These cat earrings are inspired by the cabaret poster Tournée du chat noir (1896) by Théophile Steinlen (1859–1923).

Silver-plated brass, giclée print
Hypoallergenic ear wires
Length: 4.3 cm (1.7 in.)

Erika Dolphin
with Jonathan L. Meakins

Le cosmos des collectionneurs. La Collection d’estampes Meakins–McClaran provides a glimpse into the making of what is, undoubtedly, the foremost private collection of 16th and 17th-century Dutch and Flemish prints in Canada. While that is the strength of the collection, there is also a joyful touch of eclecticism reflecting the Renaissance interests of the collectors Dr. Jonathan Meakins and Dr. Jacqueline McClaran.

In this beautiful and fully illustrated catalogue, Dr. Meakins takes us through the collection’s history, which began forty years ago in Paris following an afternoon in a room full of prints by Camille Pissarro at the Grand Palais. He reflects upon how a collection is never static; it ebbs and flows much like life. The other essay by Erika Dolphin, a personal account of her exploration of the collection, examines the flourishing of images of landscape in northern Europe and illustrates how art in the form of a humble print can lead us to reflect upon the myriad wonders of life.

Softcover | 216 pages
24.5 x 30 cm (9.6 x 11.8 in.)
Publication Date: 2021

Hope B. Werness

Piet Mondrian’s chrysanthemums, Faith Ringgold's sunflowers, Georgia O'Keefe's black iris, Salvador Dalí's narcissus, Yayoi Kusama's pumpkin—these are just a few of the many exemplary pairings featured in Le fabuleux langage des plantes that offer a unique, artistic interpretation of a plant’s essence. This visually captivating survey from Hope Werness is arranged thematically by the trees, flowers, fruit, vegetables, spices, grasses, grains, and vines that have served as a root for artistic inquiry across time. Le fabuleux langage des plantes deepens our understanding of plants through the lens of artistic expression, bringing a new context to an ever-enduring love of nature.

Hardcover | 240 pages
17.8 x 23 cm (7 x 9 in.) 
Publication date: 2025

Save the Grand Museum from closing forever! In this entertaining and educational board game, players must increase visitor attendance by presenting extraordinary exhibitions that will attract crowds and save the institution from financial ruin.

2 to 4 players | Ages 12 and up
28 x 28 x 7 cm (11 x 11 x 2.8 in.)

Martina Weinhart

With contributions by Rebecca Herlemann, Ruth Phillips, Carmen Robertson, Jeff Thomas, Georgiana Uhlaryik, Reneée van der Avoird, Martina Weinhart and Interviews with Lisa Jackson and Caroline Monnet

In the early 20th century, artists such as Emily Carr, Tom Thomson, and members of what would become the Group of Seven, transformed Post-Impressionism techniques into exciting new ways of interpreting the Canadian landscape.

Challenging existing traditions, they left major cities such as Toronto, Montreal and Vancouver and ventured deep into the Canadian wilderness. Often remaining in the bush for weeks on end, they reimagined the natural world using bold colours, stylized forms, and dynamic brushwork, producing vibrant modernist works that would define Canada and Canadian art for decades to come.

Premiering at Frankfurt’s Schirn Kunsthalle, Magnetic North features 87 works of art, including 23 works from the National Gallery of Canada. The exhibition also comprises five films, including two by contemporary Indigenous artists: How a People Live, a documentary by filmmaker Lisa Jackson and Mobilize, a short film by artist Caroline Monnet.

Magnetic North was organized by the SCHIRN KUNSTHALLE FRANKFURT, the Art Gallery of Ontario, and the National Gallery of Canada, with the generous support of the Department of Canadian Heritage.

Hardcover | 240 pages
23.5 x 27.5 cm (9.25 x 10.82 in)
Publication Date: 2021

These picture-perfect earrings are handmade in Canada using recycled acrylic, resin and a photograph of a leaf.

Made in Canada
E-coated ear wires
Length: 1.8 cm (0.7 in.)

This mug features a design by Ojibwa artist Benjamin Chee Chee (1944–1977).

9 cm (3 ½ in.) in diameter 
Holds 295 ml (10 fl. oz.) 
Microwave and dishwasher safe 
Presented in a gift box

This ready to frame, oversized notecard complete with a mini artist biography on the reverse side, features the painting Learning by Benjamin Chee Chee (1944–1977).

Made in Canada
Card dimensions: 22.9 x 15.2 cm (9 x 6 in.)
Blank inside. Envelope included.

This set includes two decks of cards featuring details from the artworks Print Gallery (1956) and Fish Vignette (1956) by M.C. Escher (1898–1972).

Camille Jouneaux

When she became interested in painting, the author would visit museums and wonder about all the information she was missing. How did one style develop after another? What meanings were hidden in these works? What were these artists’ lives like? How did their works survive for so many years? She longed for the kind of essential knowledge that would enable her to decode a painting loaded with references. The result of her curiosity is a highly accessible and vividly illustrated book that brings together the fundamentals of eight centuries of art. It covers the basics about such topics as how museums are structured, how painters use proportion and perspective, the anatomy of a painting.

Jouneaux offers surprising comparisons between artists such as Sandro Botticelli and Mary Cassatt, Claude Monet and Joan Mitchell, Delacroix and Rubens. Terms such as Baroque, Ukiyo-e, Graffiti, Cubism, Degenerate Art, and De Stijl are explored and explained. Non-western traditions are given much greater prominence than in other art history books – Chinese, Indian, Australian Aboriginal, and African Art are all included in the timeline. Numerous women artists who were overlooked during the author’s own education are restored to the canon. Accompanying the unpretentious but authoritative texts are hundreds of illustrations, reproductions, timelines and sidebars.

