Edited by Sylvie Lacerte with contributions by Gilles Daigneault, Vera Frenkel, Manuel Mathieu, Caroline Monnet, Marc-Antoine K. Phaneuf and Marc Séguin

Marking the centenary of his birth, the exhibition Riopelle: Crossroads in Time introduces Jean Paul Riopelle as a tireless experimenter and innovator, anchored in the contemporary realm. Drawing on the artist’s work across various mediums and materials, guest curator Sylvie Lacerte paints a portrait of Riopelle as a visionary trailblazer. Offering a unique take on this famed Canadian artist, this retrospective presents his acclaimed works alongside creations rarely or never before shown in public.

This richly illustrated catalogue features essays by art specialists and artists who reflect on Riopelle’s legacy as they look at his work. Discover the full force of his legendary influence on both his contemporaries and artists working today, all of whom represent a broad range of cultural and aesthetic perspectives.

Hardcover | 208 pages 
25.5 x 30.5 cm (10 x 12 in.) 
Publication Date: 2023

Denise Leclerc, Marion Barclay 

This exhibition catalogue seeks to explore the North American career of one of this century's outstanding sculptors in the technique of welded metal who has been working in the industry since the end of the 1950s.

Paper | 196 pages 
20.5 x 29 cm (8 x 11.4 in.) 
Publication Date: 1999

Denise Leclerc, Marion Barclay 

This exhibition catalogue seeks to explore the North American career of one of this century's outstanding sculptors in the technique of welded metal who has been working in the industry since the end of the 1950s.

Paper | 196 pages 
20.5 x 29 cm (8 x 11.4 in.) 
Publication Date: 1999

Prudence Heward (1896-1947)
Rollande, 1929

Prudence Heward’s paintings of strong, independent models offer a new interpretation of Canadian women in the 1920s. Rollande’s thoughtful expression and no-nonsense posture, with hands on her hips and one leg thrust forward, shows that she is in complete control of her environment. Her placement outside of the fence is deliberate, serving to emphasize her independence and strength.

6.5 x 9 cm (2.5 x 3.5 in.)

In the collection of the National Gallery of Canada.

Prudence Heward (1896-1947)
Rollande, 1929

Prudence Heward’s paintings of strong, independent models offer a new interpretation of Canadian women in the 1920s. Rollande’s thoughtful expression and no-nonsense posture, with hands on her hips and one leg thrust forward, shows that she is in complete control of her environment. Her placement outside of the fence is deliberate, serving to emphasize her independence and strength.

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

Greg A. Hill, Candice Hopkins, Christine Lalonde 

The catalogue Sakahàn—meaning “to light [a fire]” in the language of the Algonquin peoples—focuses on the 2013 exhibition which brought together more than 150 works of recent Indigenous art by over 80 artists from 16 countries, including impressive installations created specifically for the project. Poetic, unexpected and challenging, the artworks document and interrogate distinct cultural and social issues. 

FEATURED ARTISTS: Vernon Ah Kee, Maria Thereza Alves, Pia Arke, Arnait Video Productions, Arnaqurq Ashevak, Shuvinai and John Noesthedan Ashoona, Sonny Assu, Mary Anne Barkhouse, Nanobah Becker, Christi Belcourt, Richard Bell, Rebecca Belmore, Corey and Larissa Healey Bulpitt, Andrea Carlson, Abraham & Jimena Mendoza Cruzvillegas, Cup'luaq (Jack Dalton), Beau Dick, Jimmie Durham, Suresh Kumar Dhurve, Nicholas Galanin, Billy Gauthier, Regina-José Galindo, Jeffrey Gibson, Daniel Guzman, Julie Edel Hardenberg, Marja Helander, Inuk Silis Høegh, Geir Tore Holm, Terrance Houle, Bayrol Jimenez, Jonathan Jones, Brian Jungen, Toru Kaizawa, Sonya Kelliher-Combs, Shigeyuki Kihara, Walis Labai, EN Lei, Omero Leyva, César López, Erica Lord, Jimmy Manning, Teresa Margolles, Da-Ka-Xeen Mehner, Danie Mellor, Alan Michelson, Kent Monkman, Wangechi Mutu, Nadia Myre, Shelley Niro, William Noah, Fiona Pardington, Michael Parekowhai, Viggo Pederson, Outi Pieski, Jamasee Padluq Pitseolak, Tim Pitseolak, Edward Poitras, Annie Pootoogook, Itee Pootoogook, Rachel and Brett Graham Rakena, Abel Rodriguez, Gjert Rognli, Jangarh Singh Shyam, Mayank Shyam, Venkat Raman Singh Shyam, Greg Staats, Yama Taru, Jeff Thomas, Warwick Thornton, Jutai Toonoo, Maka'i Tubbs, Ingunn Utsij, Taika Waititi, Marie Watt, Steven Yazzie and Lawrence Paul Yuxweluptun.

