René Villeneuve

During the late 18th and early 19th centuries, Laurent Amiot redefined religious, domestic and commemorative silversmithing, turning it into an art form. Produced in conjunction with the first retrospective devoted to one of Canada’s finest silversmiths, this stunning, richly-illustrated catalogue explores the quality and importance of Amiot’s oeuvre while providing a fresh perspective on the history of the society he helped shape and define.

Hardcover | 240 pages
25 x 30 cm (9.8 x 11.8 in.)

By Katerina Atanassova, with contributions by Krista Broeckx, Tobi Bruce, Adam Gopnik, Anna Hudson, Laurier Lacroix, Loren Lerner, Tracey Lock, Gerta Moray, Julie Nash, and Sandra Paikowsky.

Le Canada et l’impressionnisme. Nouveaux horizons casts off the enduring notions associated with French Impressionism by shedding light on the contributions of Canadian artists to this widespread movement. The first of its kind, this publication adds a new chapter to the history of World Impressionism as it positions the work of the Canadian Impressionists within the cosmopolitan milieus of the late nineteenth and early twentieth centuries. Progressing from Impressionistic renderings of contemporary life to interpretations of reality through the lenses of Fauvism, Post-Impressionism, and subsequent modes of expression, Impressionism in Canada evolved into a form of modernity tailored to the spirit of a young nation.

Hardcover | 296 pages (290 illustrations)
23 x 28 cm (9 x 11 in.)

Erika Dolphin
with Jonathan L. Meakins

Le cosmos des collectionneurs. La Collection d’estampes Meakins–McClaran provides a glimpse into the making of what is, undoubtedly, the foremost private collection of 16th and 17th-century Dutch and Flemish prints in Canada. While that is the strength of the collection, there is also a joyful touch of eclecticism reflecting the Renaissance interests of the collectors Dr. Jonathan Meakins and Dr. Jacqueline McClaran.

In this beautiful and fully illustrated catalogue, Dr. Meakins takes us through the collection’s history, which began forty years ago in Paris following an afternoon in a room full of prints by Camille Pissarro at the Grand Palais. He reflects upon how a collection is never static; it ebbs and flows much like life. The other essay by Erika Dolphin, a personal account of her exploration of the collection, examines the flourishing of images of landscape in northern Europe and illustrates how art in the form of a humble print can lead us to reflect upon the myriad wonders of life.

Softcover | 216 pages
24.5 x 30 cm (9.6 x 11.8 in.)
Publication Date: 2021

Martina Weinhart

With contributions by Rebecca Herlemann, Ruth Phillips, Carmen Robertson, Jeff Thomas, Georgiana Uhlaryik, Reneée van der Avoird, Martina Weinhart and Interviews with Lisa Jackson and Caroline Monnet

In the early 20th century, artists such as Emily Carr, Tom Thomson, and members of what would become the Group of Seven, transformed Post-Impressionism techniques into exciting new ways of interpreting the Canadian landscape.

Challenging existing traditions, they left major cities such as Toronto, Montreal and Vancouver and ventured deep into the Canadian wilderness. Often remaining in the bush for weeks on end, they reimagined the natural world using bold colours, stylized forms, and dynamic brushwork, producing vibrant modernist works that would define Canada and Canadian art for decades to come.

Premiering at Frankfurt’s Schirn Kunsthalle, Magnetic North features 87 works of art, including 23 works from the National Gallery of Canada. The exhibition also comprises five films, including two by contemporary Indigenous artists: How a People Live, a documentary by filmmaker Lisa Jackson and Mobilize, a short film by artist Caroline Monnet.

Magnetic North was organized by the SCHIRN KUNSTHALLE FRANKFURT, the Art Gallery of Ontario, and the National Gallery of Canada, with the generous support of the Department of Canadian Heritage.

Hardcover | 240 pages
23.5 x 27.5 cm (9.25 x 10.82 in)
Publication Date: 2021

Edited by Réjean Legault with contributions by Susanna Caccia Gherardini, Karen Colby-Stothart, Josée Drouin-Brisebois, Cornelia Hahn Oberlander, Serena Maffioletti, Cammie McAtee, Franco Panzini, and Andrea Pertoldeo.

This richly illustrated book offers a detailed account of the history and evolution of the Canada Pavilion, built in 1958 in the gardens of the Venice Biennale.

