These soft combed, elasticized socks feature a design by Gitxsan artist Trevor Angus. 

56% cotton, 42% polyamide, 2% spandex

This 300 piece puzzle is adapted from the painting Woman with a Parasol — Madame Monet and Her Son (1875) by Claude Monet (1840–1926). 

Finished puzzle size: 23 x 31 cm (9 x 12 in.) 
Packaged in a 12.7 cm (5 in.) tube 
Includes a cloth bag to store the puzzle pieces.

This fine bone china teacup depicts a detail from the painting Woman with a Parasol (1875) by Claude Monet (1840–1926). The set includes a teacup, an infuser and a lid.

Holds 414 ml (14 fl. oz.)
Microwave and dishwasher safe
Packaged in a gift box

This tote bag features a detail from the painting Woman with a Parasol — Madame Monet and Her Son (1875) by Claude Monet (1840–1926). 

Canvas
Dimensions: 38 x 44 cm (15 x 17.5 in.) 

These playing cards feature artworks from various women artists from the Renaissance to the present. 

Includes: One deck of standard-sized playing cards (55 cards)

Diana Nemiroff

From obstacles of bureaucracy to veiled challenges to women in powerful positions, Women at the Helm paints a rich picture of what it takes to lead a major art institution. In her latest book, author and art historian Diana Nemiroff explores a transformative thirty-year period in the history of the National Gallery of Canada through the careers of its first three women directors (Jean Sutherland Boggs, Hsio-yen Shih, and Shirley L. Thomson), detailing each of their unique triumphs and tribulations.

Paperback | 552 pages
85 photos, colour insert
19 x 24 cm (7.5 x 9.5 in)

Made from natural materials in delightful colour tones, this 100% wool trivet protects your table and countertops from hot dishes, pans, and casseroles while adding effortless beauty to your table setting.

100% wool 
22 cm (8.66 in.) diameter 
Designed in Canada. Handmade in Nepal. 

Please Note: Photo may differ slightly from the actual item in terms of colour placement.

This set of 12 notecards (two of each of six styles) features reproductions of the following designs by Ojibwe artist Jim Oskineegish: Father & Son, A Mother's Love, Bear, Playful Time, You Can Do It, and Crow. 

Made in Canada
Card dimensions: 16 x 10.7 cm (6.3 x 4.2 in.)
Blank inside; bilingual text on box and back of cards 
Envelopes are included

This set of 4 coasters features a detail from the painting Woodland Floral (1991) by Anishnaabe (Ojibwa) artist Norval Morrisseau (1932–2007).

9.5 x 9.5 cm (3 ¾ x 3 ¾ in)
Cork

This coin purse features artwork by Anishinaabe (Ojibwa) artist Norval Morrisseau (1932–2007).

14 x 10 x 2.5 cm (5.5 x 3.9 x 1 in.) 

Faux leather
3 card slots and 1 zipper compartment

This magnet features an artwork by Anishnaabe (Ojibwa) artist Norval Morrisseau (1932–2007). 

6.5 x 9 cm (2 ½ x 3 ½ in.)

This glass ornament, hand-painted from the inside, features a detail from the painting Woodland Floral (1991) by Anishinaabe (Ojibwa) artist Norval Morrisseau (1932–2007). 

Diameter: 7.5 cm (2.9 in.)
Presented in a gift box

This soft shawl, which can be worn in a variety of ways, features a detail of the painting Woodland Floral (1991) by Anishinaabe (Ojibwa) artist Norval Morrisseau (1932–2007). 

100% Recycled Polyester
180 cm x 70 cm (70.9 x 27.6 in.) 

This silk tie features a design by Anishnaabe (Ojibwa) artist Norval Morrisseau (1932–2007).

100% Silk
Width: 8 cm (3.15 in.)
Packaged in a gift box

This stainless steel, double-walled travel mug features a detail from the painting Woodland Floral (1991) by Anishnaabe (Ojibwa) artist Norval Morrisseau (1932–2007). Insulates hot beverages up to 5 hours and cold beverages up to 12 hours.

16 x 8 cm (6.3 x 3.15 in.) 
Holds 330 ml (11.16 fl. oz.) 
Hand wash only

This set of 12 notecards (two of each of six styles) features reproductions of the following artworks by Patrick Hunter: Prayer Carrier, Turtle Island, Journey, Blue Jay, Spirit of the Mooz, and Blue Heron. 

Made in Canada
Card dimensions: 16 x 10.7 cm (6.3 x 4.2 in.)
Blank inside; bilingual text on box and back of cards 
Envelopes are included

Lynne Cooke

This transformative exhibition explores how abstract art and woven textiles have intertwined over the past hundred years.

In the 20th century, textiles were often considered lesser – as applied art, women’s work, or domestic craft. Woven Histories challenges the hierarchies that have separated textiles from fine arts. Putting into dialogue some 130 works by more than 45 creators from across generations and continents, the exhibition explores the contributions weaving and related techniques have made to abstraction, modernism’s pre-eminent art form.

See a variety of textile techniques including weaving, knitting, netting, knotting and felting. Learn about the wide-ranging reasons artists from Anni Albers to Rosemarie Trockel and Jeffrey Gibson (Mississippi Band of Choctaw Indians/Cherokee Nation) have engaged with this art form. Some seek to effect social change; others address political issues. Engaging with textiles as subject, material and technique, still others revitalize abstraction’s formal conventions or critique its patriarchal history and gendered identity.

Follow this hidden thread of art history to discover the work of creators who were once marginalized for their gender, race or class.

Hardcover
24 x 28 cm (9.5 x 11 in.)
Publication date: 2024

The exhibition is organized by the National Gallery of Art, Washington, in collaboration with the National Gallery of Canada, Ottawa, the Los Angeles County Museum of Art, and The Museum of Modern Art, New York.

This 300 piece puzzle is adapted from the painting Yan Q.C.I. (1912) by Emily Carr (1871–1945). 

Finished puzzle size: 31 x 23 cm (12 x 9 in.) 
Packaged in a 12.7 cm (5 in.) tube 
Includes a cloth bag to store the puzzle pieces.

This necklace features a goldfinch from the painting Yellow Birds (c. 1960s) by Maud Lewis (1903–1970).

Pewter 
Made in Pugwash, Nova Scotia by Basic Spirit 
Chain: 42 cm (16.5 in.), charm: : 2.6 x 1 cm (1 x 0.4 in.) 

From the collection of the Art Gallery of Nova Scotia

This phone ring features a goldfinch from the painting Yellow Birds (c. 1960s) by Maud Lewis (1903–1970). 

Approx. 5 x 6 cm (2 x 2.4 in.) 

In the collection of the Art Gallery of Nova Scotia