This switch plate features a detail from Vincent van Gogh's painting Iris (1889) in the collection of the National Gallery of Canada.

Made for single gang toggle switch
11.43 x 6.98 cm (4.5 x 2.75 in)

Mark your page with a masterpiece, with this bookmark featuring a detail from the painting Irises (1889) by Vincent van Gogh (1853–1890).

Solid brass with silver finish, giclée
2.5 x 10.2 cm (1 x 4 in.)

Personalize your desk with this painterly mousepad featuring a detail from Irises (1889) by Vincent van Gogh (1853–1890). 

Fabric top and non-slip rubber backing
23.4 x 19.1 x 0.5 cm (9.2 x 7.5 x 0.2 in)

This fine bone china mug depicts a detail from the painting Irises (1890) by Vincent van Gogh (1853–1890).

Holds 580 ml (19.6 fl. oz.)
Microwave and dishwasher safe
Packaged in a gift box

These high quality playing cards feature Vincent Van Gogh's Irises from the J. Paul Getty Museum, Los Angeles. This boxed set includes two decks of 55 cards.

Enjoy art on the inside and out with this umbrella featuring a detail from the painting Irises (1889) by Vincent van Gogh (1853–1890). Boasting reverse open and close technology, the umbrella folds closed away from you to keep you dry when entering and exiting buildings and cars. 

Closed (length): 78.7 cm (31 in.) 
Open (diameter): 121.9 cm (48 in.) 
Polyester panels, carbon fibre handle

This tote bag features a detail from the painting Irises (1889) by Vincent van Gogh (1853–1890).

100% Polyester
Foldable, comes in a zipper pouch
Dimensions: 50 x 42 cm (20 x 16.5 in.)
Holds up to 20 kg (44 lb)
Water-resistant, hand wash only

This set of 12 notecards (two of each of six styles) features reproductions of the following designs by Isaac Bignell: Moonlight Goose, Caribou Spirit, Wolf Spirit II, Buffalo Spirit, Loon Dance II, and Generations. 

Made in Canada
Card dimensions: 16 x 10.7 cm (6.3 x 4.2 in.)
Blank inside; bilingual text on box and back of cards
Envelopes are included 

Josée Drouin-Brisebois, Greg A. Hill, Andrea Kunard

It Is What It Is: Recent Acquisitions of New Canadian Art features a selection of over seventy works created by more than fifty artists working across the country in a range of media, practices and sensibilities. More than a catalogue, this publication can be seen as a document that acknowledges some of the most compelling works being produced in Canada today.

FEATURED ARTISTS: David Altmejd, Stephen Andrews, Shuvinai Ashoona, Mary Anne Barkhouse, Rebecca Belmore, BGL, Valérie Blass, Shary Boyle, James Carl, Patrick Coutu, Thirza Cuthand, Geoffrey Farmer, Karel Funk, Tim Gardner, Chris Gergley, Greg Girard, Rodney Graham, Pascal Grandmaison, Adad Hannah, Isabelle Hayeur, Antonia Hirsch, Kristan Horton, Simon Hughes, Spring Hurlbut, Sarah Anne Johnson, Wanda Koop, Rodney LaTourelle, Tim Lee, Mark Lewis, Liz Magor, Luanne Martineau, Scott McFarland, Sandra Meigs, Chris Millar, Gareth Moore, Alex Morrison, Nadia Myre, Benny Nemerofsky Ramsay, Shelley Niro, Ed Pien, Tim Pitsiulak, Yannick Pouliot, Steven Shearer, Ron Terada, Susan Turcot, Jeff Wall, Ian Wallace, Chih-Chien Wang, Colleen Wolstenholme, Kevin Yates, Robert Youds, Lawrence Paul Yuxweluptun, Etienne Zack, Rhonda Weppler and Trevor Mahovsky.

Paper | 160 pages
22.5 x 29.5 cm (8.9 x 11.6 in.) 
Publication Date: 2010

David Franklin

Seventy of the finest Italian drawings from the 16th to the 18th centuries in the permanent collection of the National Gallery of Canada are featured in this volume. Brilliant examples by such artists as Giulio Romano, Parmigianino, Annibale Carracci and Piranesi were selected and described. This is the first in a series of catalogues presenting selected treasures from the Gallery's permanent collection.

Paper | 176 pages
Publication Date: 2003

This 1,000 piece puzzle is adapted from the painting Jack Pine and Poplar (1948) by A.J. Casson (1898–1992).

