Edited by Stephanie S. Dickey and Jochen Sander with contributions by Jonathan Bikker, Jan Blanc, Sonia Del Re, Stephanie S. Dickey, Rudi Ekkart and Claire van den Donk, Robert Fucci, Jasper Hillegers, Maarten Prak, Jochen Sander, Friederike Schütt, Martin Sonnabend.

Around the age of 25, Rembrandt van Rijn (1606–1669) moved from his hometown of Leiden to Amsterdam, which was the commercial capital of northern Europe at that time. Considered a bold step for a fledgling artist, this change demonstrates that Rembrandt wanted to benefit financially from Amsterdam's robust art market. He soon married the cousin of a successful art dealer, and came into frequent contact with wealthy and sophisticated patrons who eagerly commissioned him to paint their portraits. The artist's style quickly evolved from the small, meticulous panels of his Leiden period to the broadly brushed, dramatically lit and realistically rendered canvases for which he is renowned.

Rembrandt in Amsterdam explores this pivotal transition in the artist’s career and reveals how the stimulating and affluent environment of Amsterdam inspired him to reach his full potential. Lavishly illustrated, this volume offers a fascinating look into Amsterdam’s unparalleled creative community and its role in Rembrandt’s development of a wide-ranging brand that comprised landscapes, genre scenes, history paintings, portraits and printmaking.

Hardcover | 384 pages
25 x 31 cm (9.8 x 12.2 in.)
Publication date: 2021

Edited by Stephanie S. Dickey and Jochen Sander with contributions by Jonathan Bikker, Jan Blanc, Sonia Del Re, Stephanie S. Dickey, Rudi Ekkart and Claire van den Donk, Robert Fucci, Jasper Hillegers, Maarten Prak, Jochen Sander, Friederike Schütt, Martin Sonnabend.

Around the age of 25, Rembrandt van Rijn (1606–1669) moved from his hometown of Leiden to Amsterdam, which was the commercial capital of northern Europe at that time. Considered a bold step for a fledgling artist, this change demonstrates that Rembrandt wanted to benefit financially from Amsterdam's robust art market. He soon married the cousin of a successful art dealer, and came into frequent contact with wealthy and sophisticated patrons who eagerly commissioned him to paint their portraits. The artist's style quickly evolved from the small, meticulous panels of his Leiden period to the broadly brushed, dramatically lit and realistically rendered canvases for which he is renowned.

Rembrandt in Amsterdam explores this pivotal transition in the artist’s career and reveals how the stimulating and affluent environment of Amsterdam inspired him to reach his full potential. Lavishly illustrated, this volume offers a fascinating look into Amsterdam’s unparalleled creative community and its role in Rembrandt’s development of a wide-ranging brand that comprised landscapes, genre scenes, history paintings, portraits and printmaking.

Hardcover | 384 pages
25 x 31 cm (9.8 x 12.2 in.)
Publication Date: 2021

This mug features a design by Chipewyan artist John Rombough. 

9 cm (3 ½ in.) in diameter
Holds 485 ml (16 fl. oz.)
Microwave and dishwasher safe
Presented in a gift box

This tote bag features a design by Chipewyan artist John Rombough. 

100% Recycled Polyester 
Foldable, comes in a matching pouch
Dimensions: 50 x 40 cm (20 x 15.75 in.) 
Holds up to 6.8 kg (15 lb) 
Water-resistant, hand wash only 

This unisex t-shirt features a design by Chipewyan artist John Rombough. 

Part of the proceeds will help support the Indigenous Arts Collective of Canada, a volunteer organization led by Indigenous women. 

100% cotton 
Machine washable

This mug features a design by Mi'gmaq artist Tracey Metallic. 

Made of fine china 
Holds 530 ml (18 fl. oz.) 
Microwave and dishwasher safe
Presented in a gift box

Brighten your kitchen with this tea towel, featuring a floral design by Mi'gmaq artist Tracey Metallic.

50 x 70 cm (19.7 x 27.5 in.)
Microfiber

This agenda features artwork by Northern Tutchone artist Richard Shorty. 

Printed in Canada 
120 pages | spiral bound 
15 x 22.8 cm (6 x 9 in.) 
Bilingual

This calendar features 12 artworks by Northern Tutchone artist Richard Shorty. 

Printed in Canada 
23 x 30.5 cm (9 x 12 in.) 
Bilingual 

Accessorize with this lapel pin featuring the iconic Rideau Canal skateway. A perfect keepsake for winter enthusiasts, travellers, and collectors. 

Enamel 
Approx. 3 x 3.2 cm (1.18 x 1.26 in.) 

Monique Brunet-Weinmann 

Great unpublished interviews, personal memories, biographical recollections, and analysis of Riopelle's work: Monique Brunet-Weinmann leads us to understand the intellectual and emotional links that unite the work to the being. It reveals an honest portrait of Riopelle, told through the mythical figures of his work. 