Softcover | 288 pages
24.5 x 21 x 2 cm (9.6 x 8.3 x 0.8 in.)
Publication Date: 2013

Available in French only

This notecard features the artwork Sans titre (1953) by Jean Paul Riopelle (1923-2002).

Card dimensions: 13 x 18 cm (5 x 7 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

This notecard features the painting Sans titre (1965) by Jean Paul Riopelle (1923-2002).

Card dimensions: 13 x 18 cm (5 x 7 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

Josée Drouin-Brisebois

As the commissioning institution for the 55th International Art Exhibition, the National Gallery of Canada presents the work of Shary Boyle, a consummate object maker who uses imaginary narratives to explore human psychological and emotional states. The catalogue highlights the artist’s practice, which spans a diversity of media, including fine craft, drawing, sculpture, experimental performance and immersive installations.

Paper | 192 pages 
20 x 29 cm (7.8 x 11.4 in.) 
Publication Date: 2013

English, French and Italian

Melissa Bennett, Greg Hill, and David W. Penney

Shelley Niro is widely known for her ability to explore Traditional Stories, transgress boundaries, and embody the ethos of her matriarchal culture. A member of the Six Nations Reserve, Turtle Clan, Bay of Quinte Mohawk, she uses a wide variety of media, including photography, installation, film, and painting to bring greater visibility to Indigenous women and girls.

Pushing the limits of photography, Niro incorporates imagery from Traditional Stories to focus on contemporary subjects with wit, irony, and parody. Throughout her work — in her portraiture, sculptures, landscape paintings, photography, and film and video work — Niro challenges common preconceptions about gender, culture, and Indigenous Peoples.

Hardcover | 304 pages
21.5 x 25 cm (8.1 x 9.8 in.)
Publication Date: 2023

Published by the Art Gallery of Hamilton and the Smithsonian National Museum of the American Indian and distributed by Goose Lane Editions.

Shelley Niro: 500 Year Itch accompanies an international touring exhibition organized by the Art Gallery of Hamilton and the Smithsonian National Museum of the American Indian with the collaboration of the National Gallery of Canada.

Shine a Light Surgir de l'ombre: Canadian Biennial 2014 (Bilingual)

Josée Drouin-Brisebois, Greg Hill, Andrea Kunard, Jonathan Shaughnessy and Rhiannon Vogl

Shine a Light Surgir de l’ombre highlights an exemplar selection of recent acquisitions to the National Gallery of Canada’s Canadian Contemporary, Indigenous and Photographs holdings. This biennial showcases the production of twenty-six artists from different generations and backgrounds, and features over eighty works ranging from film and video installations to sculptures, paintings, drawings and photographs. Often looking to past events, literature, films, places, cultural movements and traditions, the artists in the exhibition are very much ingrained in issues of the present day. Their works encourage us to reconsider time and the writing of history, our relationship to the natural world, the powerful role of images in how information is communicated, and how we perceive and interpret accepted facts.