Complete with reproductions of archival material including photographs, drawings, and maps, along with a portfolio from contemporary photographers, this commemorative publication includes essays on: the cultural and political context in which the Canada Pavilion committee worked; the concept and construction of the building and the links with architect Enrico Peressutti and the BBPR partnership; the Pavilion’s role in the postwar Italian cultural context and its fortunes from its inauguration in 1958 to the restoration in 2018; the restoration project itself, and finally, the relationship between the Pavilion and the Biennale Gardens.

Following the roles of key players involved in the design and construction of the building, to its multifaceted use over the past sixty years in exhibiting the work of some of Canada’s most talented artists and architects, Le pavillon du Canada à la biennale de Venise illuminates the Pavilion’s great importance in the context of modern architecture, art and culture, and international political diplomacy.

Hardcover | 192 pages
24 x 28 cm (9.4 x 11 in.)
Publication Date: 2020

Douglas E. Schoenherr

The David Lemon Collection represents a comprehensive selection of British prints, comprising over 200 works from 1820 to 1955. Lines of Enquiry illustrates 89 original and reproductive etchings by remarkable British artists such as William Blake, Samuel Palmer, Laura Knight and Graham Sutherland.

Paper | 180 pages
Publication Date: 1997

Douglas E.Schoenherr

The David Lemon Collection represents a comprehensive selection of British prints, comprising over 200 works from 1820 to 1955. Lines of Enquiry illustrates 89 original and reproductive etchings by remarkable British artists such as William Blake, Samuel Palmer, Laura Knight and Graham Sutherland.

Paper | 180 pages
Publication Date: 1997

Ann Thomas and John McElhone

This lavish publication celebrates fifty years of collecting photographs at the National Gallery of Canada. When the NGC began acquiring photos in 1967, few museums viewed the medium as fine art. Thanks to the passion and dedication of early supporters, a comprehensive collection has taken shape over the past half century. Drawn from one of the world’s most significant photographs holdings, The Extended Moment highlights the collection’s rich diversity, chronicling its formative years and exploring how the technical photographic process has evolved.

Hardcover | 336 pages
23 x 29 cm (9 x 11.4 in.)
Publication Date: 2018

Winning Title (Pictorial), The Alcuin Society Awards for Excellence in Book Design in Canada, 2018

Winning Title (Art Books), Silver: ICMA Award, 2019

Cyndie Campbell

A selection of 33 letters from artist M.C. Escher to his son George, dating from 1958, when George Escher moved to Canada from the Netherlands, until 1972, when M.C. Escher died. The letters range over many subjects – art, books, events, and personalities, as well as family matters – and they offer a distinctly personal insight into the life and mind of this artist, whose meticulously wrought images continue to intrigue and delight the public. The publication includes colour illustrations of art by M.C. Escher mentioned in the text, as well as family photographs.

Paperback | 151 pages
Publication Date: 2013
Only available in French

Martina Weinhart

With contributions by Rebecca Herlemann, Ruth Phillips, Carmen Robertson, Jeff Thomas, Georgiana Uhlaryik, Reneée van der Avoird, Martina Weinhart and Interviews with Lisa Jackson and Caroline Monnet

In the early 20th century, artists such as Emily Carr, Tom Thomson, and members of what would become the Group of Seven, transformed Post-Impressionism techniques into exciting new ways of interpreting the Canadian landscape.

Challenging existing traditions, they left major cities such as Toronto, Montreal and Vancouver and ventured deep into the Canadian wilderness. Often remaining in the bush for weeks on end, they reimagined the natural world using bold colours, stylized forms, and dynamic brushwork, producing vibrant modernist works that would define Canada and Canadian art for decades to come.

Premiering at Frankfurt’s Schirn Kunsthalle, Magnetic North features 87 works of art, including 23 works from the National Gallery of Canada. The exhibition also comprises five films, including two by contemporary Indigenous artists: How a People Live, a documentary by filmmaker Lisa Jackson and Mobilize, a short film by artist Caroline Monnet.

Magnetic North was organized by the SCHIRN KUNSTHALLE FRANKFURT, the Art Gallery of Ontario, and the National Gallery of Canada, with the generous support of the Department of Canadian Heritage.

Hardcover | 240 pages
23.5 x 27.5 cm (9.25 x 10.82 in)
Publication Date: 2021

Lori Pauli with an introduction by Joseph Mulholland

Only recently has the name Margaret Watkins come to be cited in the annals of 20th century photography. Born and raised in Canada, Watkins became a driving force at one of the most important photography schools in America. Her photographs, most notably her still-life images, now key works in the history of early advertising photography and classic examples of modernist photography, have earned her special recognition within the history of the medium.

