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Prudence Heward (1896-1947)
Girl on a Hill, 1928
Heward was one of a group of women artists who were active in Montreal between the First and Second World Wars. She was primarily known for her figure painting and was associated with the artists who formed the Beaver Hall Group.
6.5 x 9 cm (2.5 x 3.5 in.)
In the collection of the National Gallery of Canada.
Prudence Heward (1896-1947)
Girl on a Hill, 1928
Heward was one of a group of women artists who were active in Montreal between the First and Second World Wars. She was primarily known for her figure painting and was associated with the artists who formed the Beaver Hall Group.
Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.
In the collection of the National Gallery of Canada.
Anabelle Kienle Poňka, Lily Foster and Sarah Fillmore
A year after the city was devastated by the Halifax Explosion, Harold Gilman (British, 1876–1919) and Arthur Lismer (Canadian, 1885–1969) were working in Halifax as war artists. Both commissioned by the Canadian War Memorials Fund to record the war activity on the home front, the two men struck up a friendship and worked side-by-side on occasion.
With the effects of the explosion still clearly visible, Gilman and Lismer turned their attention to the bustling harbour. Produced in conjunction with the Halifax Harbour 1918 exhibition, this compelling book traces the artists' meticulous approach to their mission, the challenges of working during the aftermath of the tragedy and their role during a critical moment in the history of Canadian landscape painting.
Paperback | 144 Pages
25.5 x 23 x 1 cm (10 x 9 x 0.4 in.)
Publication Date: 2018
Bilingual
Lynne Cooke
This transformative exhibition explores how abstract art and woven textiles have intertwined over the past hundred years.
In the 20th century, textiles were often considered lesser – as applied art, women’s work, or domestic craft. Woven Histories challenges the hierarchies that have separated textiles from fine arts. Putting into dialogue some 130 works by more than 45 creators from across generations and continents, the exhibition explores the contributions; weaving and related techniques have made to abstraction, modernism’s pre-eminent art form.
See a variety of textile techniques including weaving, knitting, netting, knotting and felting. Learn about the wide-ranging reasons artists from Anni Albers to Rosemarie Trockel and Jeffrey Gibson (Mississippi Band of Choctaw Indians/Cherokee Nation) have engaged with this art form. Some seek to effect social change; others address political issues. Engaging with textiles as subject, material and technique, still others revitalize abstraction’s formal conventions or critique its patriarchal history and gendered identity.
Follow this hidden thread of art history to discover the work of creators who were once marginalized for their gender, race or class.
Hardcover
24 x 28 cm (9.5 x 11 in.)
Publication date: 2024
The exhibition is organized by the National Gallery of Art, Washington, in collaboration with the National Gallery of Canada, Ottawa, the Los Angeles County Museum of Art, and The Museum of Modern Art, New York.
Moyra Davey, Dalie Giroux and Andrea Kunard
Over the past 40 years, artist Moyra Davey has perfected a unique synthesis of photography, film and text to critically engage with the past, present and future of the world around her. Based on Davey’s eponymous 2019 film, this publication unites three main sources in a chronicle of late 20th-century Quebec, shaped by themes of race, poverty, language and nationalism. Using American writer James Baldwin’s 1962 novel Another Country as its point of departure, it focuses on the life and work of Québécois revolutionary Pierre Vallières and Ottawa-based political philosopher Dalie Giroux.
Published to accompany the exhibition Moyra Davey: The Faithful at the National Gallery of Canada, this deeply personal and highly political book seeks to examine an unresolved chapter of Québécois history from a uniquely interdisciplinary perspective that draws attention to contemporary issues of separatism, while reflecting the artist’s understanding of photography and text as unique corollaries.
This publication features writings by the artist, Dalie Giroux and National Gallery of Canada’s Associate Curator Andrea Kunard, and a poster insert.
Softcover | 168 pages (90 illustrations)
17.3 x 24.1 cm (6.7 x 9.5 in.)
Publication Date: 2020
In the Canadian Arctic community of Kinngait (Cape Dorset), Nunavut, Inuit artists have been making limited-edition prints for half a century. Twelve examples of their work adorn this mini wall calendar.
16.5 x 17.7 cm (6.5 x 7 in.)
Bilingual
Featured artists: Saimaiyu Akesuk, Kenojuak Ashevak, Pee Ashevak, Qavavau Manumie, Ohotaq Mikkigak, Kananginak Pootoogook, Pitaloosie Saila, Ooloosie Saila, Ningiukulu Teevee
About 1,200 miles north of Toronto, the hamlet of Kinngait (Cape Dorset), Nunavut, is home to a multigenerational community of Inuit graphic artists. Their cooperatively owned printmaking studios have been in continual operation since 1959, producing unique, captivating, and powerful images. Twelve of these remarkable prints adorn this calendar’s pages.
30.5 x 33 cm (12 x 13 in.)
Bilingual
Featured artists: Kenojuak Ashevak, Mayoreak Ashoona, Kingmeata Etidlooie, Qavavau Manumie, Kananginak Pootoogook, Aoudla Pudlat, Ooloosie Saila, Ningiukulu Teevee, Papiara Tukiki