These dark olive glass salad servers, perfect for a special gift or a dinner party, feature Northwest Coast motifs designed by British Columbia artist Corrine Hunt. 

Length: 27.9 cm (11 in.) 

Made in Canada
Recycled glass
Hand wash only

Add a glimmer of gold to your ensemble or brighten a garden lover’s day with this delicate bee pendant.

Pewter with Russian gold finish
Brass Chain with matching finish. Spring ring closure 
Pendant: 45.7 cm (18 in.). Charm: 1.9 cm (0.7 in.)

This poster features the print Naruto Whirlpool, Awa Province (c. 1853) by Utagawa Hiroshige (1797–1858). 

Poster size: 61 x 91.4 cm (24 x 36 in.) 

This 1,000 piece puzzle is adapted from the woodblock print Naruto Whirlpool, Awa Province (c. 1853) by Utagawa Hiroshige (1797–1858). 

Finished puzzle size: 49 x 68 cm (19 ¼ x 26 ⅝ in.)

This set of 30 postcards (1 of each style) features reproductions of artworks from the collection of the National Gallery of Canada. 

Size: 16 x 12.2 cm (6.3 x 4.8 in.) 
Printed in Canada 

List of Artworks: 
The North American Iceberg (1985) by Carl Beam (1943–2005) 
The Welcome Man (1913) by Emily Carr (1871–1945)
Portrait of a Peasant (c. 1900) by Paul Cézanne (1839–1906) 
Venus (c. 1518) by Lucas Cranach the Elder (1472–1553)
At the Café-concert (1879–1884) by Edgar Degas (1834–1917) 
Youth and Sunlight (1913) by Marc-Aurèle de Foy Suzor-Coté (1869–1937) 
March Storm, Georgian Bay (1920) by A.Y. Jackson (1882–1974) 
As the Old Sing, So the Young Pipe (c. 1640–1645) by Jacob Jordaens (1593–1678) 
Shapeshifter (2000) by Brian Jungen (b. 1970) 
The Pets and the Materials (1860) by Cornelius Krieghoff (1815–1872) 
Manitoba Party (1964) by William Kurelek (1927–1977) 
Boy with Bread (1892–1899) by Ozias Leduc (1864–1955) 
The Mill, Quebec (1925) by Arthur Lismer (1885–1969) 
On the Beach (Saint Jean-de-Luz) (1929–1930) by John Lyman (1886–1967) 
Orange and Green Bi-serial (1967) by Guido Molinari (1933–2004) 
Jean-Pierre Hoschedé and Michel Monet on the Banks of the Epte (c. 1887–1890) by Claude Monet (1840–1926) 
Café el Pasaje, Havana (1915–1919) by James William Morrice (1865–1924) 
Head of a Baby (2003) by Ron Mueck (b. 1958) 
Sunrise on the Saguenay (1880) by Lucius O'Brien (1832–1899) 
Lake George with Crows (1921) by Georgia O'Keeffe (1887–1986) 
A Venetian Bather (1889) by Paul Peel (1860–1892) 
On the Beach (1945) by Alfred Pellan (1906–1988) 
Hay Harvest at Éragny (1901) by Camille Pissarro (1830–1903) 
Jupiter and Europa (c. 1636) by Guido Reni (1575–1642) 
Claude and Renée (c. 1902–1903) by Pierre-Auguste Renoir (1841–1919) 
Joseph and Marie-Louise (1929) by Sarah Robertson (1891–1948) 
Winter Theme No. 7 (1961) by Jack Shadbolt (1909–1998) 
Old Lumber Dam, Algonquin Park (c. 1913) by Tom Thomson (1877–1917) 
The Letter (1878) by James Tissot (1836–1902) 
Reason over Passion (1968) by Joyce Wieland (1931–1998)

These socks feature boats and seagulls from the painting Cape Islander by Maud Lewis (1903–1970).

One size
Fits Women’s 7 to Men’s 11
80% Cotton, 17% Nylon, 3% Spandex

From the collection of the Art Gallery of Nova Scotia

Grip colour markers have an ergonomic triangular shape that promotes proper technique. The raised grip dots prevent slippage and provide added comfort.

Set of 10
Water-based ink using food dyes
Easy to wash out of most fabrics

Edited by Shane Hawk and Theodore C. Van Alst Jr. 

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home.

