These bright and bold notecards feature reproductions of owl prints by renowned Cape Dorset artists Ningiukulu Teevee (b. 1963), Kananginak Pootoogook (1935–2010), and Kenojuak Ashevak (1927–2013). 

Card dimensions: 12 x 17 cm (4.7 x 6.7 in.)
Blank inside
Contains 20 notecards (five each of four styles). Envelopes are included.

This set of 10 different notecards reproduces actual holiday cards made by Maud Lewis (1903–1970) in the 1940s. 

Inside text: To wish you Christmas happiness and all the season's cheer, with everything that's best in life throughout the coming year. 

Made in Nova Scotia
Dimensions of cards: 15.9 x 11.4 cm (6.25 x 4.5 in.) 
Envelopes are included

This set of 12 notecards (two of each of six styles) features reproductions of the following designs by Ojibwe artist Jim Oskineegish: Father & Son, A Mother's Love, Bear, Playful Time, You Can Do It, and Crow. 

Made in Canada
Card dimensions: 16 x 10.7 cm (6.3 x 4.2 in.)
Blank inside; bilingual text on box and back of cards 
Envelopes are included

This set of 12 notecards (two of each of six styles) features reproductions of the following designs by Sioux artist Maxine Noel: Spirit of the Plains, Spirit of the Dawn, Ancient Messages, Spirit of the Winds, Eagle's Gift, and Song of the Mountains. 

Made in Canada
Card dimensions: 10.7 x 16 cm (4.2 x 6.3 in.) 
Blank inside; bilingual text on box and back of cards 
Envelopes are included

This set of 12 notecards (two of each of six styles) features reproductions of the following designs by Coast Salish artist Zac George Skokaylem: Spa ath", New Moon, North Vancouver, Seagulls in Flight, Raven Prayers, and Coast Salish Mural. 

Made in Canada
Card dimensions: 16 x 10.7 cm (6.3 x 4.2 in.)
Blank inside; bilingual text on box and back of cards 
Envelopes are included

This magnet features a reproduction of Louise Bourgeois' sculpture Maman (1999, cast 2003). The original work of art is made of bronze, stainless steel and marble, and is in the collection of the National Gallery of Canada. 

Diameter: 7.6 cm (3 in.) 

© The Easton Foundation / VAGA at ARS, NY / CARCC Ottawa 2025

Lilias Torrance Newton (1896-1980)
Anna, c. 1923 

"[Lilias] Torrance Newton went on to make portraiture her specialty; she had to support herself and her young son during the Depression, since her marriage had ended in divorce after her husband’s bankruptcy and abandonment of the family." 

- Excerpt from the catalogue Uninvited: Canadian Women Artists in the Modern Moment, an exhibition organized by the McMichael Canadian Art Collection with the exceptional support of the National Gallery of Canada.

6.5 x 9 cm (2.5 x 3.5 in.)

In the collection of the National Gallery of Canada.

Pegi Nicol MacLeod (1904-1949)
A Descent of Lilies, 1935

"A Descent of Lilies embodies the smoky, liminal space between night dreaming and daydreaming. [...] Full, weightless forms glide fore and aft, gently drifting down and up like characters on a merry-go-round." 

- Excerpt from the catalogue Uninvited: Canadian Women Artists in the Modern Moment, an exhibition organized by the McMichael Canadian Art Collection with the exceptional support of the National Gallery of Canada.

6.5 x 9 cm (2.5 x 3.5 in.)

In the collection of the National Gallery of Canada.

Paraskeva Clark (1898-1986)
Myself, 1933

Considered among the most powerful figure paintings in Canadian art, this self-portrait is direct, self-confident, and elegant. Painting herself while she was three months pregnant, Paraskeva Clark challenged the social mores regarding the visibility and celebration of the pregnant female body in the 1930s. Exhibited at the 1933 Canadian Group of Painter’s exhibition, the work presented the artist as a strong, professional woman, boldly commanding the viewer’s attention.

6.5 x 9 cm (2.5 x 3.5 in.)

