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Designed, printed, and sewn in Canada, this unisex t-shirt features the National Gallery of Canada's new logo on its front and vision on its back.
Meaning “everything is connected,” “tout est relié,” the Algonquin word Ankosé beautifully symbolizes the Gallery’s purpose to nurture interconnection across time and place. Taking its cue from this concept, the logo shifts from a western world view of hard geometry, to a circle, inspired by Indigenous ways of knowing and being.
Made in Canada
100% cotton
Designed, printed, and sewn in Canada, this youth t-shirt features the National Gallery of Canada's new logo on its front and vision on its back.
Meaning “everything is connected,” “tout est relié,” the Algonquin word Ankosé beautifully symbolizes the Gallery’s purpose to nurture interconnection across time and place. Taking its cue from this concept, the logo shifts from a western world view of hard geometry, to a circle, inspired by Indigenous ways of knowing and being.
Made in Canada
100% cotton
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ᑯᕆᔅᑏᓐ ᓚᓛᓐ ᐅᑯᐊᓗ ᑯᕆᔅᑐᕙ ᐳᕆᑦ, ᔭᐃᒻᒥ ᑲᐋᒻᒪᕋᓐ, ᐊᒐᓃᑕ ᑎᒃ, ᑲᐊᓐᑕᔅ ᕼᐋᑉᑲᓐᔅ, ᓕᕙᐃ ᐃᓗᐃᑦᑐᖅ, ᒫᑎᔪᓯ ᒪᓄᑯᓗᒃ ᐃᔭᐃᑦᑐᖅ, ᕋᐋᐸᑦ ᑲᐋᑎᔅ, ᓯᑏᕙᓐ ᓚᐋᕝᑦ, ᑯᕆᔅᑎᓇ ᒪᐋᒃᑭ, ᑯᕆᔅᑕᓐ ᓈᓗᖏᐊᖅ, ᒥᐊᕆ ᓂᕐᓗᖓᔪᖅ, ᑭᐃᑎ ᐅᒧᓚ, ᑎᐃᕕᑦ ᐃᕝ ᐱᓪᓕ, ᐋ ᔩ ᕋᒡᐊᒻᕋᑕᓐ, ᑐᓐᓄ ᓴᐋᒃᑎ, ᐊᓖᓐᓇ ᑲᑭᐊᕐᓂᐅᑦ ᑐᖏᓕᒃ, ᑖᓖᓐ ᑲᐅᕙᑦ ᕙᐃᑦ ᐊᒻᒪ ᓯᖁᐊᖅ ᐃᓚᖏᑦ |
Christine Lalonde with Christopher Bredt, Jamie Cameron, Aganetha Dyck, Candice Hopkins, Levi Illuitok, Mattijusi Manukuluk Iyaituk, Robert Kardosh, Steven Loft, Christina Mackie, Christian Nalungiaq, Mary Nirlungayuk, Keiichi Omura, David F. Pelly, RJ Ramrattan, Toonoo Sharky, Alina Kakkianiun Tungilik, Darlene Coward Wight and the Sikkuark family. |
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ᑕᒻᓇ ᑎᑎᕋᐅᔭᖅᓯᒪᔪᖅ ᑕᑯᑎᑦᓯᔪᖅ ᓂᑯᓚ ᓯᑯᐊ: ᐃᒡᓚᕐᓇᖅᑐᑦ ᐊᒻᒪ ᑲᑉᐱᐊᓇᖅᑐᑦ – ᓯᕗᓪᓕᖅ ᑕᑯᔭᐅᓚᐅᖅᓯᒪᖏᑐᖅ ᐊᒻᒪ ᐃᓱᒪᒋᔭᐅᓚᐅᖅᓯᒪᖏᑐᖅ ᐃᓄᒃ ᓴᓇᖑᐊᖅᑎ. ᑎᑎᕋᐅᔭᖅᓯᒪᑎᐊᖅᑐᑦ ᐅᖓᑖᓐᓂ 100 ᐊᒥᓱᓕᐅᖅᑕᐅᓯᒪᑉᓗᑎᒃ ᓂᒃ ᓯᖁᐊᖅ ᑎᑎᕋᖅᑕᖏᑦ, ᓴᓇᖑᐊᖅᑕᖏᑦ ᐊᒻᒪ ᒥᖑᐊᖑᐊᖅᑕᖏᑦ ᑎᑎᖃᓖᑦ ᐊᓯᖏᓐᓂᒃ ᓂᐱᓕᐅᖅᓯᒪᔪᑦ. ᓯᖁᐊᖅ ᐅᖃᐅᓯᖏ ᐊᓯᖏᓐᓂᒃ ᐃᓚᖃᖅᑐᑦ ᐅᓂᑳᓂᒃ ᒥᐊᓂᖅᓯᔨᒥᑦ ᑯᕆᔅᑏᓐ ᓚᓛᓐ ᐊᒻᒪ ᓄᑕᖑᖏᑐᓕᕆᔨ ᑎᐃᕕᑦ ᐃᕝ ᐱᓪᓕ, ᐊᔨᖃᖅᑐᑦ ᑎᑎᕋᖅᑕᐅᓯᒪᑉᓗᓂ ᐸᓂᖓᓄᑦ Hᐃᓚᓐ ᓯᖁᐊᖅ ᓂᑉᑕᔪᒃ. ᐅᖃᖃᑎᒋᔭᐅᓐᓂᑯᑦ ᐊᓯᖏᓐᓂᒃ ᐃᓄᖕᓂᒃ ᓯᕗᓪᓕᕐᒥ ᖃᐅᔨᒪᑉᓗᓐᓂ ᐊᒻᒪ ᖁᔭᒋᔭᐅᓗᓐᓂ ᓯᖁᐊᖅ ᑎᑎᕋᐅᔭᖅᑕᖏᑦ ᓄᓇᓕᖕᓂ ᐊᒻᒪ ᓯᒪᕐᔪᐊᕐᒥ. |
