Lori Pauli, John McElhone 

19th-Century British Photographs is the third installment in a series of catalogues that showcase the depth and variety of photographs from the National Gallery of Canada's permanent collection. This catalogue documents the developments in photographic technologies in 19th century Britain; from historically important paper negatives to platinum prints, works by Julia Margaret Cameron, William Henry Fox Talbot, Frederick Evans, Roger Fenton, and Henry Peach Robinson, among others, are beautifully illustrated and examined. 

Paper | 180 pages 
20.5 x 26.5 cm (8 x 10½ in.) 
Publication Date: 2011

James Borcoman 

19th-Century French Photographs is the second in a series of exhibitions highlighting the strengths of the National Gallery of Canada's permanent collection of photographs. The intention of the exhibition is also to provide an introduction to the history of the medium's early years; the beautifully illustrated catalogue highlights works by such photographers as Charles Marville, Gustave Le Gray, Eugène Atget, Édouard Baldus, Étienne Carjat, Henri Le Secq, and Nadar. 

Paper | 168 pages 
20.5 x 26.5 cm (8 x 10½ in.) 
Publication Date: 2010

Jonathan Shaughnessy, with contributions by Nicole Burisch, Rachelle Dickenson, Josée Drouin-Brisebois, Greg Hill, Jasmine Inglis, Andrea Kunard, Christine Lalonde, Ann Thomas and Rhiannon Vogl

The 2017 Canadian Biennial brings the “here and now” of Canadian and Indigenous artistic production into focus, renewing the Gallery’s commitment to showcasing leading examples of art-making in our country today. The fourth Canadian Biennial to date, the 2017 edition of the show will also for the first time feature works of international contemporary art acquired since April 2014 by the departments of Contemporary Art and Indigenous Art, as well as the Canadian Photography Institute.

FEATURED ARTISTS: Barry Ace, John Akomfrah, Benoit Aquin, Suvinai Ashoona, BGL, Valérie Blass, Shannon Bool, Shary Boyle, Mark Bradford, Anthony Burnham, Nick Cave, Patrick Coutu, Chris Curreri, Beau Dick, Stan Douglas, Jessica Eaton, Latifa Echakhch, Tracey Emin, Cynthia Girard-Renard, Andreas Gursky, Thomas Houseago, Christian Jankowski, Brian Jungen, Shelagh Keeley, Ruben Komangapik, Jonathan Lasker, lessLIE, Maya Lin, Elaine Ling, Angela Marston, Julie Mehretu, Kent Monkman, Wangechi Mutu, Nadia Myre, Chris Ofili, Jamasee Padluq Pitseolak, Susan Point, Mika Rottenberg, Collier Schorr, Ursula Schulz-Dornburg, Wael Shawky, Steven Shearer, Taryn Simon, Kiki Smith, Monika Sosnowska, Zin Taylor, Mickalene Thomas, Wolfgang Tillmans, Jutai Toonoo, Renée Van Halm, Hajra Waheed, Daniel Young & Christian Giroux

Paperback | 336 pages
27.5 x 22 x 2.5 cm (10.8 x 8.7 x 1 in.)
Bilingual
Publication Date: 2017

Pegi Nicol MacLeod (1904-1949)
A Descent of Lilies, 1935

"A Descent of Lilies embodies the smoky, liminal space between night dreaming and daydreaming. [...] Full, weightless forms glide fore and aft, gently drifting down and up like characters on a merry-go-round." 

- Excerpt from the catalogue Uninvited: Canadian Women Artists in the Modern Moment, an exhibition organized by the McMichael Canadian Art Collection with the exceptional support of the National Gallery of Canada.

6.5 x 9 cm (2.5 x 3.5 in.)

In the collection of the National Gallery of Canada.

Pegi Nicol MacLeod (1904-1949)
A Descent of Lilies, 1935

"A Descent of Lilies embodies the smoky, liminal space between night dreaming and daydreaming. [...] Full, weightless forms glide fore and aft, gently drifting down and up like characters on a merry-go-round." 

