{"title":"Emily Carr","description":"","products":[{"product_id":"magnetic-north-imagining-canada-in-painting-1910-1940-english","title":"Magnetic North: Imagining Canada in Painting 1910–1940 (English)","description":"\u003cp\u003e\u003cstrong\u003eMartina Weinhart\u003cbr\u003e\u003cbr\u003eWith contributions by Rebecca Herlemann, Ruth Phillips, Carmen Robertson, Jeff Thomas, Georgiana Uhlaryik, Reneée van der Avoird, Martina Weinhart and Interviews with Lisa Jackson and Caroline Monnet\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIn the early 20th century, artists such as Emily Carr, Tom Thomson, and members of what would become the Group of Seven, transformed Post-Impressionism techniques into exciting new ways of interpreting the Canadian landscape.\u003cbr\u003e\u003cbr\u003eChallenging existing traditions, they left major cities such as Toronto, Montreal and Vancouver and ventured deep into the Canadian wilderness. Often remaining in the bush for weeks on end, they reimagined the natural world using bold colours, stylized forms, and dynamic brushwork, producing vibrant modernist works that would define Canada and Canadian art for decades to come.\u003cbr\u003e\u003cbr\u003ePremiering at Frankfurt’s Schirn Kunsthalle, \u003cem\u003eMagnetic North\u003c\/em\u003e features 87 works of art, including 23 works from the National Gallery of Canada. The exhibition also comprises five films, including two by contemporary Indigenous artists: \u003cem\u003eHow a People Live, \u003c\/em\u003ea documentary by filmmaker Lisa Jackson and \u003cem\u003eMobilize\u003c\/em\u003e, a short film by artist Caroline Monnet.\u003cem\u003e\u003cbr\u003e\u003cbr\u003eMagnetic North was organized by the SCHIRN KUNSTHALLE FRANKFURT, the Art Gallery of Ontario, and the National Gallery of Canada, with the generous support of the Department of Canadian Heritage.\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003cstrong\u003eHardcover | 240 pages\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e23.5 x 27.5 cm (9.25 x 10.82 in)\u003cbr\u003ePublication Date: 2021\u003c\/strong\u003e\u003c\/p\u003e","brand":"NGC-MBAC","offers":[{"title":"Default Title","offer_id":49496750915797,"sku":"9783791359946","price":75.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/0508\/6677\/files\/MagneticNorth.png?v=1726590024"},{"product_id":"le-nord-magnetique-imaginer-le-canada-en-peinture-1910-1940-francais","title":"Le nord magnétique : Imaginer le Canada en peinture 1910-1940 (French)","description":"\u003cp\u003e\u003cstrong\u003eMartina Weinhart\u003cbr\u003e\u003cbr\u003eWith contributions by Rebecca Herlemann, Ruth Phillips, Carmen Robertson, Jeff Thomas, Georgiana Uhlaryik, Reneée van der Avoird, Martina Weinhart and Interviews with Lisa Jackson and Caroline Monnet\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIn the early 20th century, artists such as Emily Carr, Tom Thomson, and members of what would become the Group of Seven, transformed Post-Impressionism techniques into exciting new ways of interpreting the Canadian landscape.\u003cbr\u003e\u003cbr\u003eChallenging existing traditions, they left major cities such as Toronto, Montreal and Vancouver and ventured deep into the Canadian wilderness. Often remaining in the bush for weeks on end, they reimagined the natural world using bold colours, stylized forms, and dynamic brushwork, producing vibrant modernist works that would define Canada and Canadian art for decades to come.\u003cbr\u003e\u003cbr\u003ePremiering at Frankfurt’s Schirn Kunsthalle, \u003cem\u003eMagnetic North\u003c\/em\u003e features 87 works of art, including 23 works from the National Gallery of Canada. The exhibition also comprises five films, including two by contemporary Indigenous artists: \u003cem\u003eHow a People Live, \u003c\/em\u003ea documentary by filmmaker Lisa Jackson and \u003cem\u003eMobilize\u003c\/em\u003e, a short film by artist Caroline Monnet.