Softcover | 160 pages
Publication Date: 2012

Lori Pauli with an introduction by Joseph Mulholland

Only recently has the name Margaret Watkins come to be cited in the annals of 20th century photography. Born and raised in Canada, Watkins became a driving force at one of the most important photography schools in America. Her photographs, most notably her still-life images, now key works in the history of early advertising photography and classic examples of modernist photography, have earned her special recognition within the history of the medium.

Softcover | 160 pages
Publication Date: 2012

Christi Belcourt

Based on Métis artist Christi Belcourt’s painting “Medicines to Help Us,” this innovative and vibrant resource honours the centuries-old healing traditions of Métis women. For this book, Christi Belcourt fuses her evocative artwork with Indigenous Traditional Knowledge and Western Science. With contributions from Métis Elders Rose Richardson and Olive Whitford, as well as key Michif phrases and terminology, Medicines to Help Us is the most accessible resource relating to Métis healing traditions produced to date.

Softcover | 80 pages
15.2 x 22.8 cm (5.9 x 8.9 in.)

Katerina Atanassova, Anne-Marie Bouchard, Sandra Paikowsky, Esther Trépanier, Julie Nash, Nancy Mowll Mathews

The National Gallery of Canada is honoured to be showcasing the A.K. Prakash Collection of works by major Canadian artist James Wilson Morrice. This significant collection of oil paintings and watercolours by one of Canada’s foremost modernist painters is part of the Masterpiece in Focus series. Assembled with sensitivity to the evolution of the artist, the real strength of the collection lies in its variety, artistic quality and depth, highlighting key moments in Morrice’s career. The essays in this beautifully illustrated catalogue, as well as an in-depth interview with A.K. Prakash, position the pioneering artist in his proper and deserved context – as an artist of Canadian descent who lived and worked in Europe, who travelled extensively, and who was associated with the leading modern artists and movements of the period.

Hardcover | 240 pages
29.5 x 24 x 3 cm (11.6 x 9.4 x 1.2 in.)

Katerina Atanassova, Anne-Marie Bouchard, Sandra Paikowsky, Esther Trépanier, Julie Nash, Nancy Mowll Mathews

The National Gallery of Canada is honoured to be showcasing the A.K. Prakash Collection of works by major Canadian artist James Wilson Morrice. This significant collection of oil paintings and watercolours by one of Canada’s foremost modernist painters is part of the Masterpiece in Focus series. Assembled with sensitivity to the evolution of the artist, the real strength of the collection lies in its variety, artistic quality and depth, highlighting key moments in Morrice’s career. The essays in this beautifully illustrated catalogue, as well as an in-depth interview with A.K. Prakash, position the pioneering artist in his proper and deserved context – as an artist of Canadian descent who lived and worked in Europe, who travelled extensively, and who was associated with the leading modern artists and movements of the period.

Hardcover | 240 pages
29.5 x 24 x 3 cm (11.6 x 9.4 x 1.2 in.)

Lori Pauli with Jordan Bear, Karen Hellman and Phillip Prodger

Often referred to as the “Father of Art Photography,” Oscar G. Rejlander (1813–1875) has been praised for his early experiments with combination printing, for his collaboration with Charles Darwin, and for his influence on the work of Julia Margaret Cameron and Lewis Carroll.

Containing more than 200 impressive colour and black and white images, this ground-breaking catalogue accompanies the first major retrospective on a vital yet understudied figure, and considers the whole range of his activities, including his work as a painter and printmaker.

Hardcover | 336 pages
25.5 x 31 cm (10 x 12.2 in.)

Lori Pauli with Jordan Bear, Karen Hellman and Phillip Prodger

Often referred to as the “Father of Art Photography,” Oscar G. Rejlander (1813–1875) has been praised for his early experiments with combination printing, for his collaboration with Charles Darwin, and for his influence on the work of Julia Margaret Cameron and Lewis Carroll.

Containing more than 200 impressive colour and black and white images, this ground-breaking catalogue accompanies the first major retrospective on a vital yet understudied figure, and considers the whole range of his activities, including his work as a painter and printmaker.

Hardcover | 336 pages
25.5 x 31 cm (10 x 12.2 in.)

Curated by Sherry Farrell Racette, Michelle LaVallee and Cathy Mattes

Indigenous artists have long used beadwork to tell stories, honour loved ones and celebrate beauty. Using techniques and knowledge passed from previous generations, today’s Indigenous artists are using beading to address concerns related to history, decolonization and resistance. Radical Stitch – the largest contemporary beadwork exhibition to date – presents a wealth of works ranging from wearable art and portraiture to installation and video that connect past and present as they imagine new worlds.

