Made of natural materials with delightful colour tones, this 100% wool trivet will protect your table and counters from hot dishes, pans and casseroles while adding effortless beauty to your table setting. 

100% wool 
22 cm (8.66 in.) diameter 
Designed in Canada. Handmade in Nepal.

Add music to your day with this little music box. Turn the handle to play the melody again and again! 

Melody: Over the Rainbow 

8.5 x 4.5 x 3 cm (3.3 x 1.8 x 1 in.)

This silver-plated ladle features a design by Haida artist Corey Bulpitt. 

Hand wash only 
Length: 30.5 cm (12 in.)

These charcoal servers feature a Northwest Coast motif designed by Tsimshian artist Bill Helin. 

Length: 22.9 cm (9 in.)

Made in Canada 
Recycled glass 
Dishwasher safe

This unique stainless steel bottle features a design by Haisla and Heiltsuk artist Paul Windsor.

Carabiner included
5 cm (1.97 in.) in diameter
Holds 710 ml (25 fl. oz.)
Hand wash

Mary Pratt (1935-2018)
Red Currant Jelly, 1972

Pratt often took domestic imagery as her subject, believing that commonplace objects were “worthy of a close look.” The acclaimed Newfoundland painter experimented with light to transform an ordinary moment into a charged dramatic scene.

6.5 x 9 cm (2.5 x 3.5 in.)

In the collection of the National Gallery of Canada.

Mary Pratt (1935-2018)
Red Currant Jelly, 1972

Pratt often took domestic imagery as her subject, believing that commonplace objects were “worthy of a close look.” The acclaimed Newfoundland painter experimented with light to transform an ordinary moment into a charged dramatic scene.

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

This tote bag features a detail from the woodblock print Fine Wind, Clear Morning (Red Fuji) (c. 1830–1832) by Katsushika Hokusai (1760–1849).

100% Polyester 
Dimensions: 50 x 42 cm (20 x 16 ½ in.)
Holds up to 20 kg (44 lb) 
Water-resistant, hand wash only

This 1,000 piece puzzle is adapted from the painting Red House and Yellow Sleigh (1919) by Lawren S. Harris (1885-1970).

Finished puzzle size: 50.8 x 63.5 cm (20 x 25 in.)

Make an artistic impression with this set of 4 coasters featuring a detail from the painting Red House in Winter (1925) by Lawren S. Harris (1885–1970).

9.5 x 9.5 cm (3.7 x 3.7 in.)
Cork

Paul-Émile Borduas 

In 1948, four hundred copies of an explosive manifesto appeared secretly in Quebec: Refus global, which paints a portrait of a bigoted and withdrawn society, and calls, in virtuoso language, for a poetic revolution. Borduas denounces the fears that surround individuals and calls for a poetic and anthropological revolt to give birth to a "new collective hope". 

Paperback | 64 pages 
10 x 17 cm (3.9 x 6.7 in.)
Publication date: 2023
Only available in French.

Edited by Stephanie S. Dickey and Jochen Sander with contributions by Jonathan Bikker, Jan Blanc, Sonia Del Re, Stephanie S. Dickey, Rudi Ekkart and Claire van den Donk, Robert Fucci, Jasper Hillegers, Maarten Prak, Jochen Sander, Friederike Schütt, Martin Sonnabend.

Around the age of 25, Rembrandt van Rijn (1606–1669) moved from his hometown of Leiden to Amsterdam, which was the commercial capital of northern Europe at that time. Considered a bold step for a fledgling artist, this change demonstrates that Rembrandt wanted to benefit financially from Amsterdam's robust art market. He soon married the cousin of a successful art dealer, and came into frequent contact with wealthy and sophisticated patrons who eagerly commissioned him to paint their portraits. The artist's style quickly evolved from the small, meticulous panels of his Leiden period to the broadly brushed, dramatically lit and realistically rendered canvases for which he is renowned.

Rembrandt in Amsterdam explores this pivotal transition in the artist’s career and reveals how the stimulating and affluent environment of Amsterdam inspired him to reach his full potential. Lavishly illustrated, this volume offers a fascinating look into Amsterdam’s unparalleled creative community and its role in Rembrandt’s development of a wide-ranging brand that comprised landscapes, genre scenes, history paintings, portraits and printmaking.

Hardcover | 384 pages
25 x 31 cm (9.8 x 12.2 in.)
Publication date: 2021

Edited by Stephanie S. Dickey and Jochen Sander with contributions by Jonathan Bikker, Jan Blanc, Sonia Del Re, Stephanie S. Dickey, Rudi Ekkart and Claire van den Donk, Robert Fucci, Jasper Hillegers, Maarten Prak, Jochen Sander, Friederike Schütt, Martin Sonnabend.