This magnificent monograph accompanies the exhibition Nick Sikkuark: Humour and Horror – the first retrospective on this unconventional and imaginative Inuk artist. Richly illustrated, it includes more than a hundred reproductions of Nick Sikkuark’s drawings, sculptures and paintings, along with texts featuring a multitude of voices. Sikkuark’s own words are accompanied by insightful essays by curator Christine Lalonde and historian David F. Pelly, along with a photo essay by the artist’s daughter Helen Sikkuark Niptayok. Conversations with other individuals with first-hand knowledge and appreciation of Sikkuark’s art illustrate intersections between his community and the art world. |
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ᑕᒻᓇ ᕿᒥᕈᐊᖅ ᐅᖃᐅᓯᖃᖅᑐᖅ ᐅᑭᐅᓐᓂ ᓯᕗᓂᕐᒥ ᖓᑐᖅᑕᓂᖓᓐᓂᒃ ᓯᕗᓕᖅᑎᐅᑉ, ᑐᓂᓯᓚᖅᑐᖅ ᓄᓇᓕᖕᒧᑦ ᓯᓚᕐᔪᐊᕐᒧᓗ ᐊᖏᔪᒥᒃ. ᑭᓯᐊᓐᓂ ᐊᑭᑐᔪᖅ ᖃᐅᔨᓴᕐᓂᖓ ᑎᑎᕋᖅᑕᐅᓂᖓᓗ ᓯᖁᐊᖅ ᐃᓅᓯᖓᓂ ᐊᒻᒪ ᓴᓇᖑᐊᖅᑎᐅᓂᖓᓂ. |
This beautiful book commemorates the remarkable legacy of this influential leader, who contributed to his community and the art world at large. It serves as an invaluable source of research and commentary on Sikkuark’s life and art.
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ᑎᑎᕋᒐᐅᔪᖅ ᑲᓇᑕᒥ |
Printed in Canada |
This switch plate features a detail from Tom Thomson's painting Northern River (1915) in the collection of the National Gallery of Canada.
Made for single gang toggle switch
11.43 x 6.98 cm (4.5 x 2.75 in)
This striking notecard features the scultpure Bird Shaman with Bola (1988) by Inuit artist Nick Sikkuark (1943-2013).
Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.
In the collection of the National Gallery of Canada.
This striking notecard features the scultpure Untitled (Caribou-human transformation?) (1998) by Inuit artist Nick Sikkuark (1943-2013).
Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.
In the collection of the National Gallery of Canada.
This striking notecard features the artwork Untitled (Creature with Fangs) (2004) by Inuit artist Nick Sikkuark (1943-2013).
Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.
In the collection of the National Gallery of Canada.
This striking notecard features the artwork Untitled (Figures on Iceberg) (2004) by Inuit artist Nick Sikkuark (1943-2013).
Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.
In the collection of the National Gallery of Canada.
This striking notecard features the scultpure Untitled (Men Shooting Up through the Ice) (2005) by Inuit artist Nick Sikkuark (1943-2013).
Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.
In the collection of the National Gallery of Canada.