The accompanying catalogue celebrates the innovative art of 56 artists from across Turtle Island who have exhibited at most or all of the venues for this touring exhibition. In full, vivid colour, this publication presents 30 figures and 82 plates of their selected artworks, which reflect a range of humour, poignant testimony, and political and social commentary.

Radical Stitch Itinerary:

MacKenzie Art Gallery, Regina: 30 April – 25 September 2022
Art Gallery of Hamilton: 11 February – 27 August 2023
Thunder Bay Art Gallery: 13 October 2023 – 3 March 2024
National Gallery of Canada: 17 May – 30 September 2024
Beaverbrook Art Gallery, Fredericton: 30 November 2024 – 2 March 2025
Eiteljorg Museum of American Indians and Western Art, Indianapolis: 12 April – 3 August 2025

Featured in the catalogue: Barry Ace, Eva Talooki Aliktiluk, Carrie Allison, Marcus Amerman, Judy Anderson, Kristen Auger, Kaylyn Baker, Christi Belcourt, Michael Belmore, Catherine Blackburn, Katherine Boyer, Jackie Larson Bread, Marcia Chickeness, Hannah Claus, Dana Claxton, Jon Michael Robert Corbett, Ruth Cuthand, Vanessa Dion Fletcher, Marcy Friesen, Teri Greeves, Joyce Growing Thunder, Justine Gustafson, Donald & Carla Hemlock, Maria Hupfield, Lizzie Ittinuar, Bev Koski, Casey Koyczan, Jennine Krauchi, Martha Kyak, Mindy Lauren Magyar, Amy Malbeuf, Jean Marshall, Audie Murray, Nadia Myre, Margaret Nazon, Candace Neumann, Niap, Shelley Niro, Elias Not Afraid, Jamie Okuma, Sandra Okuma, Taqralik Partridge, Jobena Petonoquot, Memory Rose Poni-Cappo, Alesia Poncho & Farlan Quetawki, Skawennati, Samuel Thomas, Marie Watt, Olivia Whetung, Dyani White Hawk, Kenneth Williams Jr., Nico Williams, Will Wilson, Summer Yahbay

Printed in Canada
Softcover
20.32 x 26.67 cm (8 x 10.5 in.)
Publication date: 2024

Andrea Kunard

The variety, width and breadth of photographic culture in Canada is extraordinary, and Canadian photographers are among the most prominent and influential in the world today. From classic street photography, documentary images and landscape imagery, to experimental abstractions and conceptual work, photography is an area of particularly rich exploration in our country. Photography in Canada 1960–2000 is the fifth in a series that presents the Gallery's Photographs Collection, and this catalogue is the first to be published by the newly established Canadian Photography Institute (CPI).

Featured artists: Raymonde April, Roy Arden, Barbara Astman, Claire Beaugrand-Champagne, Pierre Boogaerts, Robert Bourdeau, Jim Breukelman, Robert Burley, Edward Burtynsky, Michel Campeau, Serge Clément, Lynne Cohen, Sorel Cohen, Carole Condé, Marlene Creates, Donigan Cumming, Walter Curtin, Jack Dale, Robert Del Tredici, Stan Denniston, Jennifer Dickson, Lutz Dille, Evergon, Charles Gagnon, Pierre Gaudard, General Idea, Tom Gibson, Lorraine Gilbert, Rafael Goldchain, Rodney Graham, Ted Grant, Angela Grauerholz, Clara Gutsche, Dave Heath, Fred Herzog, Hubert Hohn, Thaddeus Holownia, George Hunter, Geoffrey James, Yousuf Karsh, Holly King, Suzy Lake, Michel Lambeth, Ken Lum, Chris Lund, Arnaud Maggs, John Massey, John Max, Susan McEachern, David McMillan, N.E. Thing Co. (NETCO), Shelley Niro, Nina Raginsky, John Reeves, Mark Ruwedel, Jacye Salloum, Michael Semak, Orest Semchishen, Sandra Semchuk, Michael Snow, George Steeves, Gabor Szilasi, Sam Tata, Jeff Thomas, Diana Thorneycroft, Serge Tousignant, Larry Towell, Bill Vazan, Jeff Wall, Ian Wallace, and Jin-me Yoon.

Paperback | 176 pages
20.5 x 26.5 cm (8 x 10 ½ in.)
Publication Date: 2016