These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

Featured Writers: Norris Black, Amber Blaeser-Wardzala, Phoenix Boudreau, Cherie Dimaline, Carson Faust, Kelli Jo Ford, Kate Hart, Shane Hawk, Brandon Hobson, Darcie Little Badger, Conley Lyons, Nick Medina, Tiffany Morris, Tommy Orange, Mona Susan Power, Marcie R. Rendon, Waubgeshig Rice, Rebecca Roanhorse, Andrea L. Rogers, Morgan Talty, D.H. Trujillo, Theodore C. Van Alst Jr, Richard Van Camp, David Heska Wanbli Weiden, Royce Young Wolf, and Mathilda Zeller. 

Paperback | 416 pages 
13 x 20 cm (5 x 8 in.) 
Publication Date: 2023

Our logo takes its cue from the Algonquin word Ankosé, going from a western world view of hard geometry, to a circle, inspired by Indigenous ways of knowing and being. The colour palette comes from the northern lights, representing diverse voices, ideas, artists, perspectives, times, and places.

Made in Canada 
Diameter: 5.72 cm (2.25 in.)

Our logo takes its cue from the Algonquin word Ankosé, going from a western world view of hard geometry, to a circle, inspired by Indigenous ways of knowing and being. The colour palette comes from the northern lights, representing diverse voices, ideas, artists, perspectives, times, and places.

Made in Canada 
Diameter: 2.54 cm (1 in.)

Our logo takes its cue from the Algonquin word Ankosé, going from a western world view of hard geometry, to a circle, inspired by Indigenous ways of knowing and being. The colour palette comes from the northern lights, representing diverse voices, ideas, artists, perspectives, times, and places.

Made in Canada 
Diameter: 3.81 cm (1.5 in.)

Our new logo takes its cue from the Algonquin word Ankosé, going from a western world view of hard geometry, to a circle, inspired by Indigenous ways of knowing and being. The colour palette comes from the northern lights, representing diverse voices, ideas, artists, perspectives, times, and places.

Four colours available - please make your colour selection using the drop-down box.

Ceramic
Holds 315 ml (11 fl. oz)
Microwave and dishwasher safe

Our new logo takes its cue from the Algonquin word Ankosé, going from a western world view of hard geometry, to a circle, inspired by Indigenous ways of knowing and being. The colour palette comes from the northern lights, representing diverse voices, ideas, artists, perspectives, times, and places.

Made in Canada
200 pages (right side lined/left side blank)
Spiral bound, lays flat when opened
23 x 16 x 1 cm (9 x 6.3 x 0.4 in.)

This ballpoint pen features the logo of the National Gallery of Canada.

Ink Colour: Black 
Length: 14 cm (5.5 in.) 
Made in Mexico

Designed, printed, and sewn in Canada, this tote bag features the National Gallery of Canada's new logo on its front and vision on its back.

Meaning “everything is connected,” “tout est relié,” the Algonquin word Ankosé beautifully symbolizes the Gallery’s purpose to nurture interconnection across time and place. Taking its cue from this concept, the logo shifts from a western world view of hard geometry, to a circle, inspired by Indigenous ways of knowing and being.

Made in Canada
33 x 38 x 7.6 cm (13 x 15 x 3 in.)
65% polyester | 35% cotton

Our new logo takes its cue from the Algonquin word Ankosé, going from a western world view of hard geometry, to a circle, inspired by Indigenous ways of knowing and being. The colour palette comes from the northern lights, representing diverse voices, ideas, artists, perspectives, times, and places.

183 cm (42 in.) open, 43 cm (17 in.) closed
Auto Open
Rubberized Handle
100% Polyester

Designed, printed, and sewn in Canada, this unisex t-shirt features the National Gallery of Canada's new logo on its front and vision on its back.

Meaning “everything is connected,” “tout est relié,” the Algonquin word Ankosé beautifully symbolizes the Gallery’s purpose to nurture interconnection across time and place. Taking its cue from this concept, the logo shifts from a western world view of hard geometry, to a circle, inspired by Indigenous ways of knowing and being.

Made in Canada
100% cotton

Designed, printed, and sewn in Canada, this youth t-shirt features the National Gallery of Canada's new logo on its front and vision on its back.

Meaning “everything is connected,” “tout est relié,” the Algonquin word Ankosé beautifully symbolizes the Gallery’s purpose to nurture interconnection across time and place. Taking its cue from this concept, the logo shifts from a western world view of hard geometry, to a circle, inspired by Indigenous ways of knowing and being.

Made in Canada
100% cotton

Accessorize with this lapel pin featuring the iconic architecture of the National Gallery of Canada. A perfect keepsake for art lovers, travellers, and collectors. 

Enamel 
Approx. 3.2 x 3 cm (1.26 x 1.18 in.)