Joyce Wieland (1930-1998)
O Canada, 4-16 December 1970
Wieland emerged on Toronto’s experimental visual-arts scene in the early 1960s. The first living woman artist to be granted a solo exhibition at the NGC, she blended pop-art strategies with a sly sense of humour. O Canada represents a pair of lips as they sound out the syllables of the national anthem.
9 x 6.5 cm (3.5 x 2.5 in.)
In the collection of the National Gallery of Canada.
Joyce Wieland (1930-1998)
O Canada, 4-16 December 1970
Wieland emerged on Toronto’s experimental visual-arts scene in the early 1960s. The first living woman artist to be granted a solo exhibition at the NGC, she blended pop-art strategies with a sly sense of humour. O Canada represents a pair of lips as they sound out the syllables of the national anthem.
Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.
In the collection of the National Gallery of Canada.
Meryl McMaster (b. 1988)
On the Edge of this Immensity, 2019
McMaster combines elements of performance and installation in her photography while exploring the tensions surrounding identity ad heritage, especially her own as a woman of Indigenous (Plains Cree) and European (British/Dutch) descent from Saskatchewan.
9 x 6.5 cm (3.5 x 2.5 in.)
In the collection of the National Gallery of Canada.
Meryl McMaster (b. 1988)
On the Edge of this Immensity, 2019
McMaster combines elements of performance and installation in her photography while exploring the tensions surrounding identity ad heritage, especially her own as a woman of Indigenous (Plains Cree) and European (British/Dutch) descent from Saskatchewan.
Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.
In the collection of the National Gallery of Canada.
Lori Pauli with Jordan Bear, Karen Hellman and Phillip Prodger
Often referred to as the “Father of Art Photography,” Oscar G. Rejlander (1813–1875) has been praised for his early experiments with combination printing, for his collaboration with Charles Darwin, and for his influence on the work of Julia Margaret Cameron and Lewis Carroll.
Containing more than 200 impressive colour and black and white images, this ground-breaking catalogue accompanies the first major retrospective on a vital yet understudied figure, and considers the whole range of his activities, including his work as a painter and printmaker.
Hardcover | 336 pages
25.5 x 31 cm (10 x 12.2 in.)
Lori Pauli with Jordan Bear, Karen Hellman and Phillip Prodger
Often referred to as the “Father of Art Photography,” Oscar G. Rejlander (1813–1875) has been praised for his early experiments with combination printing, for his collaboration with Charles Darwin, and for his influence on the work of Julia Margaret Cameron and Lewis Carroll.
Containing more than 200 impressive colour and black and white images, this ground-breaking catalogue accompanies the first major retrospective on a vital yet understudied figure, and considers the whole range of his activities, including his work as a painter and printmaker.
Hardcover | 336 pages
25.5 x 31 cm (10 x 12.2 in.)
Robert S. Duncanson (1821-1872)
Owl’s Head Mountain, 1864
Duncanson was the first recorded African-American landscape painter. He lived in Montreal from 1863-1865 after fleeing the United States during the American Civil War. His approach to landscape painting would influence many other artists living in Montreal in the 1860s.
9 x 6.5 cm (3.5 x 2.5 in.)
In the collection of the National Gallery of Canada.
Robert S. Duncanson (1821-1872)
Owl’s Head Mountain, 1864
Duncanson was the first recorded African-American landscape painter. He lived in Montreal from 1863-1865 after fleeing the United States during the American Civil War. His approach to landscape painting would influence many other artists living in Montreal in the 1860s.
Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.
In the collection of the National Gallery of Canada.
Curated by Sherry Farrell Racette, Michelle LaVallee and Cathy Mattes
Indigenous artists have long used beadwork to tell stories, honour loved ones and celebrate beauty. Using techniques and knowledge passed from previous generations, today’s Indigenous artists are using beading to address concerns related to history, decolonization and resistance. Radical Stitch – the largest contemporary beadwork exhibition to date – presents a wealth of works ranging from wearable art and portraiture to installation and video that connect past and present as they imagine new worlds.
The accompanying catalogue celebrates the innovative art of 56 artists from across Turtle Island who have exhibited at most or all of the venues for this touring exhibition. In full, vivid colour, this publication presents 30 figures and 82 plates of their selected artworks, which reflect a range of humour, poignant testimony, and political and social commentary.