Featured artists: David Armstrong Six, Shuvinai Ashoona, Nicolas Baier, Shary Boyle, Edward Burtynsky, Tammi Campbell, Mario Doucette, Geoffrey Farmer, David Hartt, Isabelle Hayeur, Phillippa Jones, Stéphane La Rue, Rita Letendre, An Te Liu, David McMillan, Damian Moppett, Luke Parnell, Vanessa Paschakarnis, Ed Pien, Tim Pitsiulak, Kelly Richardson, Jeremy Shaw, Althea Thauberger, Jutai Toonoo, Howie Tsui, Lawrence Paul Yuxweluptun

Softcover | 264 pages
20.5 x 27.3 cm (8 x 10.75 in.)
Publication Date: 2014

Edited by Wahsontiio Cross
With contributions by Mojeanne Sarah Behzadi, Richard William Hill and Cheryl Sim 

Skawennati’s practice explores Indigenous futures through the lens of a Kanien'kehá:ka (Mohawk) woman and cyberpunk avatar, blending Hotinonshón:ni storytelling with digital media to create powerful, visionary narratives. Using machinimas and machinimagraphs (movies and still images made in virtual environments), sculpture, textiles and performance, she reimagines a world where Indigenous Peoples thrive. Her work transforms personal and communal hopes into new realities – spaces that empower, reclaim ways of being and challenge historical narratives.

The most comprehensive book on her career to date, Skawennati. Bienvenue dans la maison des rêves features vibrant reproductions of key works alongside critical essays examining her impact. The title references notions of home, a child’s dollhouse, and the longhouse – central to Hotinonshón:ni culture. The publication invites readers to explore a future where Indigenous Peoples lead and shape our collective worldview.

Softcover | 136 pages
22.9 × 27.9 cm (9 × 11 in.)
Publication Date: 2025

Edited by Wahsontiio Cross
With contributions by Mojeanne Sarah Behzadi, Richard William Hill and Cheryl Sim 

Skawennati’s practice explores Indigenous futures through the lens of a Kanien'kehá:ka (Mohawk) woman and cyberpunk avatar, blending Hotinonshón:ni storytelling with digital media to create powerful, visionary narratives. Using machinimas and machinimagraphs (movies and still images made in virtual environments), sculpture, textiles and performance, she reimagines a world where Indigenous Peoples thrive. Her work transforms personal and communal hopes into new realities – spaces that empower, reclaim ways of being and challenge historical narratives.

The most comprehensive book on her career to date, Skawennati: Welcome to the Dreamhouse features vibrant reproductions of key works alongside critical essays examining her impact. The title references notions of home, a child’s dollhouse, and the longhouse – central to Hotinonshón:ni culture. The publication invites readers to explore a future where Indigenous Peoples lead and shape our collective worldview.

Softcover | 136 pages
22.9 × 27.9 cm (9 × 11 in.)
Publication Date: 2025

This magnet features the artwork Snow II (1915) by Lawren S. Harris (1885–1970). 

6.5 x 9 cm (2.5 x 3.5 in.) 

In the collection of the National Gallery of Canada.

Related Exhibition: Winter Count: Embracing the Cold

This mug features the artwork Snow II (1915) by Lawren S. Harris (1885–1970). 

Holds 315 ml (11 fl. oz)
Microwave and dishwasher safe 

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

This notecard features a detail of the artwork Snow II (1915) by Lawren S. Harris (1885–1970). 

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

This small poster features the artwork Snow II (1915) by Lawren S. Harris (1885–1970). 

Dimensions:
Image size: 24.5 x 23.2 cm (9.65 x 9.15 in.)
Paper size: 27.9 x 35.6 cm (11 x 14 in.)

In the collection of the National Gallery of Canada

Related Exhibition: Winter Count: Embracing the Cold

This magnet features the artwork Snowbound (1915) by J.E.H MacDonald (1873–1932). 

9 x 6.5 cm (3.5 x 2.5 in.) 

In the collection of the National Gallery of Canada.

Related Exhibition: Winter Count: Embracing the Cold

This notecard features a detail of the artwork Snowbound (1915) by J.E.H MacDonald (1873–1932). 

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.) 
Blank inside. Envelope included. 

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

Jin-me Yoon (b. 1960)
Souvenirs of the Self (Lake Louise), 1991

Yoon emigrated from South Korea to Vancouver in 1968. While studying contemporary art, she was exposed to artists and theorists engaged with questions of sexual and cultural difference. Her work is recognized for contributing to the ongoing discussions concerning identity and place.

9 x 6.5 cm (3.5 x 2.5 in.)

In the collection of the National Gallery of Canada.