Paperback | 344 pages 
15 x 23 cm (5.9 x 9 in.) 
Only available in French

A limited edition print on silk, this scarf features Jean Paul Riopelle's (1923–2002) Canard à l'orange. Produced in collaboration with the Riopelle Foundation and accompanied by a certificate of authenticity signed by Yseult Riopelle, director of Le Catalogue raisonné de Jean Paul Riopelle and the artist's daughter. 

Hand-sewn 
100% mulberry silk 
132 x 132 cm (52 x 52 in.)

Edited by Sylvie Lacerte with contributions by Gilles Daigneault, Vera Frenkel, Manuel Mathieu, Caroline Monnet, Marc-Antoine K. Phaneuf and Marc Séguin

Marking the centenary of his birth, the exhibition Riopelle, à la croisée des temps introduces Jean Paul Riopelle as a tireless experimenter and innovator, anchored in the contemporary realm. Drawing on the artist’s work across various mediums and materials, guest curator Sylvie Lacerte paints a portrait of Riopelle as a visionary trailblazer. Offering a unique take on this famed Canadian artist, this retrospective presents his acclaimed works alongside creations rarely or never before shown in public.

This richly illustrated catalogue features essays by art specialists and artists who reflect on Riopelle’s legacy as they look at his work. Discover the full force of his legendary influence on both his contemporaries and artists working today, all of whom represent a broad range of cultural and aesthetic perspectives.

Hardcover | 208 pages 
25.5 x 30.5 cm (10 x 12 in.)
Publication Date: 2023

Edited by Sylvie Lacerte with contributions by Gilles Daigneault, Vera Frenkel, Manuel Mathieu, Caroline Monnet, Marc-Antoine K. Phaneuf and Marc Séguin

Marking the centenary of his birth, the exhibition Riopelle: Crossroads in Time introduces Jean Paul Riopelle as a tireless experimenter and innovator, anchored in the contemporary realm. Drawing on the artist’s work across various mediums and materials, guest curator Sylvie Lacerte paints a portrait of Riopelle as a visionary trailblazer. Offering a unique take on this famed Canadian artist, this retrospective presents his acclaimed works alongside creations rarely or never before shown in public.

This richly illustrated catalogue features essays by art specialists and artists who reflect on Riopelle’s legacy as they look at his work. Discover the full force of his legendary influence on both his contemporaries and artists working today, all of whom represent a broad range of cultural and aesthetic perspectives.

Hardcover | 208 pages 
25.5 x 30.5 cm (10 x 12 in.) 
Publication Date: 2023

This warm and soft reversible blanket features a design by Anishinaabe artist Trisha Pitura. 

ABOUT THE DESIGN: Water is life. Water is the heartbeat to all living things. We depend on water to always be there, to be clean and pure to quench our thirst and fill our cells. We take this natural essential for granted and we need to remember that this is a privilege.

152.4 x 203.2 cm (60 x 80 in.)
20% recycled wool, 30% acrylic, 50% recycled polyester
Machine wash cold, hang to dry 
Designed, cut & sewn in Canada

Karen Duffek 

This catalogue features thirty paintings and sculptures by Robert Davidson, a leading contemporary Haida artist who works to expand and transform his understanding of Haida art and cultural practice through engagement with abstraction, reclaiming cultural knowledge, and developing a personal iconography in his art. 

Paper | 64 pages 
20.5 x 25.5 cm (8 x 11 in.) 
Publication Date: 2004
Available in French only

Denise Leclerc, Marion Barclay 

This exhibition catalogue seeks to explore the North American career of one of this century's outstanding sculptors in the technique of welded metal who has been working in the industry since the end of the 1950s.

Paper | 196 pages 
20.5 x 29 cm (8 x 11.4 in.) 
Publication Date: 1999

Denise Leclerc, Marion Barclay 

This exhibition catalogue seeks to explore the North American career of one of this century's outstanding sculptors in the technique of welded metal who has been working in the industry since the end of the 1950s.

Paper | 196 pages 
20.5 x 29 cm (8 x 11.4 in.) 
Publication Date: 1999

Beam Paints is an Indigenous company from the M'Chineeng First Nation located on Manitoulin Island in Lake Huron. 

This paintable card, hand printed by Beam Paints on Fabriano paper, includes all the watercolours needed to complete the design and more. 

Colours: Turtle Belly Red, Cub Brown, Robin's Egg Blue, Graphite, Shell White, Milkweed, and Pumpkin. 

12.2 x 17.8 cm (5 x 7 in.) 
Made in Canada

Prudence Heward (1896-1947)
Rollande, 1929

Prudence Heward’s paintings of strong, independent models offer a new interpretation of Canadian women in the 1920s. Rollande’s thoughtful expression and no-nonsense posture, with hands on her hips and one leg thrust forward, shows that she is in complete control of her environment. Her placement outside of the fence is deliberate, serving to emphasize her independence and strength.

6.5 x 9 cm (2.5 x 3.5 in.)

In the collection of the National Gallery of Canada.