Lori Pauli

Recognized as one of Canada's most eloquent interpreters of landscape, Geoffrey James has been making photographs since the early 1970s. His first photographs, images of gardens, express classical notions of beauty as they reveal the geometry and underlying structures of the formal garden. These small panoramic photographs evoke a quiet passion for the great landscape schemes and natural sanctuaries of the past. In his most recent work, James pays particular attention to the way in which nature and culture intersect. While not concerned with "Romantic" notions of "the ruin," his photographs do suggest a fall from grace.

Hardcover | 176 pages
Publication Date: 2008

Lori Pauli

Recognized as one of Canada's most eloquent interpreters of landscape, Geoffrey James has been making photographs since the early 1970s. His first photographs, images of gardens, express classical notions of beauty as they reveal the geometry and underlying structures of the formal garden. These small panoramic photographs evoke a quiet passion for the great landscape schemes and natural sanctuaries of the past. In his most recent work, James pays particular attention to the way in which nature and culture intersect. While not concerned with "Romantic" notions of "the ruin," his photographs do suggest a fall from grace.

Hardcover | 176 pages
Publication Date: 2008

Greg Hill

In a career spanning five decades, Norval Morrisseau has figured prominently among artists in Canada. He has created a unique style of painting to convey his knowledge of and his deep pride in his Anishnaabe (Ojibwa) culture; his work both parallels and propels the development of Aboriginal art in this country. The catalogue documents the nearly sixty works in the exhibition which reflect and elaborate on the spiritual aspects of Morrisseau's art.

Paper | 188 pages 
Publication date: 2006

Greg Hill

In a career spanning five decades, Norval Morrisseau has figured prominently among artists in Canada. He has created a unique style of painting to convey his knowledge of and his deep pride in his Anishnaabe (Ojibwa) culture; his work both parallels and propels the development of Aboriginal art in this country. The catalogue documents the nearly sixty works in the exhibition which reflect and elaborate on the spiritual aspects of Morrisseau's art.

Paper | 188 pages 
Publication date: 2006

Bonnie Devine

Daphne Odjig's contributions to art in Canada began with her early drawings documenting the lives of indigenous peoples in northern Manitoba. Her work has since become recognized internationally and she has received numerous honours and awards in acknowledgment of her stature. Les Dessins et Peintures de Daphne Odjig is an important contribution to the analysis, understanding and celebration of Daphne Odjig's magnificent paintings and drawings, and serves to establish her place among the greatest artists in Canada.

Paperback | 141 pages
Publication date: 2009

Bonnie Devine

Daphne Odjig's contributions to art in Canada began with her early drawings documenting the lives of indigenous peoples in northern Manitoba. Her work has since become recognized internationally and she has received numerous honours and awards in acknowledgment of her stature. The Drawings and Paintings of Daphne Odjig is an important contribution to the analysis, understanding and celebration of Daphne Odjig's magnificent paintings and drawings, and serves to establish her place among the greatest artists in Canada.

Paperback | 141 pages
Publication date: 2009

The Indigenous Art Collection, cared for by Crown-Indigenous Relations and Northern Affairs Canada, and located at 10 Wellington, Gatineau, Quebec, is one of the most important collection of contemporary Indigenous art in Canada. Comprising over 4,300 artworks by both prominent and emerging artists, it showcases First Nations, Inuit, and Métis expression of their histories, cultures, and realities, both past and present.

Created to celebrate the Art Centre’s 50th anniversary, this stunning volume and first major monograph published by the Government of Canada about the collection, highlights the richness and the importance of Indigenous cultures and heritage as an essential part of Canadian culture.

