This set includes 8 notecards featuring an illustration of Ottawa's iconic Rideau Canal. 

Made in Canada
Card dimensions: 10.8 x 14 cm (4.25 x 5.5 in.) 
Blank inside 
Envelopes are included

Accessorize with this lapel pin featuring the iconic Rideau Canal skateway. A perfect keepsake for winter enthusiasts, travellers, and collectors. 

Enamel 
Approx. 3 x 3.2 cm (1.18 x 1.26 in.) 

Monique Brunet-Weinmann 

Great unpublished interviews, personal memories, biographical recollections, and analysis of Riopelle's work: Monique Brunet-Weinmann leads us to understand the intellectual and emotional links that unite the work to the being. It reveals an honest portrait of Riopelle, told through the mythical figures of his work. 

Paperback | 344 pages 
15 x 23 cm (5.9 x 9 in.) 
Only available in French

A limited edition print on silk, this scarf features Jean Paul Riopelle's (1923–2002) Canard à l'orange. Produced in collaboration with the Riopelle Foundation and accompanied by a certificate of authenticity signed by Yseult Riopelle, director of Le Catalogue raisonné de Jean Paul Riopelle and the artist's daughter. 

Hand-sewn 
100% mulberry silk 
132 x 132 cm (52 x 52 in.)

Edited by Sylvie Lacerte with contributions by Gilles Daigneault, Vera Frenkel, Manuel Mathieu, Caroline Monnet, Marc-Antoine K. Phaneuf and Marc Séguin

Marking the centenary of his birth, the exhibition Riopelle, à la croisée des temps introduces Jean Paul Riopelle as a tireless experimenter and innovator, anchored in the contemporary realm. Drawing on the artist’s work across various mediums and materials, guest curator Sylvie Lacerte paints a portrait of Riopelle as a visionary trailblazer. Offering a unique take on this famed Canadian artist, this retrospective presents his acclaimed works alongside creations rarely or never before shown in public.

This richly illustrated catalogue features essays by art specialists and artists who reflect on Riopelle’s legacy as they look at his work. Discover the full force of his legendary influence on both his contemporaries and artists working today, all of whom represent a broad range of cultural and aesthetic perspectives.

Hardcover | 208 pages
Publication Date: 2023

Edited by Sylvie Lacerte with contributions by Gilles Daigneault, Vera Frenkel, Manuel Mathieu, Caroline Monnet, Marc-Antoine K. Phaneuf and Marc Séguin

Marking the centenary of his birth, the exhibition Riopelle: Crossroads in Time introduces Jean Paul Riopelle as a tireless experimenter and innovator, anchored in the contemporary realm. Drawing on the artist’s work across various mediums and materials, guest curator Sylvie Lacerte paints a portrait of Riopelle as a visionary trailblazer. Offering a unique take on this famed Canadian artist, this retrospective presents his acclaimed works alongside creations rarely or never before shown in public.

This richly illustrated catalogue features essays by art specialists and artists who reflect on Riopelle’s legacy as they look at his work. Discover the full force of his legendary influence on both his contemporaries and artists working today, all of whom represent a broad range of cultural and aesthetic perspectives.

Hardcover | 208 pages
Publication Date: 2023

This warm and soft reversible blanket features a design by Anishinaabe artist Trisha Pitura.

ABOUT THE DESIGN: Water is life. Water is the heartbeat to all living things. We depend on water to always be there, to be clean and pure to quench our thirst and fill our cells. We take this natural essential for granted and we need to remember that this is a privilege.

152.4 x 203.2 cm (60 x 80 in.)
20% recycled wool, 30% acrylic, 50% recycled polyester
Wash on cold, hang to dry
Designed, cut & sewn in Canada

Karen Duffek 

This catalogue features thirty paintings and sculptures by Robert Davidson, a leading contemporary Haida artist who works to expand and transform his understanding of Haida art and cultural practice through engagement with abstraction, reclaiming cultural knowledge, and developing a personal iconography in his art. 

Paper | 64 pages 
20.5 x 25.5 cm (8 x 11 in.) 
Publication Date: 2004
Available in French only

Denise Leclerc, Marion Barclay 

This exhibition catalogue seeks to explore the North American career of one of this century's outstanding sculptors in the technique of welded metal who has been working in the industry since the end of the 1950s.

Paper | 196 pages 
20.5 x 29 cm (8 x 11.4 in.) 
Publication Date: 1999

Denise Leclerc, Marion Barclay 

This exhibition catalogue seeks to explore the North American career of one of this century's outstanding sculptors in the technique of welded metal who has been working in the industry since the end of the 1950s.

Paper | 196 pages 
20.5 x 29 cm (8 x 11.4 in.) 
Publication Date: 1999

Beam Paints is an Indigenous company from the M'Chineeng First Nation located on Manitoulin Island in Lake Huron. 

This paintable card, hand printed by Beam Paints on Fabriano paper, includes all the watercolours needed to complete the design and more. 

Colours: Turtle Belly Red, Cub Brown, Robin's Egg Blue, Graphite, Shell White, Milkweed, and Pumpkin. 

12.2 x 17.8 cm (5 x 7 in.) 
Made in Canada

Prudence Heward (1896-1947)
Rollande, 1929

Prudence Heward’s paintings of strong, independent models offer a new interpretation of Canadian women in the 1920s. Rollande’s thoughtful expression and no-nonsense posture, with hands on her hips and one leg thrust forward, shows that she is in complete control of her environment. Her placement outside of the fence is deliberate, serving to emphasize her independence and strength.