Excerpt from the catalogue Uninvited: Canadian Women Artists in the Modern Moment, an exhibition organized by the McMichael Canadian Art Collection with the exceptional support of the National Gallery of Canada.

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

Pegi Nicol MacLeod (1904–1949)
A Descent of Lilies, 1935

"A Descent of Lilies embodies the smoky, liminal space between night dreaming and daydreaming. [...] Full, weightless forms glide fore and aft, gently drifting down and up like characters on a merry-go-round."

- Excerpt from the catalogue Uninvited: Canadian Women Artists in the Modern Moment, an exhibition organized by the McMichael Canadian Art Collection with the exceptional support of the National Gallery of Canada.

Dimensions:
Image size: 21.5 x 29 cm ( 8.5 x 11.4 in.)
Paper size: 27.9 x 35.6 cm (11 x 14 in.)

In the collection of the National Gallery of Canada.

This magnet features the artwork A Northern Night (1917) by Franz Johnston (1888–1949). 

6.5 x 9 cm (2.5 x 3.5 in.) 

In the collection of the National Gallery of Canada.

Related Exhibition: Winter Count: Embracing the Cold

This notecard features a detail of the artwork A Northern Night (1917) by Franz Johnston (1888–1949). 

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold

Witold Rybczynski

Witold Rybczynski's insightful and provocative text is accompanied by a fascinating array of paintings, drawings and photographs illustrating the history of museum architecture and showcasing Safdie's innovations in his design for the Gallery.

Paper | 108 pages 
20.5 x 30.5 cm (8 x 12 in.) 
Publication Date: 1993

Edited by Rachelle Dickenson, Greg A. Hill, and Christine Lalonde, with contributions by Birgit Hopfener, Heather Igloliorte, Biung Ismahasan, Jason Edward Lewis, Nomusa Makhubu, Joar Nango, Ruth Phillips, Carmen Robertson, Ariel Smith, Megan Tamati-Quennell, Carla Taunton and Ming Tiampo

Produced in conjunction with the National Gallery of Canada exhibition Àbadakone | Continuous Fire | Feu continuel, this multifaceted publication features work by more than 70 contemporary Indigenous artists identifying with almost 40 Indigenous nations, ethnicities and tribal affiliations from 16 countries, including Canada. Tapping into the global pulse of Indigenous artistic production, Àbadakone builds upon themes of continuity, activation, and relatedness, exploring the creativity, concerns and vitality of Indigenous art from virtually every continent.

FEATURED ARTISTS: Barry Ace, Brian Adams, Leonce Raphael, Agbodjélou, Joi T. Arcand, Shuvinai Ashoona, Pierre Aupilardjuk, Pierre Aupilardjuk and Shary Boyle, Rebecca Belmore, Jordan Bennett, Catherine Blackburn, Inger Blix Kvammen, Dempsey Bob, Edgar Calel, Manuel Chavajay, Hannah Claus, Dana Claxton, Melissa Cody, Ruth Cuthand, Thirza Cuthand, Mique'l Dangeli and Nick Dangeli, Dayna Danger, Jeneen Frei Njootli, Maureen Gruben, Helen Haig-Brown and Gwaai Edenshaw, Marja Helander, Sky Hopinka, Maria Hupfield, Taiye Idahor, Ursula Johnson, Eleng Luluan, Balu Jivya Mashe, Mata Aho Collective, Siwa Mgoboza, Dylan Miner, Tracey Moffatt, Caroline Monnet, Peter Morin, Zanele Muholi, Joar Nango, Marianne Nicolson, Eko Nugroho, Sayo Ogasawara, Qudus Onikeku, Inga-Wiktoria Påve and Anders Sunna, Fernando Poyón, Fredrik Prost, Skeena Reece, Peter Robinson, Evgeniy Salinder, Sarah Sense, Skawennati, Ningiukulu Teevee, Joseph Tisiga, Tribal Women Artists Cooperative, Lucy Tulugarjuk, Rajesh Chaitya Vangad and Gauri Gill, Laakkuluk Williamson Bathory, Jamie Griffiths, Cris Derksen, and Christine Tootoo, Will Wilson, Lisa Hageman Yahgujanaas