Featured artists: Barry Ace, Roger Aksadjuak, Allen "Ahmoo" Angeconeb, Tracey Anthony, George Arluk, Germaine Arnaktauyok, Arnaquq Ashevak, Kenojuak Ashevak, Kiawak Ashoona, Shuvinai Ashoona, Jason Baerg, Rebecca Baird, Mary Anne Barkhouse, Carl Beam, Shirley Bear, Jackson Beardy, Henry Beaudry, Lance Belanger, Christi Belcourt, Leland Bell, Michael Belmore, Rebecca Belmore, Scott Benesiinaabandan, Dempsey Bob, Vince Bomberry, Bob Boyer, Simon Brascoupé, Bruno Canadien, Joane Cardinal-Schubert, Sarah Carr, Christian Chapman, Benjamin Chee Chee, Dorothy Chocolate, Lee Claremont, Hannah Claus, Dana Claxton, Eddy Cobiness, Ruth Cuthand, Colleen Cutschall, Joseph T. David, Joe David, Reg Davidson, Robert Davidson, Patricia Deadman, Blake Debassige, Beau Dick, Gertrude Dick & Simon Dick, Freda Diesing, Wally Dion, Vanessa Dion Fletcher, Sheojuk Etidlooie, Thomasie Etuangat, Jerry A. Evans, Rosalie Favell, David Garneau, David General, Richard Glazer-Danay, David Hannan, Tanya Harnett, Walter Harris, Faye HeavyShield, Chuck "Ya’Ya" Heit, Tom Hill, Richard W. Hill Sr., Robert Houle, Calvin Hunt, Henry Hunt, Tony Hunt, Maria Hupfield, Sarah Inukpuk, Elisapee Ishulutaq, Naomi Ityi, Mattiusi Iyaituk, Joseph "Joe" Jacobs, Alex Janvier, Philip Janzé, Alfred Joseph, Francis Kagige, Joshim Kakegamic, Roy Kakegamic, Towkie Karpik, Elsie Anaginak Klengenberg, Katia Kak'wa Kurtness, Rita Letendre, Eva Linklater, George Littlechild, Martin "Akwiranoron" Loft, Jim Logan, Kayley Mackay, Joelee Maniapik, Qavavau Manumie, Clifford Maracle, Teresa Marshall, Glenna Matoush, Walter McKenzie, Kevin McKenzie, Gerald McMaster, Ohotaq Mikkigak, Kent Monkman, Shirley Moorhouse, Christian Morrisseau, Norval Morrisseau, Ken Mowatt, Earl Muldon & Ron Sebastian, Nadia Myre, David Neel, Marianne Nicolson, Shelley Niro, Jeneen Frei Njootli, William Noah, Ron Noganosh, Daphne Odjig, Tim Paul, Lionel Peyachew, David Ruben Piqtoukun, Tim Pitsiulak, Susan Point, Edward Poitras, Jane Ash Poitras, Annie Pootoogook, Kananginak Pootoogook, Barry Pottle, John Powell, Pudlo Pudlat, Carl Ray, Bill Reid, Arthur Renwick, Ryan Rice, Garmel Rich, Rick Rivet, Eric A. Robertson, Kakulu Saggiaktuk, Pitaloosie Saila, Nicotye Samayualie, Allen Sapp, Frank Shebageget, Arthur Shilling, Roger Simon, Pierre Sioui, Skawennati, Ann Smith, Henry Speck, Greg Staats, Alan J. Syliboy, Gerald Tailfeathers, Winnie Tatya, Ningeokuluk Teevee, Jeffrey M. Thomas, Roy Thomas, Art Thompson, Simon Tookoome, Oviloo Tunnillie, Helen Wassegijig, Elisapee Weetaluktuk, Hjalmer Wenstob, Tania Willard, Linus Woods, Lauren I. Wuttunee, Donald Yeomans, Lawrence Paul Yuxweluptun.

Hardcover | 383 Pages
23.5 x 21.5 x 3.7 cm (9.3 x 8.5 x 1.5 in.)

Diana Nemiroff

From obstacles of bureaucracy to veiled challenges to women in powerful positions, Women at the Helm paints a rich picture of what it takes to lead a major art institution. In her latest book, author and art historian Diana Nemiroff explores a transformative thirty-year period in the history of the National Gallery of Canada through the careers of its first three women directors (Jean Sutherland Boggs, Hsio-yen Shih, and Shirley L. Thomson), detailing each of their unique triumphs and tribulations.

Paperback | 552 pages
85 photos, colour insert
19 x 24 cm (7.5 x 9.5 in)

Scotiabank Photography Award

Covering over 30 years of artistic practice, this book celebrates the complex yet highly distilled photographs of Jin-me Yoon’s dynamic vision. Showcasing a camera that is a witness to performative acts occurring both inside and outside the frame, the book reveals how Yoon has expanded conceptualist understandings of image-making and contributed to ongoing discussions of place and identity. In doing so, this volume illustrates how she uses the inherent mobility of images and the forces of diasporic thinking to bring disparate worlds together in poetic relation and create conditions for a different future.

Hardcover | 228 pages
24.8 x 30.5 cm (9.76 x 12 in.)

