Keep your drinks warm in this distinctive, ultra-durable stainless steel travel mug featuring a design by Haisla and Heiltsuk artist Paul Windsor. The cork base prevents scratching on different surfaces.

8.5 cm (3.35 in.) in diameter
Holds 341 ml (12 fl. oz.)
Hand wash

Add artistry to your table spread with this Canadian made trivet, featuring a motif designed by Haida artist Andrew Williams. 

Size: 17.8 x 17.8 cm (7 x 7 in.) 

Made in Canada
Recycled Glass 
Hand wash only

This unique stainless steel bottle features a design by Haisla and Heiltsuk artist Paul Windsor.

Carabiner included
5 cm (1.97 in.) in diameter
Holds 710 ml (25 fl. oz.)
Hand wash

Add artistry to your table spread with this Canadian made trivet, featuring a motif designed by Gitxsan/Tlingit/Nisga’a artist Karen Francis. 

Diameter: 19 cm (7.5 in.)

Made in Canada
Recycled Glass 
Hand wash only

Mary Pratt (1935-2018)
Red Currant Jelly, 1972

Pratt often took domestic imagery as her subject, believing that commonplace objects were “worthy of a close look.” The acclaimed Newfoundland painter experimented with light to transform an ordinary moment into a charged dramatic scene.

6.5 x 9 cm (2.5 x 3.5 in.)

In the collection of the National Gallery of Canada.

Mary Pratt (1935-2018)
Red Currant Jelly, 1972

Pratt often took domestic imagery as her subject, believing that commonplace objects were “worthy of a close look.” The acclaimed Newfoundland painter experimented with light to transform an ordinary moment into a charged dramatic scene.

Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

This tote bag features a detail from the woodblock print Fine Wind, Clear Morning (Red Fuji) (c. 1830–1832) by Katsushika Hokusai (1760–1849).

100% Polyester 
Dimensions: 50 x 42 cm (19.7 x 16.5 in.)
Holds up to 20 kg (44 lb) 
Water-resistant, hand wash only

This 1,000 piece puzzle is adapted from the painting Red House and Yellow Sleigh (1919) by Lawren S. Harris (1885-1970).

Finished puzzle size: 50.8 x 63.5 cm (20 x 25 in.)

Make an artistic impression with this set of 4 coasters featuring a detail from the painting Red House in Winter (1925) by Lawren S. Harris (1885–1970).

9.5 x 9.5 cm (3.7 x 3.7 in.)
Cork

Get your creativity flowing with this compact journal featuring a detail from the painting Red House in Winter (1925) by Lawren Harris (1885–1970). 

Hardcover | 120 lined pages 
12 x 17 x 1.3 cm (4.7 x 6.7 x 0.5 in.) 
Elastic band closure and ribbon bookmark 

This metallic magnet features a detail from the painting Red House in Winter (1925) by Lawren S. Harris (1885–1970). 

9 x 7.8 cm (3.5 x 3 in.)

This soft and absorbent microfibre towel features a detail from the painting Red House in Winter (1925) by Lawren S. Harris (1885–1970).

70 x 50 cm (27.5 x 19.7 in.)
100% Microfibre

This bookmark is inspired by an illustration by Flemish artist Lieven van Lathem (c. 1430–1493).

Silver-plated brass, giclée
4 x 8.5 cm (1 ½ x 3 ½ in.)

A symbol of remembrance, the poppy traces back to the First World War and the poem In Flanders Fields written by Lieutenant Colonel John McCrae in 1915. 

Silver-plated brass, giclée print
Hypo-allergenic ear wires
Length: approx. 3.8 cm (1.5 in.)

Edited by Stephanie S. Dickey and Jochen Sander with contributions by Jonathan Bikker, Jan Blanc, Sonia Del Re, Stephanie S. Dickey, Rudi Ekkart and Claire van den Donk, Robert Fucci, Jasper Hillegers, Maarten Prak, Jochen Sander, Friederike Schütt, Martin Sonnabend.

Around the age of 25, Rembrandt van Rijn (1606–1669) moved from his hometown of Leiden to Amsterdam, which was the commercial capital of northern Europe at that time. Considered a bold step for a fledgling artist, this change demonstrates that Rembrandt wanted to benefit financially from Amsterdam's robust art market. He soon married the cousin of a successful art dealer, and came into frequent contact with wealthy and sophisticated patrons who eagerly commissioned him to paint their portraits. The artist's style quickly evolved from the small, meticulous panels of his Leiden period to the broadly brushed, dramatically lit and realistically rendered canvases for which he is renowned.

Rembrandt in Amsterdam explores this pivotal transition in the artist’s career and reveals how the stimulating and affluent environment of Amsterdam inspired him to reach his full potential. Lavishly illustrated, this volume offers a fascinating look into Amsterdam’s unparalleled creative community and its role in Rembrandt’s development of a wide-ranging brand that comprised landscapes, genre scenes, history paintings, portraits and printmaking.

Hardcover | 384 pages
25 x 31 cm (9.8 x 12.2 in.)
Publication date: 2021

Edited by Stephanie S. Dickey and Jochen Sander with contributions by Jonathan Bikker, Jan Blanc, Sonia Del Re, Stephanie S. Dickey, Rudi Ekkart and Claire van den Donk, Robert Fucci, Jasper Hillegers, Maarten Prak, Jochen Sander, Friederike Schütt, Martin Sonnabend.

Around the age of 25, Rembrandt van Rijn (1606–1669) moved from his hometown of Leiden to Amsterdam, which was the commercial capital of northern Europe at that time. Considered a bold step for a fledgling artist, this change demonstrates that Rembrandt wanted to benefit financially from Amsterdam's robust art market. He soon married the cousin of a successful art dealer, and came into frequent contact with wealthy and sophisticated patrons who eagerly commissioned him to paint their portraits. The artist's style quickly evolved from the small, meticulous panels of his Leiden period to the broadly brushed, dramatically lit and realistically rendered canvases for which he is renowned.

Rembrandt in Amsterdam explores this pivotal transition in the artist’s career and reveals how the stimulating and affluent environment of Amsterdam inspired him to reach his full potential. Lavishly illustrated, this volume offers a fascinating look into Amsterdam’s unparalleled creative community and its role in Rembrandt’s development of a wide-ranging brand that comprised landscapes, genre scenes, history paintings, portraits and printmaking.

Hardcover | 384 pages
25 x 31 cm (9.8 x 12.2 in.)
Publication Date: 2021

This microfibre towel features a design by Chipewyan Dene artist John Rombough. 

70 x 50 cm (27.5 x 19.7 in.)
100% Microfibre

This mug features a design by Chipewyan Dene artist John Rombough. 

9 cm (3 ½ in.) in diameter
Holds 485 ml (16 fl. oz.)
Microwave and dishwasher safe
Presented in a gift box

This glass ornament, hand-painted from the inside, features a design by Chipewyan Dene artist John Rombough. 

Diameter: 7.5 cm (2.9 in.)
Presented in a gift box

This tote bag features a design by Chipewyan Dene artist John Rombough. 

100% Recycled Polyester 
Foldable, comes in a matching pouch
Dimensions: 50 x 40 cm (20 x 15.75 in.) 
Holds up to 6.8 kg (15 lb) 
Water-resistant, hand wash only