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It Is What It Is: Recent Acquisitions of New Canadian Art (English)
$10.00 CAD
Unit price perIt Is What It Is: Recent Acquisitions of New Canadian Art (English)
$10.00 CAD
Unit price perJosée Drouin-Brisebois, Greg A. Hill, Andrea Kunard
It Is What It Is: Recent Acquisitions of New Canadian Art features a selection of over seventy works created by more than fifty artists working across the country in a range of media, practices and sensibilities. More than a catalogue, this publication can be seen as a document that acknowledges some of the most compelling works being produced in Canada today.
FEATURED ARTISTS: David Altmejd, Stephen Andrews, Shuvinai Ashoona, Mary Anne Barkhouse, Rebecca Belmore, BGL, Valérie Blass, Shary Boyle, James Carl, Patrick Coutu, Thirza Cuthand, Geoffrey Farmer, Karel Funk, Tim Gardner, Chris Gergley, Greg Girard, Rodney Graham, Pascal Grandmaison, Adad Hannah, Isabelle Hayeur, Antonia Hirsch, Kristan Horton, Simon Hughes, Spring Hurlbut, Sarah Anne Johnson, Wanda Koop, Rodney LaTourelle, Tim Lee, Mark Lewis, Liz Magor, Luanne Martineau, Scott McFarland, Sandra Meigs, Chris Millar, Gareth Moore, Alex Morrison, Nadia Myre, Benny Nemerofsky Ramsay, Shelley Niro, Ed Pien, Tim Pitsiulak, Yannick Pouliot, Steven Shearer, Ron Terada, Susan Turcot, Jeff Wall, Ian Wallace, Chih-Chien Wang, Colleen Wolstenholme, Kevin Yates, Robert Youds, Lawrence Paul Yuxweluptun, Etienne Zack, Rhonda Weppler and Trevor Mahovsky.
Paper | 160 pages
22.5 x 29.5 cm (8.9 x 11.6 in.)
Publication Date: 2010

C'est ce que c'est. Acquisitions récentes d'art actuel canadien (French)
$10.00 CAD
Unit price perC'est ce que c'est. Acquisitions récentes d'art actuel canadien (French)
$10.00 CAD
Unit price perJosée Drouin-Brisebois, Greg A. Hill, Andrea Kunard
C'est ce que c'est. Acquisitions récentes d'art actuel canadien features a selection of over seventy works created by more than fifty artists working across the country in a range of media, practices and sensibilities. More than a catalogue, this publication can be seen as a document that acknowledges some of the most compelling works being produced in Canada today.
FEATURED ARTISTS: David Altmejd, Stephen Andrews, Shuvinai Ashoona, Mary Anne Barkhouse, Rebecca Belmore, BGL, Valérie Blass, Shary Boyle, James Carl, Patrick Coutu, Thirza Cuthand, Geoffrey Farmer, Karel Funk, Tim Gardner, Chris Gergley, Greg Girard, Rodney Graham, Pascal Grandmaison, Adad Hannah, Isabelle Hayeur, Antonia Hirsch, Kristan Horton, Simon Hughes, Spring Hurlbut, Sarah Anne Johnson, Wanda Koop, Rodney LaTourelle, Tim Lee, Mark Lewis, Liz Magor, Luanne Martineau, Scott McFarland, Sandra Meigs, Chris Millar, Gareth Moore, Alex Morrison, Nadia Myre, Benny Nemerofsky Ramsay, Shelley Niro, Ed Pien, Tim Pitsiulak, Yannick Pouliot, Steven Shearer, Ron Terada, Susan Turcot, Jeff Wall, Ian Wallace, Chih-Chien Wang, Colleen Wolstenholme, Kevin Yates, Robert Youds, Lawrence Paul Yuxweluptun, Etienne Zack, Rhonda Weppler and Trevor Mahovsky.
Paper | 160 pages
22.5 x 29.5 cm (8.9 x 11.6 in.)
Publication Date: 2010

American Photographs 1900–1950 from the National Gallery of Canada (English)
$10.00 CAD
Unit price perAmerican Photographs 1900–1950 from the National Gallery of Canada (English)
$10.00 CAD
Unit price perAnn Thomas
American Photographs 1900-1950 is the fourth in a series of publications focusing on selected masterpieces from the Photographs collection of the National Gallery of Canada. The first half of the 20th century marks a lively era in American art history when photography was first celebrated as an art form. The catalogue highlights masterpieces from such photographers as Lisette Model, Alfred Stieglitz, Edward Steichen, Walker Evans, and Edward Weston.
Paper | 196 pages
20.5 x 26.5 cm (8 x 10½ in.)
Publication Date: 2011

