This soft and lightweight microfibre cloth features the painting Not Forgotten by Sioux artist Maxine Noel.

14.5 x 14.5 cm (5.71 x 5.71 in.)

This mug features a detail from the painting Not Forgotten by Sioux artist Maxine Noel. 

9 cm (3 ½ in.) in diameter
Holds 295 ml (10 fl. oz.)
Microwave and dishwasher safe
Presented in a gift box

Stow your essentials in a wash of colour and movement. This spacious travel wallet features a detail from the painting Not Forgotten by Sioux artist Maxine Noel. 

21 x 12.5 x 2.4 cm (8.3 x 4.9 x 0.9 in.) 

Faux leather
8 card slots, 2 sleeves, and 1 zipper compartment
Detachable wrist strap
Packaged in a gift box

Joyce Wieland (1930-1998)
O Canada, 4-16 December 1970

Wieland emerged on Toronto’s experimental visual-arts scene in the early 1960s. The first living woman artist to be granted a solo exhibition at the NGC, she blended pop-art strategies with a sly sense of humour. O Canada represents a pair of lips as they sound out the syllables of the national anthem.

9 x 6.5 cm (3.5 x 2.5 in.)

In the collection of the National Gallery of Canada.

Joyce Wieland (1930-1998)
O Canada, 4-16 December 1970

Wieland emerged on Toronto’s experimental visual-arts scene in the early 1960s. The first living woman artist to be granted a solo exhibition at the NGC, she blended pop-art strategies with a sly sense of humour. O Canada represents a pair of lips as they sound out the syllables of the national anthem.

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

These socks reproduce the painting Observations of the Astral World (c. 1994) by Anishinaabe (Ojibwa) artist Norval Morrisseau (1932–2007). 

80% Cotton/Nylon blend, 20% Spandex
Made in Taiwan

Build artistic confidence and bring imaginative creations to life with this easy-to-use scratch and scribble art kit! Simply scratch the guided cards to reveal magical illustrations, then add your own patterns, drawings and designs to each ready to frame page.

13.5 x 21 cm (5.3 x 8.3 in.)

Includes: wooden stylus for scratching and drawing; 4 illustrated guided scratch cards; 2 rainbow and 2 sparkled blank scratch cards; 1 sparkled sticker sheet 
Ages 6 and up

Produce brilliant and expressive artwork with these ready-to-use, simple yet versatile oil pastels.

Includes 36 coloured pastels

Meryl McMaster (b. 1988)
On the Edge of this Immensity, 2019

McMaster combines elements of performance and installation in her photography while exploring the tensions surrounding identity ad heritage, especially her own as a woman of Indigenous (Plains Cree) and European (British/Dutch) descent from Saskatchewan.

9 x 6.5 cm (3.5 x 2.5 in.)

In the collection of the National Gallery of Canada.

Meryl McMaster (b. 1988)
On the Edge of this Immensity, 2019

McMaster combines elements of performance and installation in her photography while exploring the tensions surrounding identity ad heritage, especially her own as a woman of Indigenous (Plains Cree) and European (British/Dutch) descent from Saskatchewan.

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

Brighten your kitchen with this luxurious tea towel, featuring a motif designed by Haisla and Heiltsuk artist Paul Windsor.

70 x 50 cm (27.5 x 19.7 in.)
Cotton Jacquard
Machine washable

Lori Pauli with Jordan Bear, Karen Hellman and Phillip Prodger

Often referred to as the “Father of Art Photography,” Oscar G. Rejlander (1813–1875) has been praised for his early experiments with combination printing, for his collaboration with Charles Darwin, and for his influence on the work of Julia Margaret Cameron and Lewis Carroll.

Containing more than 200 impressive colour and black and white images, this ground-breaking catalogue accompanies the first major retrospective on a vital yet understudied figure, and considers the whole range of his activities, including his work as a painter and printmaker.

Hardcover | 336 pages
25.5 x 31 cm (10 x 12.2 in.)

Lori Pauli with Jordan Bear, Karen Hellman and Phillip Prodger

Often referred to as the “Father of Art Photography,” Oscar G. Rejlander (1813–1875) has been praised for his early experiments with combination printing, for his collaboration with Charles Darwin, and for his influence on the work of Julia Margaret Cameron and Lewis Carroll.

Containing more than 200 impressive colour and black and white images, this ground-breaking catalogue accompanies the first major retrospective on a vital yet understudied figure, and considers the whole range of his activities, including his work as a painter and printmaker.

Hardcover | 336 pages
25.5 x 31 cm (10 x 12.2 in.)

Complete your table with these napkins featuring a flower pattern. 

20 paper napkins 
16.5 x 16.5 cm (6.5 x 6.5 in.) folded
3 ply

This ceramic tile, which can be used as a trivet or a wall decoration, features a detail from the print Owl’s Bouquet (2007) by Inuit artist Kenojuak Ashevak (1927–2013).

15 x 15 cm (6 x 6 in.)
Backed and ready to hang

Brighten rainy days with this umbrella which features a detail from the print Owl’s Bouquet (2007) by Kenojuak Ashevak (1927–2013), a pioneer of modern Inuit art.

Closed: 85 cm (33.5 in.)
Open (diameter): 110 cm (43.3 in.)
Carbon fibre handle

Robert S. Duncanson (1821-1872)
Owl’s Head Mountain, 1864

Duncanson was the first recorded African-American landscape painter. He lived in Montreal from 1863-1865 after fleeing the United States during the American Civil War. His approach to landscape painting would influence many other artists living in Montreal in the 1860s.

9 x 6.5 cm (3.5 x 2.5 in.)

In the collection of the National Gallery of Canada.

Robert S. Duncanson (1821-1872)
Owl’s Head Mountain, 1864

Duncanson was the first recorded African-American landscape painter. He lived in Montreal from 1863-1865 after fleeing the United States during the American Civil War. His approach to landscape painting would influence many other artists living in Montreal in the 1860s.

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

Xavier Salomon, Jennifer Fletcher, Stephen Gritt 

The Petrobelli Altarpiece was painted by Paolo Veronese around 1563 for the Petrobelli family burial chapel near Venice; in 1788, the large painting was ruthlessly cut down and sold in pieces. Paolo Véronèse. Le Retable Petrobelli reunites the four parts of Veronese's glorious altarpiece, which have not been seen together since the painting's brutal division. The reunion and reconstruction of the altarpiece is a unique occasion to re-evaluate this Venetian Renaissance masterpiece. 

Paper | 160 pages 
17 x 24 cm (6.7 x 9.45 in.) 
Publication date: 2009

Xavier Salomon, Jennifer Fletcher, Stephen Gritt 

The Petrobelli Altarpiece was painted by Paolo Veronese around 1563 for the Petrobelli family burial chapel near Venice; in 1788, the large painting was ruthlessly cut down and sold in pieces. Paolo Veronese: The Petrobelli Altarpiece reunites the four parts of Veronese's glorious altarpiece, which have not been seen together since the painting's brutal division. The reunion and reconstruction of the altarpiece is a unique occasion to re-evaluate this Venetian Renaissance masterpiece. 

Paper | 160 pages 
17 x 24 cm (6.7 x 9.45 in.) 
Publication date: 2009