These placemats feature a selection of paintings by Tom Thomson (1877–1917) from the Art Gallery of Ontario and the McMichael Canadian Art Collection; Early Spring (1917), Autumn (1916), Snow in the Woods (1916), and Summer Day (1915).

4 cork-backed placemats 
40 x 30 cm (15.75 x 11.5 in.)

This calendar features a selection of artworks by Tom Thomson (1877–1917).

30.5 x 30.5 cm (12 x 12 in.)
Bilingual

David Silcox

A forerunner of the Group of Seven, Tom Thomson's compelling works ignited a powerful national art movement that shaped the way Canadians viewed their land. This illustrated introduction to his work covers: Thomson's childhood and early years; his career as a commercial artist; the influence of Lawren Harris and J.E.H.MacDonald; his fame as an artist; his discovery of Algonquin Park; and the mystery surrounding his death.

Paperback | 64 pages 
22.8 x 22.8 cm (9 x 9 in.) 
Publication Date: 2002

Joan Murray 

A treasury of Tom Thomson's (1877–1917) most influential paintings as chosen by his friends and collectors, illustrating a moving, untold story in Canadian art.

Paperback | 152 pages
21.5 x 21 x 1 cm (8.5 x 8.3 x 0.4 in.) 
Publication Date: 2012

Tom Thomson and the Group of Seven shared a passion for Canada's landscape and a strong desire to create a distinctive visual language. Through their spectacular canvases and adventurous spirits, these celebrated artists have shaped Canadian identity. This book of oversized postcards contains thirty striking colour reproductions ideal for collecting, framing and sending. 

Individual postcard size: 17.5 x 12 cm (6.9 x 4.7 in.) 
Paper | 30 postcards

Anne Newlands

For decades, the paintings of the Group of Seven have been instantly familiar to Canadians. But in the early part of the 20th century, these artists were engaged in a struggle for acceptance, mocked by critics and the public alike. In The Group of Seven and Tom Thomson author Anne Newlands explores the ambitions and visions of this unique cast of characters, capturing the cultural and historical realities of their time and bringing to life their artistic response to the Canadian wilderness.

Paperback | 66 pages 
23.5 x 23.5 cm (9.25 x 9.25 in.) 
Publication Date: 2008

David P. Silcox 

At a critical time in Canada's history, the Group of Seven revolutionized the country's appreciation of itself by celebrating Canada as a wild and beautiful land. These paintings of the wilderness evoke the same response in viewers today as they did when first exhibited. The Group of Seven and Tom Thomson includes many never-before reproduced paintings and presents the most complete and extensive collection of these artists' works ever published. The 400 paintings and drawings reveal the remarkable genius of all 10 painters who at some point were part of the movement. 

Paperback | 444 pages 
22.2 x 26 x 3.8 cm (8.75 x 10.24 x 1.5 in.) 
Publication Date: 2011

This calendar features 12 artworks by renowned Canadian impressionists. 

Featured artists: Mary Hiester Reid, Paul Peel, James Wilson Morrice, Helen Galloway McNicoll, Maurice Cullen, Henri Beau, Tom Thomson, Emily Carr, Marc-Aurèle de Foy Suzor-Côté, George Agnew Reid, William Blair Bruce, Franklin Brownell and Clarence Alphonse Gagnon.

30.5 x 33 cm (12 x 13 in.)
Bilingual

Martina Weinhart

With contributions by Rebecca Herlemann, Ruth Phillips, Carmen Robertson, Jeff Thomas, Georgiana Uhlaryik, Reneée van der Avoird, Martina Weinhart and Interviews with Lisa Jackson and Caroline Monnet

In the early 20th century, artists such as Emily Carr, Tom Thomson, and members of what would become the Group of Seven, transformed Post-Impressionism techniques into exciting new ways of interpreting the Canadian landscape.

