This agenda features artwork by Cree artist Betty Albert. 

Printed in Canada 
120 pages | spiral bound 
15 x 22.8 cm (6 x 9 in.) 
Bilingual

This agenda features artwork by Ojibway artist of Kettle and Stoney Point First Nation Jeffrey "Red" George.  

Printed in Canada 
120 pages | spiral bound 
15 x 22.8 cm (6 x 9 in.) 
Bilingual

Get your creativity flowing with this compact journal featuring a detail from the painting And Some Watched the Sunset by Potawatomi artist Daphne Odjig (1919–2016). 

Hardcover | 120 lined pages 
12 x 17 x 1.3 cm (4.7 x 6.7 x 0.5 in.) 
Elastic band closure and ribbon bookmark 

This magnet features an artwork by Anishnaabe (Ojibwa) artist Norval Morrisseau (1932–2007). 

6.5 x 9 cm (2 ½ x 3 ½ in.)

This magnet features an artwork by Anishnaabe (Ojibwa) artist Norval Morrisseau (1932–2007). 

9 x 6.5 cm (3 ½ x 2 ½ in.)

This magnet features an artwork by Ojibwa artist Benjamin Chee Chee (1944–1977). 

9 x 6.5 cm (3 ½ x 2 ½ in.)

This magnet features a print by Kenojuak Ashevak (1927–2013), one of Canada’s most acclaimed graphic artists and a pioneer of modern Inuit art, known for her bold compositions, vivid colours and fantastical imagery.

9 x 6.5 cm (3.5 x 2.5 in.)

This set of 30 postcards (1 of each style) features reproductions of artworks from the collection of the National Gallery of Canada. 

Size: 16 x 12.2 cm (6.3 x 4.8 in.) 
Printed in Canada 

List of Artworks: 
The North American Iceberg (1985) by Carl Beam (1943–2005) 
The Welcome Man (1913) by Emily Carr (1871–1945)
Portrait of a Peasant (c. 1900) by Paul Cézanne (1839–1906) 
Venus (c. 1518) by Lucas Cranach the Elder (1472–1553)
At the Café-concert (1879–1884) by Edgar Degas (1834–1917) 
Youth and Sunlight (1913) by Marc-Aurèle de Foy Suzor-Coté (1869–1937) 
March Storm, Georgian Bay (1920) by A.Y. Jackson (1882–1974) 
As the Old Sing, So the Young Pipe (c. 1640–1645) by Jacob Jordaens (1593–1678) 
Shapeshifter (2000) by Brian Jungen (b. 1970) 
The Pets and the Materials (1860) by Cornelius Krieghoff (1815–1872) 
Manitoba Party (1964) by William Kurelek (1927–1977) 
Boy with Bread (1892–1899) by Ozias Leduc (1864–1955) 
The Mill, Quebec (1925) by Arthur Lismer (1885–1969) 
On the Beach (Saint Jean-de-Luz) (1929–1930) by John Lyman (1886–1967) 
Orange and Green Bi-serial (1967) by Guido Molinari (1933–2004) 
Jean-Pierre Hoschedé and Michel Monet on the Banks of the Epte (c. 1887–1890) by Claude Monet (1840–1926) 
Café el Pasaje, Havana (1915–1919) by James William Morrice (1865–1924) 
Head of a Baby (2003) by Ron Mueck (b. 1958) 
Sunrise on the Saguenay (1880) by Lucius O'Brien (1832–1899) 
Lake George with Crows (1921) by Georgia O'Keeffe (1887–1986) 
A Venetian Bather (1889) by Paul Peel (1860–1892) 
On the Beach (1945) by Alfred Pellan (1906–1988) 
Hay Harvest at Éragny (1901) by Camille Pissarro (1830–1903) 
Jupiter and Europa (c. 1636) by Guido Reni (1575–1642) 
Claude and Renée (c. 1902–1903) by Pierre-Auguste Renoir (1841–1919) 
Joseph and Marie-Louise (1929) by Sarah Robertson (1891–1948) 
Winter Theme No. 7 (1961) by Jack Shadbolt (1909–1998) 
Old Lumber Dam, Algonquin Park (c. 1913) by Tom Thomson (1877–1917) 
The Letter (1878) by James Tissot (1836–1902) 
Reason over Passion (1968) by Joyce Wieland (1931–1998)

Clarence Gagnon (1881-1942)
Village in the Laurentian Mountains, 1925

Gagnon is best known for his rural Quebec landscape paintings. Although he trained and maintained a studio in Paris for much of his career, he never lost his love of the Laurentians and the Charlevoix region of eastern Quebec, which inspired many of his paintings.

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

This notecard features the artwork Healing Dance 2 (2013) by Anishinaabe (Odawa) artist Barry Ace.

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

Emily Carr (1871-1945)
Forest Landscape No.2, c. 1935

"As her medium loosened, [Emily] Carr found herself better able to register both the immediacy of her own perceptions and the fluidity of her response to them."

- Excerpt from the catalogue Uninvited: Canadian Women Artists in the Modern Moment, an exhibition organized by the McMichael Canadian Art Collection with the exceptional support of the National Gallery of Canada. 

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

Handmade in Canada, this decorative and powerful magnet makes for a great gift or collectible.

Made in Canada 
Pewter 
Approx. 2.5 to 5 cm (1 to 2 in.)

Inspired by origami, Pigeon is a pre-folded letter that folds into its own envelope. 

6 Pigeons per pack 

Size
Paper: 21 x 29.7 cm (8.3 x 11.7 in.) 
Writing Area: 13 x 18 cm (5.1 x 7.1 in.) 

Made in the United Kingdom

This perpetual weekly planner features a painting by Maud Lewis (1903–1970). 

Made in Canada
55 pages 
30.5 x 16.5 cm (12 x 6.5 in.) 

This lined journal features a painting by Maud Lewis (1903–1970). 

Made in Canada 
150 lined sheets / 300 pages 
15.2 x 22.9 cm (6 x 9 in.)

This lined journal features a silk screen reproduction of a Maud Lewis painting by her long-time collector and promoter Bill Ferguson. 

Made in Canada 
150 lined sheets / 300 pages 
15.2 x 22.9 cm (6 x 9 in.)

This lined journal features a silk screen reproduction of a Maud Lewis painting by her long-time collector and promoter Bill Ferguson. 

Made in Canada 
150 lined sheets / 300 pages 
15.2 x 22.9 cm (6 x 9 in.)

This notecard features the painting In the Shadow of the Tree (c. 1914) by Helen Galloway McNicoll (1879–1915).

Made in Canada 
Card dimensions: 14.2 x 18.5 cm (5.6 x 7.3 in.)
Blank inside. Envelope included.

This 2027 wall calendar features 12 artworks by Canadian folk artist Maud Lewis (1901–1970).

30.5 x 30.5 cm (12 x 12 in.) 
Bilingual

This 2027 wall calendar features 12 artworks by Canadian folk artist Maud Lewis (1901–1970).

21.6 x 21.6 cm (8.5 x 8.5 in.) 
Bilingual