\u003cem\u003e\u003cbr\u003e\u003cbr\u003eMagnetic North was organized by the SCHIRN KUNSTHALLE FRANKFURT, the Art Gallery of Ontario, and the National Gallery of Canada, with the generous support of the Department of Canadian Heritage.\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003cstrong\u003eHardcover | 240 pages\u003cbr\u003e23.5 x 27.5 cm (9.25 x 10.82 in)\u003cbr\u003ePublication Date: 2021\u003c\/strong\u003e\u003c\/p\u003e","brand":"NGC-MBAC","offers":[{"title":"Default Title","offer_id":49496773394645,"sku":"9780888849571","price":75.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/0508\/6677\/files\/Nordmagnetique.png?v=1726590038"},{"product_id":"forest-landscape-no-2-small-poster","title":"Forest Landscape No.2 Small Poster","description":"\u003cp\u003e\u003cstrong\u003eEmily Carr (1871–1945) \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eForest Landscape No.2\u003c\/em\u003e, c. 1935 \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\"As her medium loosened, [Emily] Carr found herself better able to register both the immediacy of her own perceptions and the fluidity of her response to them.\" \u003cbr\u003e\u003cbr\u003e- Excerpt from the catalogue \u003ca rel=\"noopener\" title=\"Uninvited: Canadian Women Artists In The Modern Moment Catalogue (English)\" href=\"https:\/\/boutique.gallery.ca\/collections\/ngc-publications\/products\/uninvited-canadian-women-artists-in-the-modern-moment-english\" target=\"_blank\"\u003e\u003cem\u003eUninvited: Canadian Women Artists in the Modern Moment\u003c\/em\u003e\u003c\/a\u003e, an exhibition organized by the McMichael Canadian Art Collection with the exceptional support of the National Gallery of Canada. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e\u003cbr\u003eImage size: 20.5 x 30.5 cm ( 8 x 12 in.) \u003cbr\u003ePaper size: 27.9 x 35.6 cm (11 x 14 in.) \u003cbr\u003e\u003cbr\u003eIn the collection of the National Gallery of Canada.\u003c\/p\u003e","brand":"NGC-MBAC","offers":[{"title":"Default Title","offer_id":50800891330773,"sku":"400000017389","price":11.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/0508\/6677\/files\/400000017389_1.png?v=1733505091"},{"product_id":"emily-carr-collected-english","title":"Emily Carr Collected (English)","description":"\u003cp\u003e\u003cstrong\u003eIan M. Thom \u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eNearly seventy years after her death, Emily Carr's works continue to capture the grandeur of British Columbia's landscape and define our vision of the nation. This small-format book showcases the breadth of Carr's career, and includes more than one hundred of the artist’s best and most memorable works. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePaperback | 152 pages \u003cbr\u003e18 x 20.5 cm (7 x 8 in.) \u003cbr\u003ePublication Date: 2013\u003c\/strong\u003e\u003c\/p\u003e","brand":"Douglas \u0026 McIntyre","offers":[{"title":"Default Title","offer_id":51638145876181,"sku":"9781771000802","price":24.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/0508\/6677\/files\/9781771000802_1.png?v=1750967294"},{"product_id":"northern-lights-english","title":"Northern Lights (English)","description":"\u003cp\u003eCelebrating the awe and wonder of the Arctic Circle region through visual art from the 19th and 20th centuries. \u003cbr\u003e\u003cbr\u003eVast, impenetrable coniferous forests, \"white\" summer nights, the perpetual darkness of snowy winters and the famous aurora borealis—the Arctic Circle is a fascinating, if unforgiving, region. The Fondation Beyeler and the Buffalo AKG Art Museum present an exhibition dedicated to this phenomenon with a stunning selection of 19th- and 20th-century paintings by artists from Scandinavia, Finland and Canada. With a gorgeous, atmospheric cover, the catalogue presents work by internationally renowned artists such as Munch and af Klint, while also highlighting artists who are highly respected in their own countries, but little known outside of them. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatured in the catalogue:\u003c\/strong\u003e Hilma af Klint, Helmi Biese, Anna Boberg, Emily Carr, Gustaf Fjæstad, Akseli Gallen-Kallela, Lawren S. Harris, J.E.H. 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Jackson (1882–1974) \u003cem\u003e\u003cbr\u003eAs the Old Sing, So the Young Pipe \u003c\/em\u003e(c. 1640–1645) by Jacob Jordaens (1593–1678) \u003cem\u003e\u003cbr\u003eShapeshifter \u003c\/em\u003e(2000) by Brian Jungen (b. 1970) \u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eThe Pets and the Materials\u003c\/em\u003e (1860) by Cornelius Krieghoff (1815–1872) \u003cem\u003e\u003cbr\u003eManitoba Party \u003c\/em\u003e(1964) by William Kurelek (1927–1977) \u003cem\u003e\u003cbr\u003eBoy with Bread\u003c\/em\u003e (1892–1899) by Ozias Leduc (1864–1955) \u003cem\u003e\u003cbr\u003eThe Mill, Quebec\u003c\/em\u003e (1925) by Arthur Lismer (1885–1969) \u003cem\u003e\u003cbr\u003eOn the Beach (Saint Jean-de-Luz) \u003c\/em\u003e(1929–1930) by John Lyman (1886–1967) \u003cem\u003e\u003cbr\u003eOrange and Green Bi-serial\u003c\/em\u003e (1967) by Guido Molinari (1933–2004) \u003cem\u003e\u003cbr\u003eJean-Pierre Hoschedé and Michel Monet on the Banks of the Epte \u003c\/em\u003e(c. 1887–1890) by Claude Monet (1840–1926)\u003cem\u003e \u003cbr\u003eCafé el Pasaje, Havana \u003c\/em\u003e(1915–1919) by James William Morrice (1865–1924)\u003cem\u003e \u003cbr\u003eHead of a Baby\u003c\/em\u003e (2003) by Ron Mueck (b. 1958) \u003cem\u003e\u003cbr\u003eSunrise on the Saguenay \u003c\/em\u003e(1880) by Lucius O'Brien (1832–1899) \u003cbr\u003e\u003cem\u003eLake George with Crows \u003c\/em\u003e(1921) by Georgia O'Keeffe (1887–1986) \u003cbr\u003e\u003cem\u003eA Venetian Bather \u003c\/em\u003e(1889) by Paul Peel (1860–1892) \u003cbr\u003e\u003cem\u003eOn the Beach \u003c\/em\u003e(1945) by Alfred Pellan (1906–1988) \u003cbr\u003e\u003cem\u003eHay Harvest at Éragny \u003c\/em\u003e(1901) by Camille Pissarro (1830–1903) \u003cbr\u003e\u003cem\u003eJupiter and Europa \u003c\/em\u003e(c. 1636) by Guido Reni (1575–1642) \u003cbr\u003e\u003cem\u003eClaude and Renée\u003c\/em\u003e (c. 1902–1903) by Pierre-Auguste Renoir (1841–1919) \u003cbr\u003e\u003cem\u003eJoseph and Marie-Louise\u003c\/em\u003e (1929) by Sarah Robertson (1891–1948) \u003cbr\u003e\u003cem\u003eWinter Theme No. 7\u003c\/em\u003e (1961) by Jack Shadbolt (1909–1998) \u003cbr\u003e\u003cem\u003eOld Lumber Dam, Algonquin Park \u003c\/em\u003e(c. 1913) by Tom Thomson (1877–1917) \u003cbr\u003e\u003cem\u003eThe Letter \u003c\/em\u003e(1878) by James Tissot (1836–1902) \u003cbr\u003e\u003cem\u003eReason over Passion\u003c\/em\u003e (1968) by Joyce Wieland (1931–1998)\u003cbr\u003e\u003c\/p\u003e","brand":"NGC-MBAC","offers":[{"title":"Default Title","offer_id":53770930520277,"sku":"X86","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/0508\/6677\/files\/X86_1.png?v=1778250351"},{"product_id":"forest-landscape-no-2-notecard","title":"Forest Landscape No.2 Notecard","description":"\u003cp\u003e\u003cstrong\u003eEmily Carr (1871-1945) \u003cbr\u003e\u003cem\u003eForest Landscape No.2,\u003c\/em\u003e c. 1935 \u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\"As her medium loosened, [Emily] Carr found herself better able to register both the immediacy of her own perceptions and the fluidity of her response to them.\" \u003cbr\u003e\u003cbr\u003e- Excerpt from the catalogue \u003cem\u003eUninvited: Canadian Women Artists in the Modern Moment\u003c\/em\u003e, an exhibition organized by the McMichael Canadian Art Collection with the exceptional support of the National Gallery of Canada. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCard dimensions: 13.5 x 17.5 cm (5.3 x 6.8 in.) \u003cbr\u003eBlank inside. 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