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The premium sketchbook is ideal for drawing, sketching, and colouring using graphite, charcoal, conté, and pastels.
21.6 x 13.3 cm (8 ½ x 5 ¼ in.)
192 pages
Acid free paper
Brighten your kitchen with this luxurious tea towel, featuring a motif designed by Haida artist Corey Bulpitt.
70 x 50 cm (27.5 x 19.7 in.)
Cotton Jacquard
Machine washable
This stylish silk tie features a design by Potawatomi artist Daphne Odjig.
Width: 8 cm (3.15 in.)
Packaged in a gift box
Jin-me Yoon (b. 1960)
Souvenirs of the Self (Lake Louise), 1991
Yoon emigrated from South Korea to Vancouver in 1968. While studying contemporary art, she was exposed to artists and theorists engaged with questions of sexual and cultural difference. Her work is recognized for contributing to the ongoing discussions concerning identity and place.
9 x 6.5 cm (3.5 x 2.5 in.)
In the collection of the National Gallery of Canada.
Jin-me Yoon (b. 1960)
Souvenirs of the Self (Lake Louise), 1991
Yoon emigrated from South Korea to Vancouver in 1968. While studying contemporary art, she was exposed to artists and theorists engaged with questions of sexual and cultural difference. Her work is recognized for contributing to the ongoing discussions concerning identity and place.
Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.
In the collection of the National Gallery of Canada.
This travel-friendly, fashionable metal pill box features a detail from the painting Color Study: Squares with Concentric Circles (1913) by Wassily Kandinsky (1866-1944).
5.5 x 4 x 1.5 cm (2.2 x 1.6 x 0.6 in.)
This notecard features the artwork St. Michael and the Dragon (1875) by Edward Burne-Jones (1833–1898).
Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.
In the collection of the National Gallery of Canada.
Related Exhibition: Gathered Leaves: Discoveries from the Drawings Vault.
Edited by Reid Shier with contributions by Ma’an Abu Taleb, Erika Balsom, Samir Gandesha, and George E. Lewis.
Stan Douglas, one of the most compelling voices in Canadian contemporary art, has long explored critical sociocultural and political change. His exhibition for the 59th Biennale di Venezia, 2011 ≠ 1848, reflects upon the language of protest, revolution and the uprisings witnessed across the globe in 2011. Douglas’ four large-scale hybrid documentary photographs re-stage protests in Tunis, London, New York and Vancouver, and his two-channel HD video, ISDN, presents Grime and Mahraganat rappers exchanging subversive lyrics between studios in London and Cairo.
This stunning 288-page illustrated catalogue, published in English, French and Arabic, features some 100 full-colour detailed images that meticulously capture behind-the-scenes views of Douglas’ elaborate productions. Essays by leading international cultural thinkers examine the artist’s work in relation to music, political economy, contemporary media theory and the rise of Grime and Mahraganat.
Hardcover | 288 pages (100 illustrations)
24.8 x 27.5 cm (9.8 x 10.8 in.)
English, French and Arabic
Publication Date: 2022
Add sculptural flair to your home or workplace with this delightful, modern stand-up mobile.
Circles: white, green, blue, red, yellow
Base: black
38.1 x 38.1 x 15.2 cm (15 x 15 x 6 in.)
Aluminum and steel
Packaged in a gift box
Josée Drouin-Brisebois
The National Gallery of Canada is the commissioning institution for the 54th International Art Exhibition at the Venice Biennale featuring the work of acclaimed artist Steven Shearer. Under its pop-cultural surface, Shearer’s work is surprisingly complex and insightful. By showing us aspects of popular culture from many different points of view, he exposes the false hierarchy of high and low art and prompts us to consider the more interesting differences between the cultural industries and the art world. The generously-illustrated catalogue published to accompany the Venice exhibition highlights Shearer’s paintings, text-based works, sculptures and photographic compilations.
Paper | 257 pages
Publication Date: 2011
English, French and Italian
F.H. Varley (1881-1969)
Stormy Weather, Georgian Bay, 1921
Image Size: 41.5 x 55.7 cm (17.75 x 21.93 in.)
Poster Size: 61 x 71 cm (24 x 28 in.)
In the collection of the National Gallery of Canada
This 1,000 piece puzzle is adapted from the painting Study for "Northern River" (1914–1915) by Tom Thomson (1877–1917).
Finished puzzle size: 68 x 49 cm (26 ⅝ x 19 ¼ in.)
This magnet features the artwork Study for the Figure of Innocence in "Innocence Taking Refuge in the Arms of Justice" (c. 1779) by Élisabeth Louise Vigée Le Brun (1755–1842).
6.5 x 9 cm (2.5 x 3.5 in.)
In the collection of the National Gallery of Canada.
Related Exhibition: Gathered Leaves: Discoveries from the Drawings Vault.
This mini poster features the artwork Study for the Figure of Innocence in "Innocence Taking Refuge in the Arms of Justice" (c. 1779) by Élisabeth Louise Vigée Le Brun (1755–1842).
Dimensions:
Image size: 23.5 x 30 cm (9.25 x 11.8 in.)
Paper size: 27.9 x 35.6 cm (11 x 14 in.)
In the collection of the National Gallery of Canada
Related Exhibition: Gathered Leaves: Discoveries from the Drawings Vault.
This notecard features the artwork Study for the Figure of Innocence in "Innocence Taking Refuge in the Arms of Justice" (c. 1779) by Élisabeth Louise Vigée Le Brun (1755–1842).
Card dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.)
Blank inside. Envelope included.
In the collection of the National Gallery of Canada.
Related Exhibition: Gathered Leaves: Discoveries from the Drawings Vault.
Complete your table with these napkins featuring the artwork Sunflowers (1888) by Vincent van Gogh (1853–1890).
20 paper napkins
16.5 x 16.5 cm (6.5 x 6.5 in.) folded
3 ply
This fine bone china mug depicts a detail from Vincent van Gogh’s Vase with Fifteen Sunflowers (1889).
Holds 580 ml (19.6 fl. oz.)
Microwave and dishwasher safe
Packaged in a gift box
This travel-friendly, fashionable metal pill box features a detail from the painting Sunflowers (1888) by Vincent van Gogh (1853-1890).
5.5 x 4 x 1.5 cm (2.2 x 1.6 x 0.6 in.)
Lucius R. O’Brien (1832-1899)
Sunrise on the Saguenay, Cape Trinity, 1880
O’Brien was appointed in 1880 as the first president of the Royal Canadian Academy of Arts, Canada’s first national arts organization. His painting Sunrise on the Saguenay, Cape Trinity was his diploma work, honouring his membership to the Academy, and was one of the earliest works to enter the NGC collection.
9 x 6.5 cm (3.5 x 2.5 in.)
In the collection of the National Gallery of Canada.
Lucius R. O’Brien (1832-1899)
Sunrise on the Saguenay, Cape Trinity, 1880
O’Brien was appointed in 1880 as the first president of the Royal Canadian Academy of Arts, Canada’s first national arts organization. His painting Sunrise on the Saguenay, Cape Trinity was his diploma work, honouring his membership to the Academy, and was one of the earliest works to enter the NGC collection.
Card dimensions: 17.5 x 13.5 cm (6.8 x 5.3 in.)
Blank inside. Envelope included.
In the collection of the National Gallery of Canada.