Boogaerts, Robert Bourdeau, Jim Breukelman, Robert Burley, Edward Burtynsky, Michel Campeau, Serge Clément, Lynne Cohen, Sorel Cohen, Carole Condé, Marlene Creates, Donigan Cumming, Walter Curtin, Jack Dale, Robert Del Tredici, Stan Denniston, Jennifer Dickson, Lutz Dille, Evergon, Charles Gagnon, Pierre Gaudard, General Idea, Tom Gibson, Lorraine Gilbert, Rafael Goldchain, Rodney Graham, Ted Grant, Angela Grauerholz, Clara Gutsche, Dave Heath, Fred Herzog, Hubert Hohn, Thaddeus Holownia, George Hunter, Geoffrey James, Yousuf Karsh, Holly King, Suzy Lake, Michel Lambeth, Ken Lum, Chris Lund, Arnaud Maggs, John Massey, John Max, Susan McEachern, David McMillan, N.E. Thing Co. (NETCO), Shelley Niro, Nina Raginsky, John Reeves, Mark Ruwedel, Jacye Salloum, Michael Semak, Orest Semchishen, Sandra Semchuk, Michael Snow, George Steeves, Gabor Szilasi, Sam Tata, Jeff Thomas, Diana Thorneycroft, Serge Tousignant, Larry Towell, Bill Vazan, Jeff Wall, Ian Wallace, and Jin-me Yoon.

Paperback | 176 pages
20.5 x 26.5 cm (8 x 10 ½ in.)
Publication Date: 2016

Jack Bankowsky, Alison M. Gingeras & Catherine Wood

Pop Life: Art in a Material World explores the complex relationship between contemporary art, marketing and the mass media. Beginning with the late work of American Pop artist Andy Warhol, the catalogue explores how some of today's high-profile media-savvy artists (Jeff Koons, Damien Hirst, Keith Haring, and Takashi Murakami, for example) have followed his lead, embracing celebrity and commerce as the foundation of their work. 

Softcover | 207 pages 
22 x 27.5 cm (8.7 x 10.8 in.) 
Publication Date: 2009

Explicit content

Sonia Couturier, Pierre Rosenberg

Eighteenth-century Rome was a cosmopolitan centre that became a mecca for artists, collectors, and enlightened art lovers. It was also the primary destination for artists from France wanting to perfect their craft. This work highlights the artistic effervescence of the Eternal City, where French artists were able to study ancient monuments and masterpieces of sculpture and painting, benefitting from the protection of influential patrons with a passion for the arts. Featuring more than one hundred works, this volume offers an exceptional selection of drawings and prints together with a large number of paintings. It presents works by artists regarded as among the most significant of their day, in particular Hubert Robert, Jean-Honoré Fragonard, and Jacques-Louis David.

Softcover | 256 pages 
23 x 28 cm (9 x 11 in.) 
Publication Date: 2011

René Villeneuve 

The National Gallery's collection of Quebec silver — the largest and most complete in the world — took its impetus from the donation of the Henry Birks Collection of Canadian Silver in 1979. It has since been strongly enriched. Curator René Villeneuve opens this volume by exploring the formation of the Birks collection in light of the history of silver in Canada and the collector's goals and achievements. He then undertakes the first major stylistic analysis of Quebec silver, going far beyond the compilation of new data to approach the subject from a fresh and intriguing perspective. 

Virginia B. Alexandor, a niece of Henry G. Birks, introduces this study with a charming memoir. The book includes fifty-one black-and-white reproductions, many never before seen. 

Softcover | 124 pages 
18.6 x 28 cm (7.3 x 11 in.) 
Publication Date: 1998

Edited by Stephanie S. Dickey and Jochen Sander with contributions by Jonathan Bikker, Jan Blanc, Sonia Del Re, Stephanie S. Dickey, Rudi Ekkart and Claire van den Donk, Robert Fucci, Jasper Hillegers, Maarten Prak, Jochen Sander, Friederike Schütt, Martin Sonnabend.

