This set of 4 coasters features a detail from the painting Woodland Floral (1991) by Anishnaabe (Ojibwa) artist Norval Morrisseau (1932–2007).

9.5 x 9.5 cm (3 ¾ x 3 ¾ in)
Cork

This coin purse features artwork by Anishinaabe (Ojibwa) artist Norval Morrisseau (1932–2007).

14 x 10 x 2.5 cm (5.5 x 3.9 x 1 in.) 

Faux leather
3 card slots and 1 zipper compartment

This soft shawl, which can be worn in a variety of ways, features a detail of the painting Woodland Floral (1991) by Anishinaabe (Ojibwa) artist Norval Morrisseau (1932–2007). 

100% Recycled Polyester
180 cm x 70 cm (70.9 x 27.6 in.) 

This silk tie features a design by Anishnaabe (Ojibwa) artist Norval Morrisseau (1932–2007).

100% Silk
Width: 8 cm (3.15 in.)
Packaged in a gift box

This stainless steel, double-walled travel mug features a detail from the painting Woodland Floral (1991) by Anishnaabe (Ojibwa) artist Norval Morrisseau (1932–2007). Insulates hot beverages up to 5 hours and cold beverages up to 12 hours.

16 x 8 cm (6.3 x 3.15 in.) 
Holds 330 ml (11.16 fl. oz.) 
Hand wash only

This set of 12 notecards (two of each of six styles) features reproductions of the following artworks by Patrick Hunter: Prayer Carrier, Turtle Island, Journey, Blue Jay, Spirit of the Mooz, and Blue Heron. 

Made in Canada
Card dimensions: 16 x 10.7 cm (6.3 x 4.2 in.)
Blank inside; bilingual text on box and back of cards 
Envelopes are included

Lynne Cooke

This transformative exhibition explores how abstract art and woven textiles have intertwined over the past hundred years.

In the 20th century, textiles were often considered lesser – as applied art, women’s work, or domestic craft. Woven Histories challenges the hierarchies that have separated textiles from fine arts. Putting into dialogue some 130 works by more than 45 creators from across generations and continents, the exhibition explores the contributions weaving and related techniques have made to abstraction, modernism’s pre-eminent art form.

See a variety of textile techniques including weaving, knitting, netting, knotting and felting. Learn about the wide-ranging reasons artists from Anni Albers to Rosemarie Trockel and Jeffrey Gibson (Mississippi Band of Choctaw Indians/Cherokee Nation) have engaged with this art form. Some seek to effect social change; others address political issues. Engaging with textiles as subject, material and technique, still others revitalize abstraction’s formal conventions or critique its patriarchal history and gendered identity.

Follow this hidden thread of art history to discover the work of creators who were once marginalized for their gender, race or class.

Hardcover
24 x 28 cm (9.5 x 11 in.)
Publication date: 2024

The exhibition is organized by the National Gallery of Art, Washington, in collaboration with the National Gallery of Canada, Ottawa, the Los Angeles County Museum of Art, and The Museum of Modern Art, New York.

These earrings feature a goldfinch from the painting Yellow Birds (c. 1960s) by Maud Lewis (1903–1970). 

Pewter 
Made in Pugwash, Nova Scotia by Basic Spirit 
Each bird is 2.5 x 1 cm (1 x 0.4 in.) 

From the collection of the Art Gallery of Nova Scotia

This necklace features a goldfinch from the painting Yellow Birds (c. 1960s) by Maud Lewis (1903–1970).

Pewter 
Made in Pugwash, Nova Scotia by Basic Spirit 
Chain: 42 cm (16.5 in.), charm: : 2.6 x 1 cm (1 x 0.4 in.) 

From the collection of the Art Gallery of Nova Scotia

This phone ring features a goldfinch from the painting Yellow Birds (c. 1960s) by Maud Lewis (1903–1970). 

Approx. 5 x 6 cm (2 x 2.4 in.) 

In the collection of the Art Gallery of Nova Scotia

This pin features a goldfinch from the painting Yellow Birds (c. 1960s) by Maud Lewis (1903–1970). 

Enamel, black nickel plating 
Approx. 3 cm (1.2 in.) 

In the collection of the Art Gallery of Nova Scotia

This embroidered tuque features a yellow bird by Maud Lewis (1903–1970).

One size 
100% Acrylic 

From the collection of the Art Gallery of Nova Scotia

Get your creativity flowing with this journal featuring a detail from the painting Yellow Birds (c. 1960s) by Maud Lewis (1903–1970). 

Hardcover | 192 lined pages 
14 x 20.3 cm (5.5 x 8 in.) 
Ribbon bookmark

This lightweight, semi-transparent scarf features the painting Yellow Birds (c. 1960s) by Maud Lewis (1903–1970). 

100% Silk
50 x 180 cm (19.7 x 70.7 in.) 

From the collection of the Art Gallery of Nova Scotia

Keep your eyewear safe within this sleek, felt-lined metal case featuring a detail from the painting Young Lady with Gloves (1927–1930) by Tamara de Lempicka (1898–1980). 

16 x 2.8 x 6.6 cm (6.3 x 1.1 x 2.6 in.)

This set of 12 notecards (two of each of six styles) features reproductions of the following designs by Coast Salish artist Zac George Skokaylem: Spa ath", New Moon, North Vancouver, Seagulls in Flight, Raven Prayers, and Coast Salish Mural. 

Made in Canada
Card dimensions: 16 x 10.7 cm (6.3 x 4.2 in.)
Blank inside; bilingual text on box and back of cards 
Envelopes are included

Keep your eyewear safe within this sleek, felt-lined metal case featuring a detail from the artwork Zodiac (La Plume) (1896) by Alphonse Mucha (1860–1939). 

16 x 2.8 x 6.6 cm (6.3 x 1.1 x 2.6 in.)

This travel-friendly, fashionable metal pill box features a detail from the artwork Zodiac (La Plume) (1896) by Alphonse Mucha (1860–1939).

5.5 x 4 x 1.5 cm (2.2 x 1.6 x 0.6 in.)