This ceramic tile, which can be used as a trivet or a wall decoration, features a detail from the print The Enchanted Owl (1960) by Inuit artist Kenojuak Ashevak (1927–2013). 

15 x 15 cm (6 x 6 in.)
Backed and ready to hang

Brighten rainy days with this umbrella which features a detail from the print The Enchanted Owl (1960) by Kenojuak Ashevak (1927–2013), a pioneer of modern Inuit art.

Closed: 85 cm (33.5 in.)
Open (diameter): 110 cm (43.3 in.)
Carbon fibre handle

Ann Thomas and John McElhone

This lavish publication celebrates fifty years of collecting photographs at the National Gallery of Canada. When the NGC began acquiring photos in 1967, few museums viewed the medium as fine art. Thanks to the passion and dedication of early supporters, a comprehensive collection has taken shape over the past half century. Drawn from one of the world’s most significant photographs holdings, The Extended Moment highlights the collection’s rich diversity, chronicling its formative years and exploring how the technical photographic process has evolved.

Hardcover | 336 pages 
23 x 29 cm (9 x 11.4 in.)
Publication Date: 2018

Winning Title (Pictorial), The Alcuin Society Awards for Excellence in Book Design in Canada, 2018

Save the Grand Museum from closing forever! In this entertaining and educational board game, players must increase visitor attendance by presenting extraordinary exhibitions that will attract crowds and save the institution from financial ruin.

2 to 4 players | Ages 12 and up
28 x 28 x 7 cm (11 x 11 x 2.8 in.)

Ann Thomas

The National Gallery of Canada marks the centennial of the beginning of the First World War with the exhibitionThe Great War: The Persuasive Power of Photography. Although photography was already being used to document armed conflict, the First World War marked a turning point for this medium. Alongside political and military uses of photography, the personal use of cameras by soldiers emerged as a new phenomenon, while studio portraits and personal albums illustrate the major role played by photography in private life. As a whole, these visual records offer an intimate, authentic and comprehensive view of the everyday realities of war.

Hardcover | 140 pages
Bilingual
28.5 x 28.6 cm (11 ¼ x 11 ¼ in.)
Publication Date: 2014

This bookmark is inspired by the woodblock print The Great Wave off Kanagawa (c. 1831) by Katsushika Hokusai (1760–1849). 

Silver-plated brass, giclée 
8.9 x 3.2 cm (3 ½ x 1 ¼ in.)

Enjoy your next coffee in this fine bone china mug, which features a detail from the painting The Great Wave at Kanagawa (c. 1831) by Katsushika Hokusai (1760–1849). 

Holds 360 ml (12.17 fl. oz.)
Microwave and dishwasher safe
Packaged in a gift box

Showcase a mini masterpiece with this lapel pin inspired by the woodblock print The Great Wave off Kanagawa (c. 1831) by Katsushika Hokusai (1760–1849). 

Enamel with zinc alloy 
Approx. 3 cm (1.2 in .)

These socks reproduce a detail from the woodblock print The Great Wave at Kanagawa (c. 1831) by Katsushika Hokusai (1760–1849).

Composition: 78% cotton, 20% nylon, 2% elastane 
Country of origin: Turkey

This tote bag features a detail from the woodblock print The Great Wave at Kanagawa (c. 1831) by Katsushika Hokusai (1760–1849).

100% Polyester
Foldable, comes in a zipper pouch
Dimensions: 50 x 42 cm (20 x 16.5 in.)
Holds up to 20 kg (44 lb)
Water-resistant, hand wash only

Anne Newlands

For decades, the paintings of the Group of Seven have been instantly familiar to Canadians. But in the early part of the 20th century, these artists were engaged in a struggle for acceptance, mocked by critics and the public alike. In The Group of Seven and Tom Thomson author Anne Newlands explores the ambitions and visions of this unique cast of characters, capturing the cultural and historical realities of their time and bringing to life their artistic response to the Canadian wilderness.

Paperback | 66 pages 
23.5 x 23.5 cm (9.25 x 9.25 in.) 
Publication Date: 2008

Arthur Lismer (1885–1969)
The Guide's Home, Algonquin, 1914 

POSTER:
Image size: 40.6 x 47.6 cm (16 x 18 ¾ in.)
Poster size: 50.8 x 55.2 cm (20 x 21 ¾ in.) 

In the collection of the National Gallery of Canada

The Indigenous Art Collection, cared for by Crown-Indigenous Relations and Northern Affairs Canada, and located at 10 Wellington, Gatineau, Quebec, is one of the most important collection of contemporary Indigenous art in Canada. Comprising over 4,300 artworks by both prominent and emerging artists, it showcases First Nations, Inuit, and Métis expression of their histories, cultures, and realities, both past and present.

Created to celebrate the Art Centre’s 50th anniversary, this stunning volume and first major monograph published by the Government of Canada about the collection, highlights the richness and the importance of Indigenous cultures and heritage as an essential part of Canadian culture.