Around the age of 25, Rembrandt van Rijn (1606–1669) moved from his hometown of Leiden to Amsterdam, which was the commercial capital of northern Europe at that time. Considered a bold step for a fledgling artist, this change demonstrates that Rembrandt wanted to benefit financially from Amsterdam's robust art market. He soon married the cousin of a successful art dealer, and came into frequent contact with wealthy and sophisticated patrons who eagerly commissioned him to paint their portraits. The artist's style quickly evolved from the small, meticulous panels of his Leiden period to the broadly brushed, dramatically lit and realistically rendered canvases for which he is renowned.

Rembrandt in Amsterdam explores this pivotal transition in the artist’s career and reveals how the stimulating and affluent environment of Amsterdam inspired him to reach his full potential. Lavishly illustrated, this volume offers a fascinating look into Amsterdam’s unparalleled creative community and its role in Rembrandt’s development of a wide-ranging brand that comprised landscapes, genre scenes, history paintings, portraits and printmaking.

Hardcover | 384 pages
25 x 31 cm (9.8 x 12.2 in.)
Publication date: 2021

Edited by Stephanie S. Dickey and Jochen Sander with contributions by Jonathan Bikker, Jan Blanc, Sonia Del Re, Stephanie S. Dickey, Rudi Ekkart and Claire van den Donk, Robert Fucci, Jasper Hillegers, Maarten Prak, Jochen Sander, Friederike Schütt, Martin Sonnabend.

Around the age of 25, Rembrandt van Rijn (1606–1669) moved from his hometown of Leiden to Amsterdam, which was the commercial capital of northern Europe at that time. Considered a bold step for a fledgling artist, this change demonstrates that Rembrandt wanted to benefit financially from Amsterdam's robust art market. He soon married the cousin of a successful art dealer, and came into frequent contact with wealthy and sophisticated patrons who eagerly commissioned him to paint their portraits. The artist's style quickly evolved from the small, meticulous panels of his Leiden period to the broadly brushed, dramatically lit and realistically rendered canvases for which he is renowned.

Rembrandt in Amsterdam explores this pivotal transition in the artist’s career and reveals how the stimulating and affluent environment of Amsterdam inspired him to reach his full potential. Lavishly illustrated, this volume offers a fascinating look into Amsterdam’s unparalleled creative community and its role in Rembrandt’s development of a wide-ranging brand that comprised landscapes, genre scenes, history paintings, portraits and printmaking.

Hardcover | 384 pages
25 x 31 cm (9.8 x 12.2 in.)
Publication Date: 2021

Monique Brunet-Weinmann 

Great unpublished interviews, personal memories, biographical recollections, and analysis of Riopelle's work: Monique Brunet-Weinmann leads us to understand the intellectual and emotional links that unite the work to the being. It reveals an honest portrait of Riopelle, told through the mythical figures of his work. 

Paperback | 344 pages 
15 x 23 cm (5.9 x 9 in.) 
Only available in French

Edited by Sylvie Lacerte with contributions by Gilles Daigneault, Vera Frenkel, Manuel Mathieu, Caroline Monnet, Marc-Antoine K. Phaneuf and Marc Séguin

Marking the centenary of his birth, the exhibition Riopelle, à la croisée des temps introduces Jean Paul Riopelle as a tireless experimenter and innovator, anchored in the contemporary realm. Drawing on the artist’s work across various mediums and materials, guest curator Sylvie Lacerte paints a portrait of Riopelle as a visionary trailblazer. Offering a unique take on this famed Canadian artist, this retrospective presents his acclaimed works alongside creations rarely or never before shown in public.

This richly illustrated catalogue features essays by art specialists and artists who reflect on Riopelle’s legacy as they look at his work. Discover the full force of his legendary influence on both his contemporaries and artists working today, all of whom represent a broad range of cultural and aesthetic perspectives.

Hardcover | 208 pages 
25.5 x 30.5 cm (10 x 12 in.)
Publication Date: 2023