This notecard features the artwork Mount Royal (1864) by Robert Seldon Duncanson (1821–1872).

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

Related Exhibition: Gathered Leaves: Discoveries from the Drawings Vault.

Add a bit of whimsy to your holiday decor with this chef mouse in a stocking ornament. 

Polyester felt 
Height: 15.2 cm (6 in.)

These playing cards feature details of paintings by Alphonse Mucha (1860–1939). 

Includes: One deck of standard-sized playing cards (55 cards)

This puzzle features vintage mushroom illustrations. 

1000 pieces 

Finished puzzle size: 55 x 70 cm (22 x 28 in.) 
Packaged in a 25 cm (9.8 in.) tube 
Includes a poster guide and a muslin bag to safely keep all the puzzle pieces together.

Paraskeva Clark (1898-1986)
Myself, 1933

Considered among the most powerful figure paintings in Canadian art, this self-portrait is direct, self-confident, and elegant. Painting herself while she was three months pregnant, Paraskeva Clark challenged the social mores regarding the visibility and celebration of the pregnant female body in the 1930s. Exhibited at the 1933 Canadian Group of Painter’s exhibition, the work presented the artist as a strong, professional woman, boldly commanding the viewer’s attention.

6.5 x 9 cm (2.5 x 3.5 in.)

In the collection of the National Gallery of Canada.

Paraskeva Clark (1898-1986)
Myself, 1933

Considered among the most powerful figure paintings in Canadian art, this self-portrait is direct, self-confident, and elegant. Painting herself while she was three months pregnant, Paraskeva Clark challenged the social mores regarding the visibility and celebration of the pregnant female body in the 1930s. Exhibited at the 1933 Canadian Group of Painter’s exhibition, the work presented the artist as a strong, professional woman, boldly commanding the viewer’s attention.

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

Renowned for her rich and diverse practice, interdisciplinary artist Nadia Myre weaves together personal and political narratives around Indigenous identity, both past and present. Navigating the complex legacies of colonialism, nationhood and memory, her work fosters profound dialogues on the politics of belonging. 

Nadia Myre: Waves of Want presents more than two decades of Myre’s practice, including beadwork, sculpture, installation, video and poetry. Featuring essays and stunning reproductions, this volume examines how we engage with history through art, archives and language. 

Softcover | 176 pages 
22.9 × 27.9 cm (9 × 11 in.) 
Publication date: 2025

These dark olive glass salad servers, perfect for a special gift or a dinner party, feature Northwest Coast motifs designed by British Columbia artist Corrine Hunt. 

Length: 27.9 cm (11 in.) 

Made in Canada
Recycled glass
Hand wash only

These earrings are decorated with bees, an emblem of Napoleon Bonaparte (1769–1821). 

Pewter with Russian gold finish, amber bead
Length: 3.8 cm (1.5 in.)

Add a glimmer of gold to your ensemble or brighten a garden lover’s day with this delicate bee pendant.

Pewter with Russian gold finish
Brass Chain with matching finish. Spring ring closure 
Pendant: 45.7 cm (18 in.). Charm: 1.9 cm (0.7 in.)

Adorn your collar, pocket, sleeve, shoe, scarf or tote any which way with this joyful little bee pin. Perfect for nature and garden lovers alike!

Pewter with Russian gold finish
Tack with butterfly clutch closure

This poster features the print Naruto Whirlpool, Awa Province (c. 1853) by Utagawa Hiroshige (1797–1858). 

Poster size: 61 x 91.4 cm (24 x 36 in.) 

This 1,000 piece puzzle is adapted from the woodblock print Naruto Whirlpool, Awa Province (c. 1853) by Utagawa Hiroshige (1797–1858). 

Finished puzzle size: 49 x 68 cm (19 ¼ x 26 ⅝ in.)

These socks feature boats and seagulls from the painting Cape Islander by Maud Lewis (1903–1970).

One size
Fits Women’s 7 to Men’s 11
80% Cotton, 17% Nylon, 3% Spandex

From the collection of the Art Gallery of Nova Scotia

Grip colour markers have an ergonomic triangular shape that promotes proper technique. The raised grip dots prevent slippage and provide added comfort.

Set of 10
Water-based ink using food dyes
Easy to wash out of most fabrics

Edited by Shane Hawk and Theodore C. Van Alst Jr. 

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home.

These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

Featured Writers: Norris Black, Amber Blaeser-Wardzala, Phoenix Boudreau, Cherie Dimaline, Carson Faust, Kelli Jo Ford, Kate Hart, Shane Hawk, Brandon Hobson, Darcie Little Badger, Conley Lyons, Nick Medina, Tiffany Morris, Tommy Orange, Mona Susan Power, Marcie R. Rendon, Waubgeshig Rice, Rebecca Roanhorse, Andrea L. Rogers, Morgan Talty, D.H. Trujillo, Theodore C. Van Alst Jr, Richard Van Camp, David Heska Wanbli Weiden, Royce Young Wolf, and Mathilda Zeller. 

Paperback | 416 pages 
13 x 20 cm (5 x 8 in.) 
Publication Date: 2023

Our logo takes its cue from the Algonquin word Ankosé, going from a western world view of hard geometry, to a circle, inspired by Indigenous ways of knowing and being. The colour palette comes from the northern lights, representing diverse voices, ideas, artists, perspectives, times, and places.

Made in Canada 
Diameter: 3.81 cm (1.5 in.)

Our logo takes its cue from the Algonquin word Ankosé, going from a western world view of hard geometry, to a circle, inspired by Indigenous ways of knowing and being. The colour palette comes from the northern lights, representing diverse voices, ideas, artists, perspectives, times, and places.

Made in Canada 
Diameter: 5.72 cm (2.25 in.)

Our logo takes its cue from the Algonquin word Ankosé, going from a western world view of hard geometry, to a circle, inspired by Indigenous ways of knowing and being. The colour palette comes from the northern lights, representing diverse voices, ideas, artists, perspectives, times, and places.

Made in Canada 
Diameter: 2.54 cm (1 in.)

Our logo takes its cue from the Algonquin word Ankosé, going from a western world view of hard geometry, to a circle, inspired by Indigenous ways of knowing and being. The colour palette comes from the northern lights, representing diverse voices, ideas, artists, perspectives, times, and places.

Made in Canada 
Diameter: 3.81 cm (1.5 in.)