Photographies américaines 1900-1950 du Musée des beaux-arts du Canada (French)
$10.00 CAD
Unit price perPhotographies américaines 1900-1950 du Musée des beaux-arts du Canada (French)
$10.00 CAD
Unit price perAnn Thomas
Photographies américaines 1900-1950 is the fourth in a series of publications focusing on selected masterpieces from the Photographs collection of the National Gallery of Canada. The first half of the 20th century marks a lively era in American art history when photography was first celebrated as an art form. The catalogue highlights masterpieces from such photographers as Lisette Model, Alfred Stieglitz, Edward Steichen, Walker Evans, and Edward Weston.
Paper | 196 pages
Publication Date: 2011

Modernist Photographs from the National Gallery of Canada (English)
$10.00 CAD
Unit price perModernist Photographs from the National Gallery of Canada (English)
$10.00 CAD
Unit price perAnn Thomas
This original publication, which focuses on the early decades of the 20th century, is the first in a new series devoted to the study of photographic masterpieces from the National Gallery of Canada's international collection. Examining the expansive, innovative and often contradictory modernist ethos that shaped the creation and use of photographic art from 1900 to 1940, this generously illustrated publication highlights dozens of works from Germany, England, Czech Republic, United States, France, Russia, Hungary, Japan and Canada. An introductory essay describes the development of photography artistically, technically and socially. Following the essay, 79 individual works are presented within the context of their times. Each is illustrated with a full-page duo tone plate. Among the artists are some of the world's greatest photographic innovators, notably Eugène Atget, Margaret Bourke-White, Brassaï, Walker Evans, Dorothea Lange, Lisette Model, Alexander Rodchenko and Edward Weston.
Paper | 200 pages
Publication Date: 2007

Photographies modernistes du Musée des beaux-arts du Canada (French)
$10.00 CAD
Unit price perPhotographies modernistes du Musée des beaux-arts du Canada (French)
$10.00 CAD
Unit price perAnn Thomas
This original publication, which focuses on the early decades of the 20th century, is the first in a new series devoted to the study of photographic masterpieces from the National Gallery of Canada's international collection. Examining the expansive, innovative and often contradictory modernist ethos that shaped the creation and use of photographic art from 1900 to 1940, this generously illustrated publication highlights dozens of works from Germany, England, Czech Republic, United States, France, Russia, Hungary, Japan and Canada. An introductory essay describes the development of photography artistically, technically and socially. Following the essay, 79 individual works are presented within the context of their times. Each is illustrated with a full-page duo tone plate. Among the artists are some of the world's greatest photographic innovators, notably Eugène Atget, Margaret Bourke-White, Brassaï, Walker Evans, Dorothea Lange, Lisette Model, Alexander Rodchenko and Edward Weston.
Paper | 200 pages
Publication Date: 2007
Robin Laurence, Mary Reid & Josée Drouin-Brisebois
For over three decades, Wanda Koop has created an overwhelming body of work. Published in conjunction with the exhibition Wanda Koop: On the Edge of Experience, organized by the Winnipeg Art Gallery and the National Gallery of Canada, this beautifully illustrated catalogue presents a selection of paintings, as well as a number of video works.
Paper | 164 pages
Publication Date: 2011

Sur le fil de l'expérience. Survol de l'oeuvre de Wanda Koop (French)
$10.00 CAD
Unit price perSur le fil de l'expérience. Survol de l'oeuvre de Wanda Koop (French)
$10.00 CAD
Unit price perRobin Laurence, Mary Reid & Josée Drouin-Brisebois
For over three decades, Wanda Koop has created an overwhelming body of work. Published in conjunction with the exhibition Wanda Koop, sur le fil de l'expérience, organized by the Winnipeg Art Gallery and the National Gallery of Canada, this beautifully illustrated catalogue presents a selection of paintings, as well as a number of video works.
Paper | 164 pages
Publication Date: 2011
Arnaud Maggs: Identification is a survey exhibition that follows the Canadian artist’s production over four decades. Focusing on seminal and recent works, it showcases Maggs’ various working strategies and subject matter. Each work on display records in some way the people, places and lived experiences that have marked the artist. The exhibition is accompanied by a 240-page full colour bilingual catalogue, which contains an essay by the exhibition curator; Q&As with the artist, and a chronological biography.
Softcover | 240 pages
24.5 x 29 cm (9.6 x 11.4 in.)
Publication Date: 2012
René Villeneuve
George Ramsay, Ninth Earl of Dalhousie, served as Lieutenant-Governor of Nova Scotia (1816-1820), then as Governor-in-Chief of British North America (1820-1828). During his 12 years in Canada, Dalhousie both commissioned and collected a stunning variety of artworks. Featuring some 130 works from his collection, this exhibition catalogue underscores the patron's unique point of view and his influence on the development of art in Canada. Dalhousie's original eye and diverse interests are highlighted by the array of watercolours and wash drawings, engravings and lithographs, silhouettes, architectural drawings, models, and decorative pieces.
Paperback | 200 pages
Publication Date: 2008
René Villeneuve
George Ramsay, Ninth Earl of Dalhousie, served as Lieutenant-Governor of Nova Scotia (1816-1820), then as Governor-in-Chief of British North America (1820-1828). During his 12 years in Canada, Dalhousie both commissioned and collected a stunning variety of artworks. Featuring some 130 works from his collection, this exhibition catalogue underscores the patron's unique point of view and his influence on the development of art in Canada. Dalhousie's original eye and diverse interests are highlighted by the array of watercolours and wash drawings, engravings and lithographs, silhouettes, architectural drawings, models, and decorative pieces.
Paperback | 200 pages
Publication Date: 2008
Pierre Théberge, Jean Clair
On the heels of the Roaring Twenties, the 1930s, which spanned from the economic crisis of 1929 to the outbreak of the Second World War, was a dark decade. Beyond similar governmental mechanisms, these regimes shared an ideology: the will to create what they called the "New Man." This decade began with a more or less innocent dream of the theme of the original egg, germination, the harmonious growth of a fabric both biological and social, but ended with the nightmarish discovery of corpses in the concentration camps by the armies of liberation in 1945.
Softcover | 396 pages
23 x 30 cm (9 x 12 in.)
Publication date: 2008
Pierre Théberge, Jean Clair
On the heels of the Roaring Twenties, the 1930s, which spanned from the economic crisis of 1929 to the outbreak of the Second World War, was a dark decade. Beyond similar governmental mechanisms, these regimes shared an ideology: the will to create what they called the "New Man." This decade began with a more or less innocent dream of the theme of the original egg, germination, the harmonious growth of a fabric both biological and social, but ended with the nightmarish discovery of corpses in the concentration camps by the armies of liberation in 1945.
Softcover | 396 pages
23 x 30 cm (9 x 12 in.)
Publication date: 2008