Radical Stitch Itinerary:
MacKenzie Art Gallery, Regina: 30 April – 25 September 2022
Art Gallery of Hamilton: 11 February – 27 August 2023
Thunder Bay Art Gallery: 13 October 2023 – 3 March 2024
National Gallery of Canada: 17 May – 30 September 2024
Beaverbrook Art Gallery, Fredericton: 30 November 2024 – 2 March 2025
Eiteljorg Museum of American Indians and Western Art, Indianapolis: 12 April – 3 August 2025
Featured in the catalogue: Barry Ace, Eva Talooki Aliktiluk, Carrie Allison, Marcus Amerman, Judy Anderson, Kristen Auger, Kaylyn Baker, Christi Belcourt, Michael Belmore, Catherine Blackburn, Katherine Boyer, Jackie Larson Bread, Marcia Chickeness, Hannah Claus, Dana Claxton, Jon Michael Robert Corbett, Ruth Cuthand, Vanessa Dion Fletcher, Marcy Friesen, Teri Greeves, Joyce Growing Thunder, Justine Gustafson, Donald & Carla Hemlock, Maria Hupfield, Lizzie Ittinuar, Bev Koski, Casey Koyczan, Jennine Krauchi, Martha Kyak, Mindy Lauren Magyar, Amy Malbeuf, Jean Marshall, Audie Murray, Nadia Myre, Margaret Nazon, Candace Neumann, Niap, Shelley Niro, Elias Not Afraid, Jamie Okuma, Sandra Okuma, Taqralik Partridge, Jobena Petonoquot, Memory Rose Poni-Cappo, Alesia Poncho & Farlan Quetawki, Skawennati, Samuel Thomas, Marie Watt, Olivia Whetung, Dyani White Hawk, Kenneth Williams Jr., Nico Williams, Will Wilson, Summer Yahbay
Printed in Canada
Softcover
20.32 x 26.67 cm (8 x 10.5 in.)
Publication date: 2024
Andrea Kunard
The variety, width and breadth of photographic culture in Canada is extraordinary, and Canadian photographers are among the most prominent and influential in the world today. From classic street photography, documentary images and landscape imagery, to experimental abstractions and conceptual work, photography is an area of particularly rich exploration in our country. Photography in Canada 1960–2000 is the fifth in a series that presents the Gallery's Photographs Collection, and this catalogue is the first to be published by the newly established Canadian Photography Institute (CPI).
Featured artists: Raymonde April, Roy Arden, Barbara Astman, Claire Beaugrand-Champagne, Pierre Boogaerts, Robert Bourdeau, Jim Breukelman, Robert Burley, Edward Burtynsky, Michel Campeau, Serge Clément, Lynne Cohen, Sorel Cohen, Carole Condé, Marlene Creates, Donigan Cumming, Walter Curtin, Jack Dale, Robert Del Tredici, Stan Denniston, Jennifer Dickson, Lutz Dille, Evergon, Charles Gagnon, Pierre Gaudard, General Idea, Tom Gibson, Lorraine Gilbert, Rafael Goldchain, Rodney Graham, Ted Grant, Angela Grauerholz, Clara Gutsche, Dave Heath, Fred Herzog, Hubert Hohn, Thaddeus Holownia, George Hunter, Geoffrey James, Yousuf Karsh, Holly King, Suzy Lake, Michel Lambeth, Ken Lum, Chris Lund, Arnaud Maggs, John Massey, John Max, Susan McEachern, David McMillan, N.E. Thing Co. (NETCO), Shelley Niro, Nina Raginsky, John Reeves, Mark Ruwedel, Jacye Salloum, Michael Semak, Orest Semchishen, Sandra Semchuk, Michael Snow, George Steeves, Gabor Szilasi, Sam Tata, Jeff Thomas, Diana Thorneycroft, Serge Tousignant, Larry Towell, Bill Vazan, Jeff Wall, Ian Wallace, and Jin-me Yoon.
Paperback | 176 pages
20.5 x 26.5 cm (8 x 10 ½ in.)
Publication Date: 2016
Pour l’amour de l’art. Artistes et amateurs français à Rome au XVIIIe siècle (French)
$10.00 CAD
Unit price perPour l’amour de l’art. Artistes et amateurs français à Rome au XVIIIe siècle (French)
$10.00 CAD
Unit price perSonia Couturier, Pierre Rosenberg
Eighteenth-century Rome was a cosmopolitan centre that became a mecca for artists, collectors, and enlightened art lovers. It was also the primary destination for artists from France wanting to perfect their craft. This work highlights the artistic effervescence of the Eternal City, where French artists were able to study ancient monuments and masterpieces of sculpture and painting, benefitting from the protection of influential patrons with a passion for the arts. Featuring more than one hundred works, this volume offers an exceptional selection of drawings and prints together with a large number of paintings. It presents works by artists regarded as among the most significant of their day, in particular Hubert Robert, Jean-Honoré Fragonard, and Jacques-Louis David.
Softcover | 256 pages
Publication Date: 2011