Hardcover | 396 pages
19.7 x 23.8 cm (7.7 x 9.4 in.) 
Publication date: 2025

These playing cards feature details of artworks by Leonardo da Vinci (1452–1519). 

Includes: One deck of standard-sized playing cards (55 cards)

Camille Jouneaux

When she became interested in painting, the author would visit museums and wonder about all the information she was missing. How did one style develop after another? What meanings were hidden in these works? What were these artists’ lives like? How did their works survive for so many years? She longed for the kind of essential knowledge that would enable her to decode a painting loaded with references. The result of her curiosity is a highly accessible and vividly illustrated book that brings together the fundamentals of eight centuries of art. It covers the basics about such topics as how museums are structured, how painters use proportion and perspective, the anatomy of a painting.

Jouneaux offers surprising comparisons between artists such as Sandro Botticelli and Mary Cassatt, Claude Monet and Joan Mitchell, Delacroix and Rubens. Terms such as Baroque, Ukiyo-e, Graffiti, Cubism, Degenerate Art, and De Stijl are explored and explained. Non-western traditions are given much greater prominence than in other art history books – Chinese, Indian, Australian Aboriginal, and African Art are all included in the timeline. Numerous women artists who were overlooked during the author’s own education are restored to the canon. Accompanying the unpretentious but authoritative texts are hundreds of illustrations, reproductions, timelines and sidebars.

Hardcover | 360 pages
19.7 x 23.8 cm (7.7 x 9.4 in.) 
Publication date: 2024

Denise Leclerc 

Les années soixante au Canada follows the trends in Canadian artistic production during that decade which tested the conventional boundaries of artistic disciplines; photographic works also testify to the experimentation and eclectisicm that characterize Canadian photography. Nearly 180 featured works by Canadian artists pinpoint the diversity of artistic expression throughout this remarkably prolific period. 

Paper | 188 pages
23 x 28 cm (9 x 11 in.) 
Publication Date: 2005 
Only available in French.

Jonathan Shaughnessy, Heather Anderson, Andrea Kunard, Christine Lalonde, Ann Thomas

Les bâtisseurs. La biennale canadienne 2012 is the National Gallery of Canada’s second exhibition of new Canadian art acquired over the past two years, and features over 100 paintings, sculptures, drawings, videos and multimedia installations created by more than forty artists. In placing emergent practices alongside long-established Canadian artists who have been instrumental in “building” a context for Canadian art today, Builders offers the opportunity to appreciate the range of aesthetic accomplishment in this country.

FEATURED ARTISTS: Vikky Alexander, David Altmejd, Benoit Aquin, Melanie Authier, Jim Breukelman, Michel de Broin, Edward Burtynsky, Lynne Cohen, Chris Cran, Max Dean, Susan Dobson, Marcel Dzama, Brendan Fernandes, Robert Fones, Will Gorlitz, Terence Gower, David Ross Harper, Faye Heavyshield, Dil Hildebrand, David Hoffos, Simon Hughes, Elisapee Ishulutaq, Sarah Anne Johnson, Brian Jungen, Myfawny MacLeod, Qavavau Manumie, Lynne Marsh, Scott McFarland, Jason McLean, Michael Merrill, David Merritt, Evan Penny, Sandy Plotnikoff, Jon Pylypchuk, Leslie Reid, David K. Ross, Mark Ruwedel, Michael Snow, Mark Soo, Derek Sullivan, Ron Terada, Joanne Tod, Stephen Waddell, Daniel Young and Christian Giroux.

Paper | 182 pages
23 x 30.5 cm (9 x 12 in.) 
Publication Date: 2012

Bonnie Devine

Daphne Odjig's contributions to art in Canada began with her early drawings documenting the lives of indigenous peoples in northern Manitoba. Her work has since become recognized internationally and she has received numerous honours and awards in acknowledgment of her stature. Les Dessins et Peintures de Daphne Odjig is an important contribution to the analysis, understanding and celebration of Daphne Odjig's magnificent paintings and drawings, and serves to establish her place among the greatest artists in Canada.

Paperback | 141 pages
20.3 x 28 cm (7.9 x 11 in.) 
Publication date: 2009 

Only available in French

This recently published 192-page bilingual catalogue presents the official program for the tenth edition of Manif d'art - La biennale de Québec. As a formal and theoretical documentation of this tenth edition of the event, it contains essays by international curator Steven Matijcio, artists Jonathan Allen and Skawennati, and sociologist and art historian Maxime Coulombe. 

Hardcover | 192 pages 
22.2 x 24.8 cm (8.7 x 9.7 in.) 
Publication Date: 2022

This canvas tote complete with an interior pocket, features a vintage library image.

33 x 43.2 cm (13 x 17 in.)
100% cotton

Cape Dorset is a thriving community on southwestern Baffin Island, in the Canadian Territory of Nunavut. The community is renowned for the Inuit art that flows from its cooperatively-owned printmaking studios. This book of oversized postcards contains thirty striking colour reproductions of lithographs, etchings/aquatints, stonecuts, ideal for collecting, framing and sending. 

Individual postcard size: 17.5 x 12 cm (6.9 x 4.7 in.) 
Paper | 30 postcards

This magnet features a detail of the artwork Light Assembly (Rita) (2023) by Algonquin artist Nadia Myre. 

Diameter: 7.6 cm (3 in.) 

In the collection of the artist

This notecard features a detail of the artwork Light Assembly (Rita) (2023) by Algonquin artist Nadia Myre. 

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.

In the collection of the artist