Around the age of 25, Rembrandt van Rijn (1606–1669) moved from his hometown of Leiden to Amsterdam, which was the commercial capital of northern Europe at that time. Considered a bold step for a fledgling artist, this change demonstrates that Rembrandt wanted to benefit financially from Amsterdam's robust art market. He soon married the cousin of a successful art dealer, and came into frequent contact with wealthy and sophisticated patrons who eagerly commissioned him to paint their portraits. The artist's style quickly evolved from the small, meticulous panels of his Leiden period to the broadly brushed, dramatically lit and realistically rendered canvases for which he is renowned.

Rembrandt in Amsterdam explores this pivotal transition in the artist’s career and reveals how the stimulating and affluent environment of Amsterdam inspired him to reach his full potential. Lavishly illustrated, this volume offers a fascinating look into Amsterdam’s unparalleled creative community and its role in Rembrandt’s development of a wide-ranging brand that comprised landscapes, genre scenes, history paintings, portraits and printmaking.

Hardcover | 384 pages
25 x 31 cm (9.8 x 12.2 in.)
Publication Date: 2021

Monique Brunet-Weinmann 

Great unpublished interviews, personal memories, biographical recollections, and analysis of Riopelle's work: Monique Brunet-Weinmann leads us to understand the intellectual and emotional links that unite the work to the being. It reveals an honest portrait of Riopelle, told through the mythical figures of his work. 

Paperback | 344 pages 
15 x 23 cm (5.9 x 9 in.) 
Only available in French

A limited edition print on silk, this scarf features Jean Paul Riopelle's (1923–2002) Canard à l'orange. Produced in collaboration with the Riopelle Foundation and accompanied by a certificate of authenticity signed by Yseult Riopelle, director of Le Catalogue raisonné de Jean Paul Riopelle and the artist's daughter. 

Hand-sewn 
100% mulberry silk 
132 x 132 cm (52 x 52 in.)

Edited by Sylvie Lacerte with contributions by Gilles Daigneault, Vera Frenkel, Manuel Mathieu, Caroline Monnet, Marc-Antoine K. Phaneuf and Marc Séguin

Marking the centenary of his birth, the exhibition Riopelle, à la croisée des temps introduces Jean Paul Riopelle as a tireless experimenter and innovator, anchored in the contemporary realm. Drawing on the artist’s work across various mediums and materials, guest curator Sylvie Lacerte paints a portrait of Riopelle as a visionary trailblazer. Offering a unique take on this famed Canadian artist, this retrospective presents his acclaimed works alongside creations rarely or never before shown in public.

This richly illustrated catalogue features essays by art specialists and artists who reflect on Riopelle’s legacy as they look at his work. Discover the full force of his legendary influence on both his contemporaries and artists working today, all of whom represent a broad range of cultural and aesthetic perspectives.

Hardcover | 208 pages
Publication Date: 2023

Edited by Sylvie Lacerte with contributions by Gilles Daigneault, Vera Frenkel, Manuel Mathieu, Caroline Monnet, Marc-Antoine K. Phaneuf and Marc Séguin

Marking the centenary of his birth, the exhibition Riopelle: Crossroads in Time introduces Jean Paul Riopelle as a tireless experimenter and innovator, anchored in the contemporary realm. Drawing on the artist’s work across various mediums and materials, guest curator Sylvie Lacerte paints a portrait of Riopelle as a visionary trailblazer. Offering a unique take on this famed Canadian artist, this retrospective presents his acclaimed works alongside creations rarely or never before shown in public.

This richly illustrated catalogue features essays by art specialists and artists who reflect on Riopelle’s legacy as they look at his work. Discover the full force of his legendary influence on both his contemporaries and artists working today, all of whom represent a broad range of cultural and aesthetic perspectives.

Hardcover | 208 pages
Publication Date: 2023

This warm and soft reversible blanket features a design by Anishinaabe artist Trisha Pitura.

ABOUT THE DESIGN: Water is life. Water is the heartbeat to all living things. We depend on water to always be there, to be clean and pure to quench our thirst and fill our cells. We take this natural essential for granted and we need to remember that this is a privilege.

152.4 x 203.2 cm (60 x 80 in.)
20% recycled wool, 30% acrylic, 50% recycled polyester
Wash on cold, hang to dry
Designed, cut & sewn in Canada

Karen Duffek 

This catalogue features thirty paintings and sculptures by Robert Davidson, a leading contemporary Haida artist who works to expand and transform his understanding of Haida art and cultural practice through engagement with abstraction, reclaiming cultural knowledge, and developing a personal iconography in his art. 

Paper | 64 pages 
20.5 x 25.5 cm (8 x 11 in.) 
Publication Date: 2004
Available in French only

Denise Leclerc, Marion Barclay 

This exhibition catalogue seeks to explore the North American career of one of this century's outstanding sculptors in the technique of welded metal who has been working in the industry since the end of the 1950s.

Paper | 196 pages 
20.5 x 29 cm (8 x 11.4 in.) 
Publication Date: 1999