Paolo Veronese: The Petrobelli Altarpiece (English)
$10.00 CAD
Unit price perPaolo Veronese: The Petrobelli Altarpiece (English)
$10.00 CAD
Unit price perXavier Salomon, Jennifer Fletcher, Stephen Gritt
The Petrobelli Altarpiece was painted by Paolo Veronese around 1563 for the Petrobelli family burial chapel near Venice; in 1788, the large painting was ruthlessly cut down and sold in pieces. Paolo Veronese: The Petrobelli Altarpiece reunites the four parts of Veronese's glorious altarpiece, which have not been seen together since the painting's brutal division. The reunion and reconstruction of the altarpiece is a unique occasion to re-evaluate this Venetian Renaissance masterpiece.
Paper | 160 pages
17 x 24 cm (6.7 x 9.45 in.)
Publication date: 2009
Xavier Salomon, Jennifer Fletcher, Stephen Gritt
The Petrobelli Altarpiece was painted by Paolo Veronese around 1563 for the Petrobelli family burial chapel near Venice; in 1788, the large painting was ruthlessly cut down and sold in pieces. Paolo Véronèse. Le Retable Petrobelli reunites the four parts of Veronese's glorious altarpiece, which have not been seen together since the painting's brutal division. The reunion and reconstruction of the altarpiece is a unique occasion to re-evaluate this Venetian Renaissance masterpiece.
Paper | 160 pages
17 x 24 cm (6.7 x 9.45 in.)
Publication date: 2009

De Raphaël à Carracci. L'art de la Rome pontificale (French)
$10.00 CAD
Unit price perDe Raphaël à Carracci. L'art de la Rome pontificale (French)
$10.00 CAD
Unit price perDavid Franklin
The sixteenth century in Rome was a rich period in art history. Such celebrated masters as Raphael, Michelangelo, Salviati and Vasari practiced in the city during this time. De Raphaël à Carracci. L'art de la Rome pontificale is unprecedented in its comprehensive examination of Renaissance Rome. The catalogue contains contributions from more than forty scholars from Canada and abroad, and highlights considerable new research and a number of discoveries published here for the first time.
Hardcover | 482 pages
32 x 26 cm (12.6 x 10.25 in.)
Publication Date: 2009
Available in French only
Matha Hannah with Marnie Fleming & Olivier Asselin
The work of Angela Grauerholz occupies an important place in Canadian and international photography. From the 1980s on, her search to redefine the art of photography has taken various forms including portraits and interior and exterior scenes with or without people. This retrospective publication covers twenty years of production and highlights Grauerholz's major photographic and installation works. Three critical essays discuss the work in relation to time, memory and representation.
Hardcover | 240 pages
18 x 24.5 cm (7.1 x 9.65 in.)
Publication Date: 2007
Karen Duffek
This catalogue features thirty paintings and sculptures by Robert Davidson, a leading contemporary Haida artist who works to expand and transform his understanding of Haida art and cultural practice through engagement with abstraction, reclaiming cultural knowledge, and developing a personal iconography in his art.
Paper | 64 pages
20.5 x 25.5 cm (8 x 11 in.)
Publication Date: 2004
Available in French only