Edited by Zoë Chan and Diana Freundl

Jin-me Yoon is an important Canadian lens-based artist who has been working steadily since emerging on Vancouver’s contemporary art scene in the 1990s. Produced in tandem with a major exhibition at the Vancouver Art Gallery in 2022, About Time focuses on Yoon’s monumental and multifaceted production during the 2010s, which typically combines photography, video, performance, and installation. In these layered works, Yoon addresses the subject matter of diasporic experience, colonialism, imperialism, and militarism, but with an increasingly politicized awareness of what it means to live and work as a diasporic artist on land stolen from Indigenous peoples. Characterized by a restrained poetic style, the use of slowness and repetition, and the sensory use of sound, this period in Yoon’s corpus is undergirded by a strong environmentalist thrust. Recurring tropes of this mature phase of her work include cinematic tableaux of individuals integrated within the Pacific West Coast’s stunning natural landscapes.

Hardcover | 208 pages
17.78 x 24.77 cm (7 x 9.75 in.) 

Sonia Del Re and Kirsten Appleyard

Delve into Canada’s premier collection of international drawings and discover never-before-seen artworks straight from the vault. Founded in 1921 and the first of its kind in the country, the National Gallery of Canada’s Department of Prints and Drawings boasts ever-evolving, world-class holdings of historical drawings dating from the 15th to the 20th century, in every medium – from graphite to ink, pastel to watercolour. Enjoy this rare opportunity to view works by Gustav Klimt, Théodore Géricault and Élisabeth Louise Vigée Le Brun, among many others, including newly acquired sheets and little-known but historically significant drawings that for conservation reasons are usually kept in the dark. The selection is wide-ranging, featuring everything from preparatory works for paintings to subjects drawn from history and mythology, portraits, landscapes, forays into abstraction and poignant explorations of the human condition.

Celebrate the legacy of the Department of Prints and Drawings first-hand through this captivating exhibition and richly illustrated catalogue marking its recent 100-year anniversary.

Feuille à feuille. La collection de dessins dévoilée is organized by the National Gallery of Canada. The publication is made possible with support from the Getty Foundation through its “The Paper Project: Prints and Drawings Curatorship in the 21st Century” initiative.

Hardcover | 203 pages
Publication Date: 2024

Also published in English under the title Gathered Leaves: Discoveries from the Drawing Vault

Sonia Del Re and Kirsten Appleyard

Delve into Canada’s premier collection of international drawings and discover never-before-seen artworks straight from the vault. Founded in 1921 and the first of its kind in the country, the National Gallery of Canada’s Department of Prints and Drawings boasts ever-evolving, world-class holdings of historical drawings dating from the 15th to the 20th century, in every medium – from graphite to ink, pastel to watercolour. Enjoy this rare opportunity to view works by Gustav Klimt, Théodore Géricault and Élisabeth Louise Vigée Le Brun, among many others, including newly acquired sheets and little-known but historically significant drawings that for conservation reasons are usually kept in the dark. The selection is wide-ranging, featuring everything from preparatory works for paintings to subjects drawn from history and mythology, portraits, landscapes, forays into abstraction and poignant explorations of the human condition.

Celebrate the legacy of the Department of Prints and Drawings first-hand through this captivating exhibition and richly illustrated catalogue marking its recent 100-year anniversary.

Gathered Leaves: Discoveries from the Drawings Vault is organized by the National Gallery of Canada. The publication is made possible with support from the Getty Foundation through its “The Paper Project: Prints and Drawings Curatorship in the 21st Century” initiative.

Hardcover | 203 pages
Publication Date: 2024 

Also published in French under the title Feuille à feuille. La collection de dessins dévoilée

Josée Drouin-Brisebois

The National Gallery of Canada is the commissioning institution for the 54th International Art Exhibition at the Venice Biennale featuring the work of acclaimed artist Steven Shearer. Under its pop-cultural surface, Shearer’s work is surprisingly complex and insightful. By showing us aspects of popular culture from many different points of view, he exposes the false hierarchy of high and low art and prompts us to consider the more interesting differences between the cultural industries and the art world. The generously-illustrated catalogue published to accompany the Venice exhibition highlights Shearer’s paintings, text-based works, sculptures and photographic compilations.