In the collection of the National Gallery of Canada.

This magnet features the artwork Thinking Caps (1999) by Mohawk artist Shelley Niro.

9 x 6.5 cm (3.5 x 2.5 in.)

In the collection of the National Gallery of Canada.

Emily Carr (1871-1945)
Forest Landscape No.2, c. 1935

"As her medium loosened, [Emily] Carr found herself better able to register both the immediacy of her own perceptions and the fluidity of her response to them." 

- Excerpt from the catalogue Uninvited: Canadian Women Artists in the Modern Moment, an exhibition organized by the McMichael Canadian Art Collection with the exceptional support of the National Gallery of Canada. 

6.5 x 9 cm (2.5 x 3.5 in.)

In the collection of the National Gallery of Canada.

This magnet features the artwork Passing Through (1993) by Mohawk artist Shelley Niro.

9 x 6.5 cm (3.5 x 2.5 in.)

In the collection of the National Gallery of Canada.

Isabel McLaughlin (1903-2002)
Tree, 1935

"Isabel McLaughlin’s Tree bears down on you. The unusual and engrossing perspective—a steeply upward view from the base of the massive tree trunk—is both a point of departure and a point of reckoning." 

- Excerpt from the catalogue Uninvited: Canadian Women Artists in the Modern Moment, an exhibition organized by the McMichael Canadian Art Collection with the exceptional support of the National Gallery of Canada.

6.5 x 9 cm (2.5 x 3.5 in.)

In the collection of the National Gallery of Canada.

Prudence Heward (1896-1947)
Rollande, 1929

Prudence Heward’s paintings of strong, independent models offer a new interpretation of Canadian women in the 1920s. Rollande’s thoughtful expression and no-nonsense posture, with hands on her hips and one leg thrust forward, shows that she is in complete control of her environment. Her placement outside of the fence is deliberate, serving to emphasize her independence and strength.

6.5 x 9 cm (2.5 x 3.5 in.)

In the collection of the National Gallery of Canada.

Lilias Torrance Newton (1896-1980)
Anna, c.1923

"[Lilias] Torrance Newton went on to make portraiture her specialty; she had to support herself and her young son during the Depression, since her marriage had ended in divorce after her husband’s bankruptcy and abandonment of the family." 

Excerpt from the catalogue Uninvited: Canadian Women Artists in the Modern Moment, an exhibition organized by the McMichael Canadian Art Collection with the exceptional support of the National Gallery of Canada.

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

Pegi Nicol MacLeod (1904-1949)
A Descent of Lilies, 1935

"A Descent of Lilies embodies the smoky, liminal space between night dreaming and daydreaming. [...] Full, weightless forms glide fore and aft, gently drifting down and up like characters on a merry-go-round." 

Excerpt from the catalogue Uninvited: Canadian Women Artists in the Modern Moment, an exhibition organized by the McMichael Canadian Art Collection with the exceptional support of the National Gallery of Canada.

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

Prudence Heward (1896-1947)
Rollande, 1929

Prudence Heward’s paintings of strong, independent models offer a new interpretation of Canadian women in the 1920s. Rollande’s thoughtful expression and no-nonsense posture, with hands on her hips and one leg thrust forward, shows that she is in complete control of her environment. Her placement outside of the fence is deliberate, serving to emphasize her independence and strength.

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

Paraskeva Clark (1898-1986)
Myself, 1933

Considered among the most powerful figure paintings in Canadian art, this self-portrait is direct, self-confident, and elegant. Painting herself while she was three months pregnant, Paraskeva Clark challenged the social mores regarding the visibility and celebration of the pregnant female body in the 1930s. Exhibited at the 1933 Canadian Group of Painter’s exhibition, the work presented the artist as a strong, professional woman, boldly commanding the viewer’s attention.

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

This notecard features the artwork Thinking Caps (1999) by Mohawk artist Shelley Niro.

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

This notecard features the artwork Passing Through (1993) by Mohawk artist Shelley Niro.

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.