Featured artists: Barry Ace, Roger Aksadjuak, Allen "Ahmoo" Angeconeb, Tracey Anthony, George Arluk, Germaine Arnaktauyok, Arnaquq Ashevak, Kenojuak Ashevak, Kiawak Ashoona, Shuvinai Ashoona, Jason Baerg, Rebecca Baird, Mary Anne Barkhouse, Carl Beam, Shirley Bear, Jackson Beardy, Henry Beaudry, Lance Belanger, Christi Belcourt, Leland Bell, Michael Belmore, Rebecca Belmore, Scott Benesiinaabandan, Dempsey Bob, Vince Bomberry, Bob Boyer, Simon Brascoupé, Bruno Canadien, Joane Cardinal-Schubert, Sarah Carr, Christian Chapman, Benjamin Chee Chee, Dorothy Chocolate, Lee Claremont, Hannah Claus, Dana Claxton, Eddy Cobiness, Ruth Cuthand, Colleen Cutschall, Joseph T. David, Joe David, Reg Davidson, Robert Davidson, Patricia Deadman, Blake Debassige, Beau Dick, Gertrude Dick & Simon Dick, Freda Diesing, Wally Dion, Vanessa Dion Fletcher, Sheojuk Etidlooie, Thomasie Etuangat, Jerry A. Evans, Rosalie Favell, David Garneau, David General, Richard Glazer-Danay, David Hannan, Tanya Harnett, Walter Harris, Faye HeavyShield, Chuck "Ya’Ya" Heit, Tom Hill, Richard W. Hill Sr., Robert Houle, Calvin Hunt, Henry Hunt, Tony Hunt, Maria Hupfield, Sarah Inukpuk, Elisapee Ishulutaq, Naomi Ityi, Mattiusi Iyaituk, Joseph "Joe" Jacobs, Alex Janvier, Philip Janzé, Alfred Joseph, Francis Kagige, Joshim Kakegamic, Roy Kakegamic, Towkie Karpik, Elsie Anaginak Klengenberg, Katia Kak'wa Kurtness, Rita Letendre, Eva Linklater, George Littlechild, Martin "Akwiranoron" Loft, Jim Logan, Kayley Mackay, Joelee Maniapik, Qavavau Manumie, Clifford Maracle, Teresa Marshall, Glenna Matoush, Walter McKenzie, Kevin McKenzie, Gerald McMaster, Ohotaq Mikkigak, Kent Monkman, Shirley Moorhouse, Christian Morrisseau, Norval Morrisseau, Ken Mowatt, Earl Muldon & Ron Sebastian, Nadia Myre, David Neel, Marianne Nicolson, Shelley Niro, Jeneen Frei Njootli, William Noah, Ron Noganosh, Daphne Odjig, Tim Paul, Lionel Peyachew, David Ruben Piqtoukun, Tim Pitsiulak, Susan Point, Edward Poitras, Jane Ash Poitras, Annie Pootoogook, Kananginak Pootoogook, Barry Pottle, John Powell, Pudlo Pudlat, Carl Ray, Bill Reid, Arthur Renwick, Ryan Rice, Garmel Rich, Rick Rivet, Eric A. Robertson, Kakulu Saggiaktuk, Pitaloosie Saila, Nicotye Samayualie, Allen Sapp, Frank Shebageget, Arthur Shilling, Roger Simon, Pierre Sioui, Skawennati, Ann Smith, Henry Speck, Greg Staats, Alan J. Syliboy, Gerald Tailfeathers, Winnie Tatya, Ningeokuluk Teevee, Jeffrey M. Thomas, Roy Thomas, Art Thompson, Simon Tookoome, Oviloo Tunnillie, Helen Wassegijig, Elisapee Weetaluktuk, Hjalmer Wenstob, Tania Willard, Linus Woods, Lauren I. Wuttunee, Donald Yeomans, Lawrence Paul Yuxweluptun.

Hardcover | 383 Pages
23.5 x 21.5 x 3.7 cm (9.3 x 8.5 x 1.5 in.)

This notecard features the artwork The Invention of Painting (c. 1816-20) by Vincenzo Camuccini (1771–1844).

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

Related Exhibition: Gathered Leaves: Discoveries from the Drawings Vault.

This fine bone china mug depicts a detail from the painting The Jack Pine (1916-1917) by Tom Thomson (1877–1917).

Holds 580 ml (19.6 fl. oz.)
Microwave and dishwasher safe
Packaged in a gift box

Tom Thomson (1877-1917) 
The Jack Pine, 1916-1917

Image Size: 53.34 x 48.26 cm (21 x 19.5 in.) 
Poster Size: 76.2 x 68.58 cm (30 x 27 in.)

In the collection of the National Gallery of Canada

This switch plate features a detail from Tom Thomson's painting The Jack Pine (1916-17) in the collection of the National Gallery of Canada.

Made for single gang toggle switch
11.43 x 6.98 cm (4.5 x 2.75 in)

This fine bone china mug depicts a detail from the artwork The Kiss (1907–1908) by Gustav Klimt (1862–1918).

Holds 580 ml (19.6 fl. oz.)
Microwave and dishwasher safe
Packaged in a gift box

This travel-friendly, fashionable metal pill box features a detail from the painting The Kiss (1907–1908) by Gustav Klimt (1862–1918).

5.5 x 4 x 1.5 cm (2.2 x 1.6 x 0.6 in.)

Showcase a mini masterpiece with this lapel pin inspired by the painting The Kiss (1907–1908) by Gustav Klimt (1862–1918). 

Enamel with zinc alloy 
Approx. 3 cm (1.2 in .)