Softcover | 272 pages
21 x 24.5 cm (8.2 x 9.6 in.)
Publication Date: 2020

Edited by Rachelle Dickenson, Greg A. Hill, and Christine Lalonde with contributions by Birgit Hopfener, Heather Igloliorte, Biung Ismahasan, Jason Edward Lewis, Nomusa Makhubu, Joar Nango, Ruth Phillips, Carmen Robertson, Ariel Smith, Megan Tamati-Quennell, Carla Taunton and Ming Tiampo

Produced in conjunction with the National Gallery of Canada exhibition Àbadakone | Continuous Fire | Feu continuel, this multifaceted publication features work by more than 70 contemporary Indigenous artists identifying with almost 40 Indigenous nations, ethnicities and tribal affiliations from 16 countries, including Canada. Tapping into the global pulse of Indigenous artistic production, Àbadakone builds upon themes of continuity, activation, and relatedness, exploring the creativity, concerns and vitality of Indigenous art from virtually every continent.

FEATURED ARTISTS: Barry Ace, Brian Adams, Leonce Raphael, Agbodjélou, Joi T. Arcand, Shuvinai Ashoona, Pierre Aupilardjuk, Pierre Aupilardjuk and Shary Boyle, Rebecca Belmore, Jordan Bennett, Catherine Blackburn, Inger Blix Kvammen, Dempsey Bob, Edgar Calel, Manuel Chavajay, Hannah Claus, Dana Claxton, Melissa Cody, Ruth Cuthand, Thirza Cuthand, Mique'l Dangeli and Nick Dangeli, Dayna Danger, Jeneen Frei Njootli, Maureen Gruben, Helen Haig-Brown and Gwaai Edenshaw, Marja Helander, Sky Hopinka, Maria Hupfield, Taiye Idahor, Ursula Johnson, Eleng Luluan, Balu Jivya Mashe, Mata Aho Collective, Siwa Mgoboza, Dylan Miner, Tracey Moffatt, Caroline Monnet, Peter Morin, Zanele Muholi, Joar Nango, Marianne Nicolson, Eko Nugroho, Sayo Ogasawara, Qudus Onikeku, Inga-Wiktoria Påve and Anders Sunna, Fernando Poyón, Fredrik Prost, Skeena Reece, Peter Robinson, Evgeniy Salinder, Sarah Sense, Skawennati, Ningiukulu Teevee, Joseph Tisiga, Tribal Women Artists Cooperative, Lucy Tulugarjuk, Rajesh Chaitya Vangad and Gauri Gill, Laakkuluk Williamson Bathory, Jamie Griffiths, Cris Derksen, and Christine Tootoo, Will Wilson, Lisa Hageman Yahgujanaas

Paperback | 272 pages
21 x 24.5 cm (8.2 x 9.6 in.)
Publication Date: 2020

Lori Pauli, Marta Weiss, Ann Thomas, Karen Henry

Since the earliest days of photography, artists have directed models posing before the camera and, through the use of theatrical props, costumes, and lighting, have created "staged" photographs that tell a story. Acting the Part is the first major history of this enduring and highly creative branch of photography. Beautiful illustrations range from the earliest salted paper prints and daguerreotypes to today's digitally manipulated images. The book also presents 57 short biographies of the genre's leading practitioners, including Oscar Rejlander, Julia Margaret Cameron, Lewis Carroll, Man Ray, Duane Michals, Les Krims, Jeff Wall, Yasumasa Morimura and Wang Qingsong, among others.