6.5 x 9 cm (2.5 x 3.5 in.)

In the collection of the National Gallery of Canada.

Prudence Heward (1896-1947)
Rollande, 1929

Prudence Heward’s paintings of strong, independent models offer a new interpretation of Canadian women in the 1920s. Rollande’s thoughtful expression and no-nonsense posture, with hands on her hips and one leg thrust forward, shows that she is in complete control of her environment. Her placement outside of the fence is deliberate, serving to emphasize her independence and strength.

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

Wear your heart on your sleeve and big ideas on your collar, your hat, your backpack… for a little inspiration everywhere you go. 

Set of 2 pins
Enamel

Brighten your kitchen with this luxurious tea towel, featuring a motif designed by Tsimshian artist Morgan Asoyuf.

70 x 50 cm (27.5 x 19.7 in.)
Cotton Jacquard
Machine washable

Joan Borsa 

Ruth Cuthand was born in Prince Albert, Saskatchewan, and is of Plains Cree and Scottish ancestry. For nearly 30 years her works “talk back” to mainstream media and colonial society, addressing the frictions between cultures, the failures of representation, and the political uses of anger in Canada. Her subjects include “white liberal” attitudes towards Aboriginal women, the Canadian response to the 1990 Oka crisis, Mormon-Native relations in Cardston, Alberta (the artist's childhood home), and more. This comprehensive overview features a selection of artworks produced between 1983 and 2009, including the complete suite of twelve award-winning beadworks, the Trading series, which depict the diseases that ravished First Nations upon European contact. As an artist, teacher, and cultural activist, Cuthand has been extremely influential on contemporary Aboriginal artists across Canada.

Paperback | 144 pages
21.6 x 27.9 cm (8.5 x 10.9 in.)
Publication Date: 2012 
English and Cree

This unisex t-shirt features a design by Haisla, Heiltsuk artist Paul Windsor. 

100% cotton 
Machine washable

This mug features a design by Cree artist Betty Albert. 

Made of fine china 
Holds 530 ml (18 fl. oz.) 
Microwave and dishwasher safe
Presented in a gift box

Sequoia is owned and operated by Indigenous women and located in Kahnawake.

This handmade soap is made with the essential oil of sage. This herb is one of the 4 Sacred Medicines in Indigenous culture. 

Ingredients: Canola Oil, Water, Coconut Oil, Olive Oil, Sodium Hydroxide, Organic Shea Butter, Organic Caster Oil, Stearic Acid, Fragrance Oil, Sage Essential Oil, Sage Leaf, Black Oxide, Titanium Dioxide, Ultramarine. 

110 ml (4 oz.)
Not tested on animals 
Indigenous-owned and operated 
Made in Canada 

Greg A. Hill, Candice Hopkins, Christine Lalonde 

The catalogue Sakahàn—meaning “to light [a fire]” in the language of the Algonquin peoples—focuses on the 2013 exhibition which brought together more than 150 works of recent Indigenous art by over 80 artists from 16 countries, including impressive installations created specifically for the project. Poetic, unexpected and challenging, the artworks document and interrogate distinct cultural and social issues. 

FEATURED ARTISTS: Vernon Ah Kee, Maria Thereza Alves, Pia Arke, Arnait Video Productions, Arnaqurq Ashevak, Shuvinai and John Noesthedan Ashoona, Sonny Assu, Mary Anne Barkhouse, Nanobah Becker, Christi Belcourt, Richard Bell, Rebecca Belmore, Corey and Larissa Healey Bulpitt, Andrea Carlson, Abraham & Jimena Mendoza Cruzvillegas, Cup'luaq (Jack Dalton), Beau Dick, Jimmie Durham, Suresh Kumar Dhurve, Nicholas Galanin, Billy Gauthier, Regina-José Galindo, Jeffrey Gibson, Daniel Guzman, Julie Edel Hardenberg, Marja Helander, Inuk Silis Høegh, Geir Tore Holm, Terrance Houle, Bayrol Jimenez, Jonathan Jones, Brian Jungen, Toru Kaizawa, Sonya Kelliher-Combs, Shigeyuki Kihara, Walis Labai, EN Lei, Omero Leyva, César López, Erica Lord, Jimmy Manning, Teresa Margolles, Da-Ka-Xeen Mehner, Danie Mellor, Alan Michelson, Kent Monkman, Wangechi Mutu, Nadia Myre, Shelley Niro, William Noah, Fiona Pardington, Michael Parekowhai, Viggo Pederson, Outi Pieski, Jamasee Padluq Pitseolak, Tim Pitseolak, Edward Poitras, Annie Pootoogook, Itee Pootoogook, Rachel and Brett Graham Rakena, Abel Rodriguez, Gjert Rognli, Jangarh Singh Shyam, Mayank Shyam, Venkat Raman Singh Shyam, Greg Staats, Yama Taru, Jeff Thomas, Warwick Thornton, Jutai Toonoo, Maka'i Tubbs, Ingunn Utsij, Taika Waititi, Marie Watt, Steven Yazzie and Lawrence Paul Yuxweluptun.

Softcover | 288 pages
24.5 x 21 x 2 cm (9.6 x 8.3 x 0.8 in.)
Publication Date: 2013

Available in French only