This unique stainless steel bottle features a design by Haisla and Heiltsuk artist Paul Windsor.

Carabiner included
5 cm (1.97 in.) in diameter
Holds 710 ml (25 fl. oz.)
Hand wash

Mary Pratt (1935-2018)
Red Currant Jelly, 1972

Pratt often took domestic imagery as her subject, believing that commonplace objects were “worthy of a close look.” The acclaimed Newfoundland painter experimented with light to transform an ordinary moment into a charged dramatic scene.

6.5 x 9 cm (2.5 x 3.5 in.)

In the collection of the National Gallery of Canada.

Mary Pratt (1935-2018)
Red Currant Jelly, 1972

Pratt often took domestic imagery as her subject, believing that commonplace objects were “worthy of a close look.” The acclaimed Newfoundland painter experimented with light to transform an ordinary moment into a charged dramatic scene.

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

This tote bag features a detail from the woodblock print Fine Wind, Clear Morning (Red Fuji) (c. 1830–1832) by Katsushika Hokusai (1760–1849).

100% Polyester 
Dimensions: 50 x 42 cm (20 x 16 ½ in.)
Holds up to 20 kg (44 lb) 
Water-resistant, hand wash only

This 1,000 piece puzzle is adapted from the painting Red House and Yellow Sleigh (1919) by Lawren S. Harris (1885-1970).

Finished puzzle size: 50.8 x 63.5 cm (20 x 25 in.)

Make an artistic impression with this set of 4 coasters featuring a detail from the painting Red House in Winter (1925) by Lawren S. Harris (1885–1970).

9.5 x 9.5 cm (3.7 x 3.7 in.)
Cork

Get your creativity flowing with this compact journal featuring a detail from the painting Red House in Winter (1925) by Lawren Harris (1885–1970). 

Hardcover | 120 lined pages 
12 x 17 x 1.3 cm (4.7 x 6.7 x 0.5 in.) 
Elastic band closure and ribbon bookmark 

This soft and absorbent microfibre towel features a detail from the painting Red House in Winter (1925) by Lawren S. Harris (1885–1970).

70 x 50 cm (27.5 x 19.7 in.)
100% Microfibre

This bookmark is inspired by an illustration by Flemish artist Lieven van Lathem (c. 1430–1493).

Silver-plated brass, giclée
4 x 8.5 cm (1 ½ x 3 ½ in.)

Paul-Émile Borduas 

In 1948, four hundred copies of an explosive manifesto appeared secretly in Quebec: Refus global, which paints a portrait of a bigoted and withdrawn society, and calls, in virtuoso language, for a poetic revolution. Borduas denounces the fears that surround individuals and calls for a poetic and anthropological revolt to give birth to a "new collective hope". 

Paperback | 64 pages 
10 x 17 cm (3.9 x 6.7 in.)
Publication date: 2023
Only available in French.

Edited by Stephanie S. Dickey and Jochen Sander with contributions by Jonathan Bikker, Jan Blanc, Sonia Del Re, Stephanie S. Dickey, Rudi Ekkart and Claire van den Donk, Robert Fucci, Jasper Hillegers, Maarten Prak, Jochen Sander, Friederike Schütt, Martin Sonnabend.

Around the age of 25, Rembrandt van Rijn (1606–1669) moved from his hometown of Leiden to Amsterdam, which was the commercial capital of northern Europe at that time. Considered a bold step for a fledgling artist, this change demonstrates that Rembrandt wanted to benefit financially from Amsterdam's robust art market. He soon married the cousin of a successful art dealer, and came into frequent contact with wealthy and sophisticated patrons who eagerly commissioned him to paint their portraits. The artist's style quickly evolved from the small, meticulous panels of his Leiden period to the broadly brushed, dramatically lit and realistically rendered canvases for which he is renowned.

Rembrandt in Amsterdam explores this pivotal transition in the artist’s career and reveals how the stimulating and affluent environment of Amsterdam inspired him to reach his full potential. Lavishly illustrated, this volume offers a fascinating look into Amsterdam’s unparalleled creative community and its role in Rembrandt’s development of a wide-ranging brand that comprised landscapes, genre scenes, history paintings, portraits and printmaking.

Hardcover | 384 pages
25 x 31 cm (9.8 x 12.2 in.)
Publication date: 2021

Edited by Stephanie S. Dickey and Jochen Sander with contributions by Jonathan Bikker, Jan Blanc, Sonia Del Re, Stephanie S. Dickey, Rudi Ekkart and Claire van den Donk, Robert Fucci, Jasper Hillegers, Maarten Prak, Jochen Sander, Friederike Schütt, Martin Sonnabend.

Around the age of 25, Rembrandt van Rijn (1606–1669) moved from his hometown of Leiden to Amsterdam, which was the commercial capital of northern Europe at that time. Considered a bold step for a fledgling artist, this change demonstrates that Rembrandt wanted to benefit financially from Amsterdam's robust art market. He soon married the cousin of a successful art dealer, and came into frequent contact with wealthy and sophisticated patrons who eagerly commissioned him to paint their portraits. The artist's style quickly evolved from the small, meticulous panels of his Leiden period to the broadly brushed, dramatically lit and realistically rendered canvases for which he is renowned.

Rembrandt in Amsterdam explores this pivotal transition in the artist’s career and reveals how the stimulating and affluent environment of Amsterdam inspired him to reach his full potential. Lavishly illustrated, this volume offers a fascinating look into Amsterdam’s unparalleled creative community and its role in Rembrandt’s development of a wide-ranging brand that comprised landscapes, genre scenes, history paintings, portraits and printmaking.

Hardcover | 384 pages
25 x 31 cm (9.8 x 12.2 in.)
Publication Date: 2021

This mug features a design by Chipewyan artist John Rombough. 

9 cm (3 ½ in.) in diameter
Holds 485 ml (16 fl. oz.)
Microwave and dishwasher safe
Presented in a gift box

This tote bag features a design by Chipewyan artist John Rombough. 

100% Recycled Polyester 
Foldable, comes in a matching pouch
Dimensions: 50 x 40 cm (20 x 15.75 in.) 
Holds up to 6.8 kg (15 lb) 
Water-resistant, hand wash only 

This unisex t-shirt features a design by Chipewyan artist John Rombough. 

Part of the proceeds will help support the Indigenous Arts Collective of Canada, a volunteer organization led by Indigenous women. 

100% cotton 
Machine washable

Get your creativity flowing with this compact journal featuring a design by Mi'gmaq artist Tracey Metallic. 

Hardcover | 80 lined pages 
12.7 x 17.8 cm (5 x 7 in.) 
Elastic band closure and ribbon bookmark 

This mug features a design by Mi'gmaq artist Tracey Metallic. 

Made of fine china 
Holds 530 ml (18 fl. oz.) 
Microwave and dishwasher safe
Presented in a gift box

This sketchbook features a design by Mi'gmaq artist Tracey Metallic. 

50 pages, 110gsm paper 
21.6 x 28 cm (8.5 x 11 in.) 

Brighten your kitchen with this tea towel, featuring a floral design by Mi'gmaq artist Tracey Metallic.

50 x 70 cm (19.7 x 27.5 in.)
Microfiber

This set includes 8 notecards featuring an illustration of Ottawa's iconic Rideau Canal. 

Made in Canada
Card dimensions: 10.8 x 14 cm (4.25 x 5.5 in.) 
Blank inside 
Envelopes are included