Finished puzzle size: 50.8 x 63.5 cm (20 x 25 in.)

This notecard features the artwork Jacket for Two Typescripts by Antonin Artaud (1948) by Jean Paul Riopelle (1923-2002).

Card dimensions: 13 x 18 cm (5 x 7 in.)
Blank inside. Envelope included.

In the collection of the National Gallery of Canada.

This soothing tote bag of serene blues and greens is inspired by one of the paintings of a Japanese footbridge by Claude Monet (1840–1926).

100% Polyester
Foldable, comes in a zipper pouch
Dimensions: 50 x 42 cm (20 x 16.5 in.)
Holds up to 20 kg (44 lb)
Water-resistant, hand wash only

An enchanting, dreamlike pond of water lilies and lush greenery, this collapsible umbrella features a detail from one of the paintings of a Japanese footbridge by Claude Monet (1840–1926).

Closed: 30 cm (12 in.)
Open (diameter): 122 cm (48 in.)

Scotiabank Photography Award

Covering over 30 years of artistic practice, this book celebrates the complex yet highly distilled photographs of Jin-me Yoon’s dynamic vision. Showcasing a camera that is a witness to performative acts occurring both inside and outside the frame, the book reveals how Yoon has expanded conceptualist understandings of image-making and contributed to ongoing discussions of place and identity. In doing so, this volume illustrates how she uses the inherent mobility of images and the forces of diasporic thinking to bring disparate worlds together in poetic relation and create conditions for a different future.

Hardcover | 228 pages
24.8 x 30.5 cm (9.76 x 12 in.)

Edited by Zoë Chan and Diana Freundl

Jin-me Yoon is an important Canadian lens-based artist who has been working steadily since emerging on Vancouver’s contemporary art scene in the 1990s. Produced in tandem with a major exhibition at the Vancouver Art Gallery in 2022, About Time focuses on Yoon’s monumental and multifaceted production during the 2010s, which typically combines photography, video, performance, and installation. In these layered works, Yoon addresses the subject matter of diasporic experience, colonialism, imperialism, and militarism, but with an increasingly politicized awareness of what it means to live and work as a diasporic artist on land stolen from Indigenous peoples. Characterized by a restrained poetic style, the use of slowness and repetition, and the sensory use of sound, this period in Yoon’s corpus is undergirded by a strong environmentalist thrust. Recurring tropes of this mature phase of her work include cinematic tableaux of individuals integrated within the Pacific West Coast’s stunning natural landscapes.

Hardcover | 208 pages
17.78 x 24.77 cm (7 x 9.75 in.) 

Ming Tiampo

In Jin-me Yoon: Life & Work, Ming Tiampo reveals how Yoon’s multidisciplinary art—which includes photography, video, performances, and installations—reconnects troubled pasts with damaged presents and offers hope for a better future. It considers how one of Canada’s most important voices on the nature of identity developed a critical perspective on the representation of this country in museums, art history, the tourist industry, and monuments with groundbreaking works such as Souvenirs of the Self, 1991, and Group of Sixty-Seven, 1996, projects that, as Tiampo notes, have become “canonical touchstones in the public articulation of Canadian identity and race.”

Hardcover | 128 pages
20x28 cm (8x11 in.)

Sequoia is owned and operated by Indigenous women and located in Kahnawake.

This handmade soap is a blend of raspberry, red currant, tulip, freesia, heliotrope, rose, cashmere musk, vanilla and amber. It is inspired by the Jingle Dress, which is a sacred Anishinaabe women’s dress and dance tradition.

Ingredients: Canola Oil, Water, Coconut Oil, Olive Oil, Sodium Hydroxide, Organic Shea Butter, Organic Caster Oil, Stearic Acid, Fragrance Oil, Ultramarine, Titanium Dioxide. 

110 ml (4 oz.)
Not tested on animals
Indigenous-owned and operated
Made in Canada 

This set contains 20 notecards (five each of four styles) featuring reproductions of the following paintings by John Hall Thorpe (1874–1947): Country Bunch, Crocus, Cowslips, and Anemones. 

Card dimensions: 12 x 17 cm (4 ¾ x 6 ¾ in)
Blank inside 
Envelopes are included

This bookmark features a detail from the painting Judith and the Head of Holofernes (1901) by Gustav Klimt (1862–1918). 

Gold-plated brass, giclée 
6.7 x 3.6 cm (2.6 x 1.4 in.)