Challenging existing traditions, they left major cities such as Toronto, Montreal and Vancouver and ventured deep into the Canadian wilderness. Often remaining in the bush for weeks on end, they reimagined the natural world using bold colours, stylized forms, and dynamic brushwork, producing vibrant modernist works that would define Canada and Canadian art for decades to come.

Premiering at Frankfurt’s Schirn Kunsthalle, Magnetic North features 87 works of art, including 23 works from the National Gallery of Canada. The exhibition also comprises five films, including two by contemporary Indigenous artists: How a People Live, a documentary by filmmaker Lisa Jackson and Mobilize, a short film by artist Caroline Monnet.

Magnetic North was organized by the SCHIRN KUNSTHALLE FRANKFURT, the Art Gallery of Ontario, and the National Gallery of Canada, with the generous support of the Department of Canadian Heritage.

Hardcover | 240 pages
23.5 x 27.5 cm (9.25 x 10.82 in)
Publication Date: 2021

Martina Weinhart

With contributions by Rebecca Herlemann, Ruth Phillips, Carmen Robertson, Jeff Thomas, Georgiana Uhlaryik, Reneée van der Avoird, Martina Weinhart and Interviews with Lisa Jackson and Caroline Monnet

In the early 20th century, artists such as Emily Carr, Tom Thomson, and members of what would become the Group of Seven, transformed Post-Impressionism techniques into exciting new ways of interpreting the Canadian landscape.

Challenging existing traditions, they left major cities such as Toronto, Montreal and Vancouver and ventured deep into the Canadian wilderness. Often remaining in the bush for weeks on end, they reimagined the natural world using bold colours, stylized forms, and dynamic brushwork, producing vibrant modernist works that would define Canada and Canadian art for decades to come.

Premiering at Frankfurt’s Schirn Kunsthalle, Magnetic North features 87 works of art, including 23 works from the National Gallery of Canada. The exhibition also comprises five films, including two by contemporary Indigenous artists: How a People Live, a documentary by filmmaker Lisa Jackson and Mobilize, a short film by artist Caroline Monnet.

Magnetic North was organized by the SCHIRN KUNSTHALLE FRANKFURT, the Art Gallery of Ontario, and the National Gallery of Canada, with the generous support of the Department of Canadian Heritage.

Hardcover | 240 pages
23.5 x 27.5 cm (9.25 x 10.82 in)
Publication Date: 2021

Celebrating the awe and wonder of the Arctic Circle region through visual art from the 19th and 20th centuries.

Vast, impenetrable coniferous forests, "white" summer nights, the perpetual darkness of snowy winters and the famous aurora borealis—the Arctic Circle is a fascinating, if unforgiving, region. The Fondation Beyeler and the Buffalo AKG Art Museum present an exhibition dedicated to this phenomenon with a stunning selection of 19th- and 20th-century paintings by artists from Scandinavia, Finland and Canada. With a gorgeous, atmospheric cover, the catalogue presents work by internationally renowned artists such as Munch and af Klint, while also highlighting artists who are highly respected in their own countries, but little known outside of them.

Featured in the catalogue: Hilma af Klint, Helmi Biese, Anna Boberg, Emily Carr, Gustaf Fjæstad, Akseli Gallen-Kallela, Lawren S. Harris, J.E.H. MacDonald, Edvard Munch, Prince Eugen of Sweden, Ivan Shishkin, Harald Sohlberg, Tom Thomson.

Hardcover | 240 pages
23.3 x 27.4 cm (9.2 x 10.8 in.) 
Publication Date: 2025

This colouring book contains the outlines of twenty-two well-known works by the artists of The Group of Seven. Also included are full-colour reproductions of the images. Copy the original colours and style, or express your own artistic flair! 

Paper | 21.5 x 28 cm (8 ½" x 11") 

Featured artists: Tom Thomson, Franklin Carmichael, Lawren S. Harris, J.E.H. MacDonald, A.J. Casson, Arthur Lismer, A.Y. Jackson, and Franz (Frank) Johnston.