Softcover & Hardcover | 176 pages
28.5 x 23.5 x 1.5 cm (11.2 x 9.3 x 0.6 in.)
Publication Date: 2006

Greg Hill, Chris Dueker, Lee-Ann Martin

Alex Janvier is among the most important figures in the development of contemporary Indigenous art in Canada. This retrospective presents more than 150 works created from 1950 to the present day and recounts the story of a life devoted to art and the re-empowerment of Indigenous cultures. Over a prolific sixty-five-year career Janvier has produced thousands of paintings and many public commissions, all in a unique style, recognizable for its calligraphic lines, vivid colours, Dene iconography and forms that evoke land, sky, galaxies and microscopic life. Janvier is part of a distinguished group of artists in Canada who have brought Indigenous beliefs, issues and aesthetics to the foreground and successfully combined them with Western art styles and techniques.

Paperback | 200 pages
23 x 28 cm (9 x 11 in.)
Publication Date: 2016

Greg Hill, Chris Dueker, Lee-Ann Martin

Alex Janvier is among the most important figures in the development of contemporary Indigenous art in Canada. This retrospective presents more than 150 works created from 1950 to the present day and recounts the story of a life devoted to art and the re-empowerment of Indigenous cultures. Over a prolific sixty-five-year career Janvier has produced thousands of paintings and many public commissions, all in a unique style, recognizable for its calligraphic lines, vivid colours, Dene iconography and forms that evoke land, sky, galaxies and microscopic life. Janvier is part of a distinguished group of artists in Canada who have brought Indigenous beliefs, issues and aesthetics to the foreground and successfully combined them with Western art styles and techniques.

Paperback | 200 pages
23 x 28 cm (9 x 11 in.)
Publication Date: 2016

Ann Thomas

American Photographs 1900-1950 is the fourth in a series of publications focusing on selected masterpieces from the Photographs collection of the National Gallery of Canada. The first half of the 20th century marks a lively era in American art history when photography was first celebrated as an art form. The catalogue highlights masterpieces from such photographers as Lisette Model, Alfred Stieglitz, Edward Steichen, Walker Evans, and Edward Weston.

Paper | 196 pages
20.5 x 26.5 cm (8 x 10½ in.) 
Publication Date: 2011

Matha Hannah with Marnie Fleming & Olivier Asselin 

The work of Angela Grauerholz occupies an important place in Canadian and international photography. From the 1980s on, her search to redefine the art of photography has taken various forms including portraits and interior and exterior scenes with or without people. This retrospective publication covers twenty years of production and highlights Grauerholz's major photographic and installation works. Three critical essays discuss the work in relation to time, memory and representation. 

Hardcover | 240 pages 
18 x 24.5 cm (7.1 x 9.65 in.) 
Publication Date: 2007

Lilias Torrance Newton (1896-1980)
Anna, c. 1923 

"[Lilias] Torrance Newton went on to make portraiture her specialty; she had to support herself and her young son during the Depression, since her marriage had ended in divorce after her husband’s bankruptcy and abandonment of the family." 

- Excerpt from the catalogue Uninvited: Canadian Women Artists in the Modern Moment, an exhibition organized by the McMichael Canadian Art Collection with the exceptional support of the National Gallery of Canada.

6.5 x 9 cm (2.5 x 3.5 in.)

In the collection of the National Gallery of Canada.

Lilias Torrance Newton (1896-1980)
Anna, c.1923

"[Lilias] Torrance Newton went on to make portraiture her specialty; she had to support herself and her young son during the Depression, since her marriage had ended in divorce after her husband’s bankruptcy and abandonment of the family." 

Excerpt from the catalogue Uninvited: Canadian Women Artists in the Modern Moment, an exhibition organized by the McMichael Canadian Art Collection with the exceptional support of the National Gallery of Canada.

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

This magnet features the artwork April in the Laurentians (1922–1924) by Anne Savage (1896–1971). 

9 x 6.5 cm (3.5 x 2.5 in.) 

In the collection of the National Gallery of Canada.

Related Exhibition: Winter Count: Embracing the Cold

This notecard features a detail of the artwork April in the Laurentians (1922–1924) by Anne Savage (1896–1971). 

Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.) 
Blank inside. Envelope included. 

In the collection of the National Gallery of Canada 

Related Exhibition: Winter Count: Embracing the Cold