Paper | 257 pages
Publication Date: 2011

English, French and Italian

Marie Fraser

The National Gallery of Canada presents the dynamic trio BGL, with its ambitions installation Canadassimo, at the 2015 Venice Biennale International Art Exhibition. BGL’s work is witty, soulful and provocative. It explores social issues, consumerism, the relationship between culture and nature, even the absurdities of the art world. The catalogue contains an essay and an interview which offer valuable insights into the collective's practice.

Paperback | 200 pages
25.4 x 33 cm (10 x 13 in.)
Bilingual
Publication Date: 2015

By Katerina Atanassova, with contributions by Krista Broeckx, Tobi Bruce, Adam Gopnik, Anna Hudson, Laurier Lacroix, Loren Lerner, Tracey Lock, Gerta Moray, Julie Nash, and Sandra Paikowsky.

Le Canada et l’impressionnisme. Nouveaux horizons casts off the enduring notions associated with French Impressionism by shedding light on the contributions of Canadian artists to this widespread movement. The first of its kind, this publication adds a new chapter to the history of World Impressionism as it positions the work of the Canadian Impressionists within the cosmopolitan milieus of the late nineteenth and early twentieth centuries. Progressing from Impressionistic renderings of contemporary life to interpretations of reality through the lenses of Fauvism, Post-Impressionism, and subsequent modes of expression, Impressionism in Canada evolved into a form of modernity tailored to the spirit of a young nation.

Hardcover | 296 pages (290 illustrations)
23 x 28 cm (9 x 11 in.) 
Publication Date: 2020

By Katerina Atanassova, with contributions by Krista Broeckx, Tobi Bruce, Adam Gopnik, Anna Hudson, Laurier Lacroix, Loren Lerner, Tracey Lock, Gerta Moray, Julie Nash, and Sandra Paikowsky.

Canada and Impressionism: New Horizons casts off the enduring notions associated with French Impressionism by shedding light on the contributions of Canadian artists to this widespread movement. The first of its kind, this publication adds a new chapter to the history of World Impressionism as it positions the work of the Canadian Impressionists within the cosmopolitan milieus of the late nineteenth and early twentieth centuries. Progressing from Impressionistic renderings of contemporary life to interpretations of reality through the lenses of Fauvism, Post-Impressionism, and subsequent modes of expression, Impressionism in Canada evolved into a form of modernity tailored to the spirit of a young nation.

Hardcover | 296 pages (290 illustrations)
23 x 28 cm (9 x 11 in.) 
Publication Date: 2019

Ming Tiampo

In Jin-me Yoon: Life & Work, Ming Tiampo reveals how Yoon’s multidisciplinary art—which includes photography, video, performances, and installations—reconnects troubled pasts with damaged presents and offers hope for a better future. It considers how one of Canada’s most important voices on the nature of identity developed a critical perspective on the representation of this country in museums, art history, the tourist industry, and monuments with groundbreaking works such as Souvenirs of the Self, 1991, and Group of Sixty-Seven, 1996, projects that, as Tiampo notes, have become “canonical touchstones in the public articulation of Canadian identity and race.”

Hardcover | 128 pages
20x28 cm (8x11 in.)

Douglas E. Schoenherr

Great drawings and superb watercolours by seventy major artists from the 18th to the 20th centuries are presented here and demonstrate the strength of the British drawings collection of the National Gallery of Canada. The catalogue, which includes works by such artists as J.W.M.Turner, Samuel Palmer, Dante Gabriel Rossetti and William Holman Hunt, is the fourth in a series presenting important drawings from the Gallery's permanent collection.

Paper | 196 pages 
20.35 x 26.68 cm (8 x 10.5 in.) 
Publication Date: 2005

Joaneath Spicer

Second in an ongoing series focussing on selected masterpieces from the permanent collection of prints and drawings from the National Gallery of Canada, this catalogue features nearly fifty of the oldest and most emotionally evocative sheets by Dutch and Flemish masters, from Gerard David to Rembrandt and Rubens.

Paper | 188 pages 
20.35 x 26.68 cm (8 x 10.5 in.) 
Publication Date: 2003
Only available in French 

David Franklin

Seventy of the finest Italian drawings from the 16th to the 18th centuries in the permanent collection of the National Gallery of Canada are featured in this volume. Brilliant examples by such artists as Giulio Romano, Parmigianino, Annibale Carracci and Piranesi were selected and described. This is the first in a series of catalogues presenting selected treasures from the Gallery's permanent collection.

Paper | 176 pages
Publication Date: 2003